Displaying items by tag: Shout! Factory

We’re starting the week with more new disc reviews here at The Bits, including...

Stephen’s take on John Carpenter’s Ghosts of Mars (2001) in 4K UHD from Shout! and Scream Factory.

Stuart’s look at Richard Thorpe’s That Funny Feeling (1965) on Blu-ray from Kino Lorber Studio Classics.

And Dennis’ thoughts on Jack Haley Jr.’s That’s Entertainment: 50th Anniversary Remastered Edition Blu-ray from the Warner Archive Collection. And we’ve also fixed his review of Frank Borzage’s The Spanish Main (1945) on Blu-ray—also from Warner Archive—that was displaying oddly here on the site last week.

Now then... the big catalog release news today is that our friend Vincent Pereira has just announced a new remastered Director’s Cut Blu-ray of his excellent A Better Place (1997)! It’s available exclusively from the MVD Shop (click this link), for release on 5/27.

The disc features a new 2K restoration of a 3K scan of the original camera negative and first-generation print elements, and it’s presented in the originally-intended 1.50:1 aspect ratio. Audio will be 5.1 LPCM surround, with optional English subtitles. Extras will include a new introduction by Pereira, the legacy commentary with Pereira and the cast and crew, the 2001 version of the film in SD with stereo audio, vintage introductions by executive producers Kevin Smith and Scott Mosier, the vintage “goof” commentary on the 2001 version, deleted scenes with optional commentary, outtakes and bloopers, and a new 2025 trailer. You can see the cover artwork at left and the trailer is available to view below the break. [Read on here...]

Hey guys… my apologies for the lack of updates over the last couple of days. I’ve had a significant computer issue here that I’ve been dealing with which has basically knocked me offline briefly, but things are finally getting back to normal here today.

In terms of new disc reviews, we’ve got a bunch of great titles for you to read about today…

Tim has posted his take on Michael Anderson’s Orca: The Killer Whale (1977) in 4K UHD and Monk: Season Seven (2008-2009) on Blu-ray both from Kino Lorber Studio Classics, as well as John Carpenter’s Village of the Damned (1995) in 4K UHD from Shout! and Scream Factory.

Dennis has reviewed Sean Mathias’ Bent (1977) on Blu-ray from Vinegar Syndrome and Frank Borzage’s The Spanish Main (1945) on Blu-ray from the Warner Archive Collection.

Stuart has offered his take on Lina Wertmüller’s The End of the World in Our Usual Bed on a Night Full of Rain (1978), Robert Altman’s A Prairie Home Companion (2006), and Jack Arnold’s Black Eye (1974), all on Blu-ray from the Warner Archive Collection.

And Stephen has delivered his thoughts on Stephen Norrington’s Blade (1998) in 4K UHD from Warner Bros. Discovery Home Entertainment.

In terms of new release news, A24 has just announced a shop-exclusive version of Brady Corbet’s The Brutalist (2024) in both 4K Ultra HD and Blu-ray that’s due to street in March. The film has been scanned from the original 35mm negatives with the VistaVision footage scanned at 6K, and it will be presented in the proper 1.66:1 aspect ratio on disc. The audio and HDR formats have yet to be announced, but we assume HDR10 high dynamic range at least. [Read on here...]

Our new disc review for today is none other than Stephen’s look at Wolfgang Petersen’s The NeverEnding Story (1984) in a terrific new 4K Ultra HD Limited Edition box set from our friends at Via Vision’s Imprint Films label. The 5-disc set has been released to honor the film’s 40th anniversary and includes multiple cuts of the film plus the 2024 Life After The NeverEnding Story documentary. And it comes in a package that replicates the book as seen in the film. It’s pretty special, so do give Stephen’s thoughts a look here.

Now then... the big news today is that Severn Films has just announced the Blu-ray and 4K Ultra HD release of two more classic Russ Meyer films, including Motorpsycho (1965) and Up! (1976). Pre-orders start today, with the street date set for 4/29. Each has been scanned from the original camera negatives. Look for HDR10 on the 4K discs with mono audio, plus new and archival special features that include audio commentaries and more.

Shout! Factory has begun announcing its April slate, which will include Chris McKay’s Renfield (2023) in 4K Ultra HD, Paul Briganti’s Please Don’t Destroy: The Treasure of Foggy Mountain (2023) on Blu-ray, and Mamoru Hosoda’s Summer Wars (2000) on both Blu-ray and 4K Steelbook (the latter for GKids) on 4/1, followed by Carol Frank’s Sorority House Massacre (1986) on 4K + BD on 4/8, Craig Zobel’s The Hunt (2020) on 4K on 4/22, and Peter Hyams’ Timecop (1994) on 4K + Blu-ray on 4/29. [Read on here...]

We’ve got a bunch of release news to catch you all up on today here at The Bits, but first—as always—we’re closing out the week with a bunch of new and recent disc reviews…

I’ve turned in my thoughts on Quentin Tarantino’s long awaited Kill Bill: Volume 1 (2003) and Kill Bill: Volume 2 (2004) 4K Steelbooks from Lionsgate Limited, as well as their reissue of his Reservoir Dogs (1992) in 4K Steelbook. (And don’t forget my review of Lionsgate Limited’s Jackie Brown 4K Steelbook from earlier this week as well.)

