Displaying items by tag: A24 Shop exclusive

Hey guys… my apologies for the lack of updates over the last couple of days. I’ve had a significant computer issue here that I’ve been dealing with which has basically knocked me offline briefly, but things are finally getting back to normal here today.

In terms of new disc reviews, we’ve got a bunch of great titles for you to read about today…

Tim has posted his take on Michael Anderson’s Orca: The Killer Whale (1977) in 4K UHD and Monk: Season Seven (2008-2009) on Blu-ray both from Kino Lorber Studio Classics, as well as John Carpenter’s Village of the Damned (1995) in 4K UHD from Shout! and Scream Factory.

Dennis has reviewed Sean Mathias’ Bent (1977) on Blu-ray from Vinegar Syndrome and Frank Borzage’s The Spanish Main (1945) on Blu-ray from the Warner Archive Collection.

Stuart has offered his take on Lina Wertmüller’s The End of the World in Our Usual Bed on a Night Full of Rain (1978), Robert Altman’s A Prairie Home Companion (2006), and Jack Arnold’s Black Eye (1974), all on Blu-ray from the Warner Archive Collection.

And Stephen has delivered his thoughts on Stephen Norrington’s Blade (1998) in 4K UHD from Warner Bros. Discovery Home Entertainment.

In terms of new release news, A24 has just announced a shop-exclusive version of Brady Corbet’s The Brutalist (2024) in both 4K Ultra HD and Blu-ray that’s due to street in March. The film has been scanned from the original 35mm negatives with the VistaVision footage scanned at 6K, and it will be presented in the proper 1.66:1 aspect ratio on disc. The audio and HDR formats have yet to be announced, but we assume HDR10 high dynamic range at least. [Read on here...]

We have a few more new announcements to share with you today, and a little bit of an update...

First, A24 has just announced new A24 Shop-exclusive Blu-ray and 4K Ultra HD editions of Halina Reijn’s Babygirl (2024) that are expected to ship in March (street date TBA). The 4K includes HDR10 high dynamic range, while both feature Dolby Atmos audio. Extras on each version will include audio commentary with writer/director Halina Reijn, 2 featurettes (Directing Desire with Halina Reijn and Power Looks: Dressing the Cast of Babygirl), deleted scenes, and a gallery of BTS photography by Niko Tavernise. You can pre-order both versions here.

Meanwhile, our friends at the BFI have just announced new 4K editions of Akira Kurosawa’s Throne of Blood (1957) and Mathieu Kassovitz’s La Haine (1995). The former is set to street on May 19, while the latter arrives on April 14. Both will feature Dolby Vision HDR. You can find those here.

A quick update on those Clint Eastwood 4K titles we mentioned Tuesday, including Pale Rider (1985), Dirty Harry (1971), and The Outlaw Josey Wales (1976): They’re now available for pre-order on the Gruv website, but with no street date listed. We expect official details from Warner Bros. Discovery Home Entertainment in the coming weeks. [Read on here...]

Afternoon, friends! We have three new disc reviews for you today, including...

Stephen’s look at Ramón Menéndez’s Stand and Deliver (1988) on Blu-ray from the Warner Archive Collection.

An update of our old friend Todd Doogan’s 2010 Blu-ray review of Akira Kurosawa’s Yojimbo (1961) and Sanjuro (1962) by Tim Salmons, to cover the Criterion Collection’s new 4K Ultra HD release.

And finally today, Dennis’ look at Anand Tucker’s The Critic (2023) on good old fashioned DVD from Greenwich Entertainment and Kino Lorber.

In terms of announcement news this afternoon, the big news is that HBO has made its planned 4K Ultra HD Steelbook Limited Edition re-release of The Last of Us: The Complete First Season official for 3/18, in anticipation of the debut of Season Two on Max in April.

Also, the A24 shop is releasing an exclusive Blu-ray version of Greg Kwedar’s Sing Sing (2023) with an expected street date TBA for March. You can pre-order it here. The disc will include audio commentary with the director, producer, editor, and cinematographer, 2 featurettes (Trust the Process and Sing Sing Correctional Facility Premiere), deleted scenes, and a gallery of behind-the-scenes photography by Greg Kwedar, Dominic León, Daniel Order, and Pat Scola. [Read on here...]