History, Legacy & Showmanship

History, Legacy & Showmanship

The Abyss does something that every single Cameron film does: explores new frontiers in the technology of film making. And that’s important.” — Matthew Kapell, editor of The Films of James Cameron: Critical Essays

The Digital Bits and History, Legacy & Showmanship are pleased to present this retrospective commemorating the 30th anniversary of the release of The Abyss, James Cameron’s (The Terminator, Titanic) underwater sci-fi adventure starring Ed Harris (The Right Stuff) and Mary Elizabeth Mastrantonio (The Color of Money).

Also starring Michael Biehn (Aliens) and featuring groundbreaking visual effects, The Abyss opened thirty years ago this past summer. For the occasion The Bits features a package of statistics and box-office data that places the movie’s performance in context, along with passages from vintage film reviews, a reference/historical listing of the movie’s showcase presentations, and, finally, an interview segment with a film historian who reflects on the film three decades after its debut. [Read on here...]


The Twilight Zone was an enormously creative television series anchored by one of the true giants of the medium, Mr. Rod Serling, a master storyteller who was given unprecedented control over his work. In terms of quality, no show touches it in consistent quality.” — Steven Jay Rubin, author of The Twilight Zone Encyclopedia

The Digital Bits and History, Legacy & Showmanship are pleased to present this retrospective commemorating the 60th anniversary of The Twilight Zone, Rod Serling’s classic anthology series which originally ran on CBS from 1959 to 1964.

The Twilight Zone premiered sixty years ago this month and for the occasion The Bits features a Q&A with a quartet of Rod Serling authorities and classic television historians who reflect on the timeless series (and its offspring) six decades after its debut. [Read on here...]


Paint Your Wagon is remembered as a standalone oddity in the careers of Lee Marvin and Clint Eastwood.” — Matthew Kennedy, author of Roadshow! The Fall of Film Musicals in the 1960s

The Digital Bits and History, Legacy & Showmanship are pleased to present this retrospective commemorating the golden anniversary of the release of Paint Your Wagon, the Oscar-nominated cinematic interpretation of the Lerner and Loewe stage musical which starred Lee Marvin (Cat Ballou, Point Blank), Clint Eastwood (Dirty Harry, Unforgiven) and Jean Seberg (Pendulum, Airport).

Paint Your Wagon — directed by Joshua Logan (South Pacific, Camelot) and which also featured Harve Presnell (The Unsinkable Molly Brown, Fargo) and Ray Walston (My Favorite Martian, Fast Times at Ridgemont High) — opened 50 years ago this month. For the occasion, The Bits features an historical reference listing of the film’s major-market roadshow engagements and a Q&A with film historian Matthew Kennedy, who discusses the film’s virtues, shortcomings and legacy. [Read on here...]


The Brady Bunch is ’comfort TV’ to the highest degree.” — Classic TV historian Herbie J Pilato

The Digital Bits and History, Legacy & Showmanship are pleased to present this retrospective commemorating the golden anniversary of the premiere of The Brady Bunch, the classic family sitcom which originally ran on ABC from 1969 to 1974 and starred Florence Henderson as Carol/Mom, Robert Reed as Mike/Dad and Ann B. Davis as housekeeper Alice.

The series (and ultimately franchise) — created by Sherwood Schwartz (Gilligan’s Island, It’s About Time) and featuring as the memorable Brady kids Barry Williams (Greg), Maureen McCormick (Marcia), Christopher Knight (Peter), Eve Plumb (Jan), Mike Lookinland (Bobby) and Susan Olsen (Cindy) — premiered 50 years ago this month, and for the occasion The Bits features a Q&A with classic television historian Herbie J Pilato, who offers some recollections and insight into the timeless series. [Read more here...]


“With his wealth of dramatic stage experience, Timothy Dalton seemed ideally suited to this harsher take on Bond, bringing both depth and sensitivity to the character while creditably articulating his quiet rage and single-mindedness. This was Bond, but not as we knew him — now much closer to the tone, if not the setting, of the original Fleming texts.” — Thomas A. Christie, author of The James Bond Movies of the 1980s

The Digital Bits and History, Legacy & Showmanship are pleased to present this retrospective commemorating the 30th anniversary of the release of Licence to Kill, the 16th (official) cinematic James Bond adventure and second (and final) entry to feature Timothy Dalton as Agent 007.

Our previous celebratory 007 articles include Moonraker, Quantum of Solace, From Russia with Love, Never Say Never Again, Live and Let Die, Octopussy, Casino Royale (1967), Tomorrow Never Dies, Die Another Day, Dr. No, The Living Daylights, The Spy Who Loved Me, You Only Live Twice, Diamonds Are Forever, Casino Royale, For Your Eyes Only, Thunderball, GoldenEye, A View to a Kill, On Her Majesty’s Secret Service, Goldfinger, and 007… Fifty Years Strong.

The Bits continues the series with this retrospective featuring a Q&A with an esteemed group of film historians and James Bond authorities who discuss the virtues, shortcomings and legacy of 1989’s Licence to Kill. [Read on here...]


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