Tim has offered his take on Robert Zemeckis’ Death Becomes Her (1992) and Sam Raimi’s Drag Me to Hell (2009) both in 4K UHD from Shout!/Scream Factory, as well as Warner Archive’s new Blu-ray Double Feature of William A. Wellman’s The Boob (1926) and William A. Seiter’s Why Be Good? (1929), and Jackson Publick’s The Venture Bros.: Radiant Is the Blood of the Baboon Heart (2023) on Blu-ray also from Warner Bros.

Stuart’s look at Sidney Gilliat’s Left Right and Centre (1959) on Blu-ray from Indicator, as well as The Persuaders!: The Complete Series (1971-72) on Blu-ray from Imprint, Fernando Di Leo’s The Italian Connection (1972) on Blu-ray from Raro Video, Jean Aurel’s Les Femmes (1969) on Blu-ray from Kino Classics, and Terence Young’s Bloodline (1979) on Blu-ray from Vinegar Syndrome.

Dennis’ thoughts on Joel and Ethan Coen’s No Country for Old Men (2007) and Stephen Frears’ The Grifters (1990) each on Blu-ray from the Criterion Collection, and Gary David Goldberg’s Must Love Dogs (2005) on Blu-ray from the Warner Archive.

More reviews are on the way next week, so be sure to check back for them! Also, we’ve updated our 4K Ultra HD Release List here at The Bits, as well as our Release Dates & Artwork section—the latter with all the latest 4K UHD, Blu-ray, and DVD cover art and Amazon.com pre-order links. And The Bits is an Amazon Affiliate, so anything you order from them after clicking through one of our links goes to help support our work here at the site and we appreciate it!

Now then, let’s get to that breaking announcement news… [Read on here...]

We’ve got a bunch of new disc reviews for you all to enjoy here at The Bits today, but first I wanted to let you know that Amazon.com is currently running a pretty great deal for 4K titles: You can buy 3 4K titles for just $33, which is a great way to fill holes in your collection. The selection of titles is pretty good too (lots of titles from Warner, Universal, and more), so click here to take advantage if you wish.

All right, today’s new disc reviews here at The Bits start with Stephen’s two cents on David Fincher’s Se7en (1996) on 4K Ultra HD from Warner Bros. Discovery Home Entertainment, Richard Attenborough’s A Bridge Too Far (1977) in 4K UHD from Imprint, and Woo-Ping Yuen’s In the Line of Duty IV (1989) on Blu-ray from 88 Films.

Stuart’s look at Marco Bellocchio’s Slap the Monster on Page One (1972) and Seijun Suzuki’s Tattooed Life (1965) on Blu-ray from Radiance Films, John Farrow’s California (1947) on Blu-ray from Kino Lorber Studio Classics, and Fernando Méndez’s El Vampiro: Two Bloodsucking Tales from Mexico Blu-ray box set from Powerhouse Films, which includes The Vampire (1957) and The Vampire’s Coffin (1958).

Dennis’ thoughts on Matthew Ryan Hoge’s The United States of Leland (2003) on Blu-ray from Imprint Films.

And finally, Tim’s take on Randall Lobb and Robert McCallum’s Power of Grayskull: The Definitive History of He-Man and the Masters of the Universe (2017) documentary on Blu-ray from Vinegar Syndrome, as well as Irving Klaw’s Teaserama (1955), Varietease (1954), and Buxom Beautease (1956) on Blu-ray from Kino Cult.

As always, lots more reviews are on the way in the coming days, so be sure to keep checking back.

Now then, in announcement news today, Warner Bros. Discovery Home Entertainment has revealed that they’re releasing Shane Black’s The Nice Guys (2016) and Shaka King’s Judas and the Black Messiah (2021) on 4K UHD on 2/18. [Read on here...]

Heads up, Bits! We’ve got some very great and long-awaited catalog 4K release news for you this morning.

But first, we also have a few more new disc reviews to share with you...

I’ve just posted my thoughts on Ahsoka: The Complete First Season in 4K Ultra HD Steelbook format from Lucasfilm, which (like all of the latest wave of Disney+ titles, now includes Dolby Vision HDR). And yesterday, I reviewed Christopher Nolan’s Interstellar (2014) in a new 10th Anniversary Limited Edition 4K box set release from Paramount.

Sam has shared his take on Oliver Stone’s Born on the Fourth of July (1989) in a new Shout Select Collector’s Edition 4K Ultra HD release from Shout! Factory.

Dennis has reviewed James Ivory’s Roseland (1977) on Blu-ray from the Cohen Film Collection via Kino Lorber.

And yesterday, Tim posted his look at Arrow’s When Titans Ruled the Earth box set, which includes Louis Letterier’s Clash of the Titans (2010) and Jonathan Liebesman’s Wrath of the Titans (2012) in 4K UHD, as well as Kino Lorber Studio Classics’ Monk: Season Four on Blu-ray.

