Displaying items by tag: Kino Lorber Studio Classics

Hey guys… my apologies for the lack of updates over the last couple of days. I’ve had a significant computer issue here that I’ve been dealing with which has basically knocked me offline briefly, but things are finally getting back to normal here today.

In terms of new disc reviews, we’ve got a bunch of great titles for you to read about today…

Tim has posted his take on Michael Anderson’s Orca: The Killer Whale (1977) in 4K UHD and Monk: Season Seven (2008-2009) on Blu-ray both from Kino Lorber Studio Classics, as well as John Carpenter’s Village of the Damned (1995) in 4K UHD from Shout! and Scream Factory.

Dennis has reviewed Sean Mathias’ Bent (1977) on Blu-ray from Vinegar Syndrome and Frank Borzage’s The Spanish Main (1945) on Blu-ray from the Warner Archive Collection. (Note: We’re aware there’s an issue with the display of the latter review and we’re working on it.)

Stuart has offered his take on Lina Wertmüller’s The End of the World in Our Usual Bed on a Night Full of Rain (1978), Robert Altman’s A Prairie Home Companion (2006), and Jack Arnold’s Black Eye (1974), all on Blu-ray from the Warner Archive Collection.

And Stephen has delivered his thoughts on Stephen Norrington’s Blade (1998) in 4K UHD from Warner Bros. Discovery Home Entertainment.

In terms of new release news, A24 has just announced a shop-exclusive version of Brady Corbet’s The Brutalist (2024) in both 4K Ultra HD and Blu-ray that’s due to street in March. The film has been scanned from the original 35mm negatives with the VistaVision footage scanned at 6K, and it will be presented in the proper 1.66:1 aspect ratio on disc. The audio and HDR formats have yet to be announced, but we assume HDR10 high dynamic range at least. [Read on here...]

We’re starting the week here at The Bits with three new disc reviews today, including...

Stephen’s look at André Øvredal’s The Last Voyage of the Demeter (2023) in 4K Ultra HD from Shout! and Scream Factory.

Stuart’s thoughts on The Alaskans: The Complete Series (1959-60) on Blu-ray from the Warner Archive Collection.

And Dennis’ take on Vincent Sherman’s Nora Prentiss (1947) also on Blu-ray from the Warner Archive Collection.

More reviews will follow each day this week, so be sure to stay tuned for them!

Now then, in terms of announcements this afternoon, the big news is that Paramount has just set Michael Gracey’s Better Man (2024) for 4K Ultra HD + Blu-ray and DVD release on 5/13, with the Digital due to become available tomorrow, 2/11. Extras will include a pair of behind the scenes featurettes, including (Let Me Entertain You: The Making of Better Man and Monkey Business: The VFX). [Read on here...]

We’ve got a couple quick items of announcement news for you all today, but first I wanted to let you all know that our Release Dates and Artwork section has been updated to include all the latest Blu-ray, DVD, and 4K UHD cover art and Amazon pre-order links. As always, whenever you order literally anything from Amazon after clicking to them through one our links (like this one), you’re helping to support our work here at The Bits and we greatly appreciate it! And don’t forget, you can also support our work here by subscribing to our Patreon or by making a donation via PayPal here. Thank you!

Now then... Paramount has officially set Peter Segal’s Tommy Boy (1995) for 4K Ultra HD and 4K Steelbook release on 3/25. The film has been newly-remastered under the supervision of the director. All the legacy Blu-ray extras will carry over.

Our friends at Kino Lorber Studio Classics are officially bringing Gary Fleder’s Things to Do in Denver When You’re Dead (1995) to 4K Ultra HD and Blu-ray on 4/29. Also coming that day to Blu-ray from KLSC are Kirk Douglas’ Posse (1975) and Richard Friedenberg and James L. Conway’s The Bermuda Triangle (1979).

From Raro Video via KLSC, Lina Wertmüller’s Swept Away (1974) is coming to 4K Ultra HD on 4/29 as well. [Read on here...]

Afternoon, Bits readers... and welcome to the first week of February!

Tim is taking a much-deserved week off to spend time with his family, but we’ll have plenty of news content here and maybe a review or two as well in the meantime.

