Displaying items by tag: Dennis Seuling

All right, we’ve had a big week here at The Bits. As you can probably tell, I’ve spent most of the week checking in with studio and industry sources, which led to yesterday’s scoop on Tombstone coming to 4K Ultra HD next month. And trust me when I tell you that there’s a lot more great 4K catalog news to come in the months ahead. Given that we’ve been a part of—and reporting on—the home entertainment industry for more than twenty-eight years, I can confidently promise you that we have the best sources in this industry period. So when it comes to confirmed and reliable breaking news, you’re likely to hear about it first here at The Digital Bits.

Given that reality, I would highly recommend that you follow us on social media, which is where we tend to post breaking news first. As the editor-in-chief of The Bits, you’ll find me here on X, Facebook, and Bluesky. You’ll find The Digital Bits on X, Facebook, and Bluesky as well. And you can also find Tim (X, Facebook, and Bluesky) and Stephen (X, Facebook, and Bluesky) on all three social platforms too.

What’s more, if you’re not already a subscriber of our Digital Bits Patreon, please consider doing so! There are very affordable options for subscribing, it’s a great way to support our work here at the site, and we’re offering our Patreon supporters additional news posts, video blogs, the option to ask us questions regularly, and sneak peeks at upcoming titles. Whether you’ve been a Bits reader since the very beginning of the website back in 1997, or you’ve just come to learn of us with 4K Ultra HD, we work our asses off here every day to make your experience of physical media better, to encourage the studios to release great catalog titles, and help support fans of physical media and the industry at large. Regular reader or not, if you’re an avid disc fan you have definitely benefited from our efforts over the years. So if you value that, supporting us on Patreon is a great way to help make sure that we can keep doing this work on behalf of you and everyone who loves movies, TV shows, and music on disc. We’re building a great community over there and we’d love for you all to be a part of it! [Read on here...]

We’ve got one more new disc review to round out the week here at The Bits this afternoon...

Dennis has taken a look at Robert Day’s Two-Way Stretch (1960) on Blu-ray from Kino Lorber Studio Classics, a classic heist caper starring Peter Sellers.

The big release news today is that our friends at The Criterion Collection have just announced their June slate, which is absolutely fantastic! Look for 4K Ultra HD upgrades of Terry Gilliam’s Brazil (1985) (Spine #51) and Paul Schrader’s Mishima: A Life in Four Chapters (1985) (Spine #432) on 6/3, followed by Sidney Lumet’s The Wiz (1978) (Spine #1264) in 4K UHD and Blu-ray on 6/10, Charlotte Zwerin’s Thelonious Monk Straight, No Chaser (1988) (Spine #1265) and Mitchell Leisen’s Midnight (1939) (Spine #1266) both on Blu-ray on 6/17, and François Girard’s Thirty Two Short Films About Glenn Gould (1993) (Spine #1268) and William Friedkin’s Sorcerer (1977) (Spine #1267) in 4K Ultra HD and Blu-ray on 6/24. Of these, Brazil, The Wiz, and Sorcerer will have Dolby Vision HDR. You can read more here and you can see the cover art for these above left and also below the break. [Read on here...]

We have two more new disc reviews for you today here at The Bits...

Stuart’s look at A Man Called Shenandoah: The Complete Series (1965-66) on Blu-ray from the Warner Archive Collection.

And Dennis and Tim have taken a look at Guillermo del Toro’s Cronos (1992) in 4K Ultra HD from Criterion.

The big news today is that Arrow Video has just unveiled their full Blu-ray and 4K Ultra HD release slate for May, which is set to include D.W. Medoff’s I Will Never Leave You Alone (2023) on Blu-ray (in the UK only) on 5/5, Robert Wise’s The Andromeda Strain (1971) in 4K Ultra HD (in the US, UK, and Canada) on 5/13, Jim Isaac’s Jason X (2001) and Adam Marcus’ Jason Goes to Hell (1993) both in 4K Ultra HD (in the US, UK, and Canada) on 5/20, Sergio Leone’s For a Few Dollars More (1965) on Blu-ray and 4K UHD (in the UK only) on 5/26, and Adilkhan Yerzhanov’s Steppenwolf (2024) on Blu-ray (in the US, UK, and Canada) on 5/27. [Read on here...]

We’ve got a bunch of new disc reviews up this week for your reading enjoyment here at The Bits, including...

My thoughts on Milos Forman’s Amadeus: Theatrical Cut (1984) in 4K Ultra HD from Warner Bros. as well as Ridley Scott’s Gladiator II (2024) in 4K Ultra HD from Paramount.