Watching for more reviews each day the rest of the week. And you Marvel fans should know that yes, we are working on a Loki: Season Two 4K review as well. So be sure to stay tuned for that. [Read on here...]

We’ve got several new disc reviews for you today here at The Bits, including...

Stephen’s look at David Fincher’s Zodiac (2007) in 4K Ultra HD from Paramount, along with his look at Shout! Factory’s Limited Edition Collector’s Set of Jim Henson and Frank Oz’s The Dark Crystal (1982) in 4K UHD, as well as Billy Wilder’s One, Two, Three (1961) on Blu-ray from Kino Lorber Studio Classics.

Dennis’ reviews of Barnaby Thompson’s Mad About the Boy: The Noël Coward Story (2023) documentary on DVD from Kino Lorber, as well as Rebecca Snow’s The Boy in the Woods (2023) on Blu-ray also from Kino Lorber.

And Stuart’s take on Kurt Neumann’s Cattle Drive (1951) on Blu-ray from Kino Lorber Studio Classics, as well as Indicator’s Columbia Horror Blu-ray box set, which includes Region B-locked editions of John Francis Dillon’s Behind the Mask (1932), Roy William Neill’s Black Moon (1934), Albert S. Rogell’s Air Hawks (1935), Charles Barton’s Island of Doomed Men (1940), Henry Levin’s Cry of the Werewolf (1944), and Will Jason’s The Soul of a Monster (1944).

More reviews are on the way soon, as always, so be sure to keep checking back both here and on our social media feeds (on Facebook, Twitter/X, and BlueSky). [Read on here...]

We’ve got more new disc reviews to share with you today, to start the new week out right…

As promised, I’ve shared my in-depth thoughts on Alfred Hitchcock’s North by Northwest (1959) in 4K Ultra HD from Warner Bros. Discovery Home Entertainment, and you’ll be pleased to know that it’s stunning. What’s more, those of you who saw the promotional trailer for the remaster need not worry—its missing fingers and cigarette are untouched in the actual 4K master. The film looks really great.

Also today, Stephen has taken a look at Shout! Factory’s new Limited Edition 4K Ultra HD box set of Jim Henson’s Labyrinth (1986).

Tim has offered his thoughts on Barry Sonnenfeld’s Addams Family Values (1993) in 4K Ultra HD from Paramount Pictures Home Entertainment.

And Sam has reviewed Nikhil Nagesh Baht’s Kill (2023) in 4K Ultra HD Steelbook from Lionsgate.

Next up on my review stack is Mel Brooks’ Blazing Saddles (1974) in 4K Ultra HD from Warner, but first I may share my look at Akira Kurosawa’s Seven Samurai (1954) in 4K UHD from Criterion, provided my copy arrives in the mail today as expected. Either way, both reviews should be posted in the next couple days.

Speaking of Criterion, the company has just unveiled its February 2025 release slate, as follows… [Read on here...]

Heads up, Bits readers!

I just wanted to jump in here this afternoon to share a bit of news and a bunch of new disc reviews that we’ve prepared for today.

First, I’m sure that most of you have seen today’s first news update here by now: Lucasfilm and Disney just announced the 4K Ultra HD Steelbook release of Ron Howard’s Willow (1988).

Call it a hunch, but I have a strong suspicion that this release is meant to set up a second 4K Steelbook release coming in 2025, specifically of the more recent Disney+ streaming series Willow (2022). That show was cancelled and pulled from Disney+, allegedly for cost-cutting reasons, and a good way to try to recoup a little of that investment would be to sell it on 4K disc and possibly Blu-ray. So I think that’s a pretty good possibility next year.

Meanwhile, here at the site today, we’ve just posted our weekly update of the Release Dates & Artwork section (you’ll find that here) featuring all of the latest Blu-ray, DVD, and 4K Ultra HD cover and Amazon.com pre-order links. (Thanks to our own Russell Hammond for his work on that.)

Speaking of which, John Ford’s The Searchers (1956) is finally up for pre-order on Amazon in 4K for the stunning price of just $29.99... [Read on here...]

All right, as promised we have a bunch of new Blu-ray reviews for you today and 4K review as well, with still more set to follow all this week. We’re starting this morning with...

My review of Ron Howard’s excellent Formula 1 racing drama Rush (2013) in 4K Ultra HD from Shout! Factory, featuring stunning HDR and a new Atmos mix on a 100 GB disc.

Stephen’s look at Michael Cimino’s Thunderbolt and Lightfoot (1974) as re-issued in a new Blu-ray edition by Kino Lorber Studio Classics—the same disc that was included with their excellent 4K release last year.

Stuart’s thoughts on Damiano Damiani’s A Man on His Knees (1979) on Blu-ray from Radiance Films and Steven Hilliard Stern’s Rolling Vengeance (1987) on Blu-ray from Kino Lorber Studio Classics.

And Dennis’ take on Norman Taurog’s Words and Music (1948) on Blu-ray from the MGM library via the Warner Archive Collection.

Now then... given that this is Veteran’s Day, a Federal holiday here in the States, there’s not a ton of release news to report, but we do have a couple of things to share with you regardless... [Read on here...]