Last night, my wife Sarah and I attended The 52nd Annual Saturn Awards here in Los Angeles, produced by The Academy of Science Fiction, Fantasy & Horror Films. It was a lovely evening, a chance to catch up with industry friends, brush elbows with genre celebs (think Nicolas Cage, William Shatner, Mark Hamill, Peter Weller, Christopher Lloyd, Laurence Fishburne, tons of Star Trek cast members, etc), and to celebrate great work in genre entertainment. Denis Villeneuve’s Dune: Part Two took home the Best Science Fiction Film award, as it well should! Denis himself also won for Best Film Director—a nice show of appreciation for the filmmaker, especially given that he wasn’t nominated for Best Director by the Academy this year, despite Dune: Part Two being nominated for the Best Picture. Go figure.

In the Home Media categories, the key winners were:

• Best Classic Film Home Media Release: Invasion of the Body Snatchers (Kino Lorber Studio Classics)
• Best 4K Home Media Release: Saw X (Lionsgate Home Entertainment)
• Best Film Home Media Collection: Batman: 85th Anniversary Collection (Warner Home Video)
• Best Television Home Media Release: Star Wars: Andor – The Complete First Season (Sony Pictures Home Entertainment)

We actually had the good fortune to be seated at the same table as Kino Lorber’s VP of Acquisitions and Business Development, Frank Trazi, who—since he lives on the East Coast—I hadn’t had the chance to meet before. But trust me when I say that Frank is good people, and that KLSC’s fantastic slate of upcoming Blu-ray and 4K titles is in great hands with him. You can watch his new podcast, Shelf Space with Kino Lorber, here on YouTube.

In any case, the event was great fun and it was streamed live online here and on Roku. You can read the complete list of winners here at Deadline today. And all of us here at The Bits would like to offer our congratulations to Frank and everyone at KLSC for their win for Invasion of the Body Snatchers (you can see their actual Saturn statue below the break), to our friend Cliff Stephenson and everyone at Lionsgate for their 4K win with Saw X, and to the disc teams at Warner Bros. Discovery Home Entertainment and Sony Pictures Home Entertainment for their wins as well!. [Read on here...]

We have just a couple of quick things to report here at The Bits today, news-wise...

First, Kino Lorber Studio Classics has just revealed that John Hughes’ Career Opportunities (1991) and Phil Alden Robinson’s Sneakers (1992) are both coming to 4K Ultra HD on 4/22, each with Dolby Vision HDR.

Second, Sony Pictures Home Entertainment has added a single-film 4K Ultra HD Steelbook edition of Ivan Reitman’s Stripes (1981) for release on 4/29. Note that this version of Stripes will include Dolby Vision HDR, unlike the version included previously with the Columbia Classics 4K Ultra HD Collection: Volume 2 box set back in 2021.

Likewise, Sony’s newly-announced Gandhi 4K Steelbook (which we talked about yesterday, also for release on 4/29) will include Dolby Vision as well, unlike the edition included with the Columbia Classics 4K Ultra HD Collection: Volume 2 box set in 2020.

Meanwhile, Severin has set Aldo Lado’s Night Train Murders (1974) for 4K Ultra HD release on 4/29.

And Arrow Video has finally announced their complete April release slate (in addition to the previously announced Leone titles—see our column yesterday). You’ll find the details and cover artwork below the break. [Read on here...]

Three more new disc reviews are available here at The Bits today, including...

Stephen’s look at Joseph Cates’s Who Killed Teddy Bear? (1965) in 4K Ultra HD from Vinegar Syndrome’s excellent and endlessly surprising Cinématographe label.

Stuart’s review of Don Siegel’s Edge of Eternity (1959) on Blu-ray from Powerhouse Films via their Indicator brand.

And Dennis’ take on H.C. Potter’s Mr. Lucky (1943) on Blu-ray from RKO via our friends at the Warner Archive Collection.

We’ve also just completed a major update of our 4K Ultra HD Release List here at The Bits with a ton of new titles, including some of the latest announcement news just breaking today. That news includes...