Tim’s reviews of Alfred Sole’s Alice, Sweet Alice (1976) and Robert Rodriguez’s The Mexico Trilogy (1992-2003) in 4K Ultra HD from Arrow Video, as well as The Project A Collection (1983-87) in 4K UHD from 88 Films.

Dennis’ looks at Dick Lowry’s Last Stand at Saber River (1997) on Blu-ray from the Warner Archive Collection and Melville Shavelson’s Houseboat (1958) on Blu-ray from Kino Lorber Studio Classics.

Stuart’s review of Gregory La Cava’s Gabriel Over the White House (1933) on Blu-ray from the Warner Archive Collection.

And finally, Sam Cohen’s take on Gillian Armstrong’s Little Women (1994) in 4K Ultra HD from Sony Pictures Home Entertainment. [Editor’s Note: There is apparently an audio issue with this disc that’s described in the review. Sony is aware of the problem and investigating. We’ll report back here once they figure it out and launch a disc replacement program.]

There aren’t a lot of new announcements to report today, but Kino Lorber Studio Classics has set Gary Sherman’s Vice Squad (1982) for 4K Ultra HD release on 5/13. [Read on here...]

We’ve got several new 4K and Blu-ray reviews for you all to enjoy today, including...

Stephen’s exhaustive and in-depth take on David Fincher’s Panic Room (2002) in 4K Steelbook from Sony Pictures Home Entertainment, as well as his thoughts on Peter R. Hunt’s Shout at the Devil (1976) on Blu-ray from Kino Lorber Studio Classics, and also Tobe Hooper’s Lifeforce (1985) in 4K Ultra HD from Arrow Video in the UK. And for the record, I think Stephen’s take on Panic Room is right on the money and well worth reading for 4K enthusiasts. (Especially you young whippersnappers who seem to think a 4K disc must be absolutely reference quality to have any value—gather ‘round, Professor Bjork is teaching class.)

My review of Sergio Leone’s Once Upon a Time in the West (1968) in 4K Ultra HD from Italy’s Eagle Pictures via their 4Kult line, a disc that features an encode optimized for a 100GB disc (and which is a notable improvement over the Paramount Presents 4K release).

Dennis thoughts on Carl Reiner’s Summer Rental (1985) on Blu-ray from Kino Lorber Studio Classics.

And finally Tim’s look at the excellent Tom and Jerry: The Complete CinemaScope Collection on Blu-ray from our friends at the Warner Archive Collection.

More reviews are on the way this week, including my thoughts on Gladiator II and Amadeus in 4K, Tim’s look at Arrow’s Mexico Trilogy in 4K, and more. So be sure to keep your eyes peeled for those.

In announcement news today, Warner Bros. Discovery Home Entertainment has now confirmed that non-Steelbook 4K versions of all the recent Clint Eastwood titles are due on 4/15 as well, including Dirty Harry (1971), The Outlaw Josey Wales (1976), and Pale Rider (1985). It looks like all three films will feature new Dolby Atmos mixes with HDR10 high dynamic range. You can see the Amaray covers below the break. [Read on here...]

Afternoon, Bits readers! We have three more new disc reviews for you today, including...

Stephen’s look at Helmut Herbst’s psychedelic animated film The Cathedral of New Emotions (2006) on Blu-ray from Deaf Crocodile Films.

Stuart’s review take on Herbert Ross’s Play it Again, Sam (1972) on Blu-ray from Paramount via Kino Lorber Studio Classics.

And Dennis’ thoughts on Jean Negulesco’s Humoresque (1946) on Blu-ray from the Warner Archive Collection.

Here at the site today, we’ve just posted the latest update of our Release Dates & Cover Art section featuring all the latest Blu-ray, DVD, and 4K UHD titles that have been added for pre-order on Amazon. You’ll find that here.

Now then... the big release news today is that Lionsgate has officially set Mel Gibson’s Flight Risk (2025) for Blu-ray, DVD, 4K UHD, and 4K Steelbook on 4/1. Look for the 4K to include HDR10 high dynamic range and Dolby Atmos audio. Extras on all SKUs will include the Risk Management: Making Flight Risk featurette and the film’s theatrical trailer. You can see the 4K Steelbook cover artwork at left and also below. [Read on here...]

We’re starting the week with more new disc reviews here at The Bits, including...

Stephen’s take on John Carpenter’s Ghosts of Mars (2001) in 4K UHD from Shout! and Scream Factory.

Stuart’s look at Richard Thorpe’s That Funny Feeling (1965) on Blu-ray from Kino Lorber Studio Classics.

And Dennis’ thoughts on Jack Haley Jr.’s That’s Entertainment: 50th Anniversary Remastered Edition Blu-ray from the Warner Archive Collection. And we’ve also fixed his review of Frank Borzage’s The Spanish Main (1945) on Blu-ray—also from Warner Archive—that was displaying oddly here on the site last week.

Now then... the big catalog release news today is that our friend Vincent Pereira has just announced a new remastered Director’s Cut Blu-ray of his excellent A Better Place (1997)! It’s available exclusively from the MVD Shop (click this link), for release on 5/27.

The disc features a new 2K restoration of a 3K scan of the original camera negative and first-generation print elements, and it’s presented in the originally-intended 1.50:1 aspect ratio. Audio will be 5.1 LPCM surround, with optional English subtitles. Extras will include a new introduction by Pereira, the legacy commentary with Pereira and the cast and crew, the 2001 version of the film in SD with stereo audio, vintage introductions by executive producers Kevin Smith and Scott Mosier, the vintage “goof” commentary on the 2001 version, deleted scenes with optional commentary, outtakes and bloopers, and a new 2025 trailer. You can see the cover artwork at left and the trailer is available to view below the break. [Read on here...]

Hey guys… my apologies for the lack of updates over the last couple of days. I’ve had a significant computer issue here that I’ve been dealing with which has basically knocked me offline briefly, but things are finally getting back to normal here today.

In terms of new disc reviews, we’ve got a bunch of great titles for you to read about today…

Tim has posted his take on Michael Anderson’s Orca: The Killer Whale (1977) in 4K UHD and Monk: Season Seven (2008-2009) on Blu-ray both from Kino Lorber Studio Classics, as well as John Carpenter’s Village of the Damned (1995) in 4K UHD from Shout! and Scream Factory.

Dennis has reviewed Sean Mathias’ Bent (1977) on Blu-ray from Vinegar Syndrome and Frank Borzage’s The Spanish Main (1945) on Blu-ray from the Warner Archive Collection.

Stuart has offered his take on Lina Wertmüller’s The End of the World in Our Usual Bed on a Night Full of Rain (1978), Robert Altman’s A Prairie Home Companion (2006), and Jack Arnold’s Black Eye (1974), all on Blu-ray from the Warner Archive Collection.

And Stephen has delivered his thoughts on Stephen Norrington’s Blade (1998) in 4K UHD from Warner Bros. Discovery Home Entertainment.

In terms of new release news, A24 has just announced a shop-exclusive version of Brady Corbet’s The Brutalist (2024) in both 4K Ultra HD and Blu-ray that’s due to street in March. The film has been scanned from the original 35mm negatives with the VistaVision footage scanned at 6K, and it will be presented in the proper 1.66:1 aspect ratio on disc. The audio and HDR formats have yet to be announced, but we assume HDR10 high dynamic range at least. [Read on here...]

We’re starting the week here at The Bits with three new disc reviews today, including...

Stephen’s look at André Øvredal’s The Last Voyage of the Demeter (2023) in 4K Ultra HD from Shout! and Scream Factory.

Stuart’s thoughts on The Alaskans: The Complete Series (1959-60) on Blu-ray from the Warner Archive Collection.

And Dennis’ take on Vincent Sherman’s Nora Prentiss (1947) also on Blu-ray from the Warner Archive Collection.

More reviews will follow each day this week, so be sure to stay tuned for them!

Now then, in terms of announcements this afternoon, the big news is that Paramount has just set Michael Gracey’s Better Man (2024) for 4K Ultra HD + Blu-ray and DVD release on 5/13, with the Digital due to become available tomorrow, 2/11. Extras will include a pair of behind the scenes featurettes, including (Let Me Entertain You: The Making of Better Man and Monkey Business: The VFX). [Read on here...]

Three more new disc reviews are available here at The Bits today, including...

Stephen’s look at Joseph Cates’s Who Killed Teddy Bear? (1965) in 4K Ultra HD from Vinegar Syndrome’s excellent and endlessly surprising Cinématographe label.

Stuart’s review of Don Siegel’s Edge of Eternity (1959) on Blu-ray from Powerhouse Films via their Indicator brand.

And Dennis’ take on H.C. Potter’s Mr. Lucky (1943) on Blu-ray from RKO via our friends at the Warner Archive Collection.

We’ve also just completed a major update of our 4K Ultra HD Release List here at The Bits with a ton of new titles, including some of the latest announcement news just breaking today. That news includes...

Word that Arrow video is releasing Sergio Leone’s beloved Dollars Trilogy in 4K Ultra HD and Blu-ray in the UK only over the next few months. [Read on here...]