Word that Arrow video is releasing Sergio Leone’s beloved Dollars Trilogy in 4K Ultra HD and Blu-ray in the UK only over the next few months. [Read on here...]

Today’s new disc reviews here at The Digital Bits include...

Stephen’s review of Michael Ritchie’s Prime Cut (1972) in 4K Ultra HD from Kino Lorber Studio Classics.

Dennis’ review of Budd Boetticher’s The Killer is Loose (1956) on Blu-ray from Kino Lorber Studio Classics.

Tim’s reviews of Fred Walton’s April Fool’s Day (1986) in 4K Ultra HD from Kino Lorber Studio Classics and Arch Oboler’s Domo Arigato (1973) on Blu-ray 3D from BayView Entertainment with the help of the 3-D Film Archive.

And Stuart’s look at William A. Fraker’s Monte Walsh (1970) on Blu-ray, also from Kino Lorber Studio Classics.

Here at The Bits today, we’re also sharing new updates of our Release Dates & Artwork section (with all the latest cover artwork and Amazon.com pre-order links) as well as our 4K Ultra HD Release List. So be sure to watch for those shortly.

In terms of announcement news, we expect Disney to release their CG-animated Moana 2 (2024) on Blu-ray, DVD, 4K Ultra HD, and 4K Steelbook formats on 3/18. [Read on here...]

Cheers, Bits readers! Here’s our latest batch of new disc reviews for today…

Stephen has taken a look at Michael Mann’s The Keep (1983) in 4K Ultra HD from Vinegar Syndrome.

Dennis has reviewed Robert Florey’s The Beast with Five Fingers (1946) and Anthony Mann’s The Tall Target (1951), both on Blu-ray from the Warner Archive Collection.

Stuart has offered his thoughts on Zoltán Korda’s Sahara (1943) on Blu-ray from Indicator and George Seaton’s The Proud and Profane (1956) on Blu-ray from Kino Lorber Studio Classics.

And not to be outdone, Tim has shared his look at Russ Meyer’s Beneath the Valley of the Ultravixens (1979) on Blu-ray from Severn Films.

More reviews are forthcoming, as always, so be sure to keep your eyes peeled for them!

Now then, the big release news today is that Universal has officially set Robert Eggers’ Nosferatu (2024) for release on Blu-ray, DVD, 4K Ultra HD, and 4K Steelbook on 2/18. The Digital version is now available. You can see the cover artwork at left and also below. [Read on here...]

We’ve got a bunch of release news to catch you all up on today here at The Bits, but first—as always—we’re closing out the week with a bunch of new and recent disc reviews…

I’ve turned in my thoughts on Quentin Tarantino’s long awaited Kill Bill: Volume 1 (2003) and Kill Bill: Volume 2 (2004) 4K Steelbooks from Lionsgate Limited, as well as their reissue of his Reservoir Dogs (1992) in 4K Steelbook. (And don’t forget my review of Lionsgate Limited’s Jackie Brown 4K Steelbook from earlier this week as well.)

Tim has offered his take on Robert Zemeckis’ Death Becomes Her (1992) and Sam Raimi’s Drag Me to Hell (2009) both in 4K UHD from Shout!/Scream Factory, as well as Warner Archive’s new Blu-ray Double Feature of William A. Wellman’s The Boob (1926) and William A. Seiter’s Why Be Good? (1929), and Jackson Publick’s The Venture Bros.: Radiant Is the Blood of the Baboon Heart (2023) on Blu-ray also from Warner Bros.

Stuart’s look at Sidney Gilliat’s Left Right and Centre (1959) on Blu-ray from Indicator, as well as The Persuaders!: The Complete Series (1971-72) on Blu-ray from Imprint, Fernando Di Leo’s The Italian Connection (1972) on Blu-ray from Raro Video, Jean Aurel’s Les Femmes (1969) on Blu-ray from Kino Classics, and Terence Young’s Bloodline (1979) on Blu-ray from Vinegar Syndrome.

Dennis’ thoughts on Joel and Ethan Coen’s No Country for Old Men (2007) and Stephen Frears’ The Grifters (1990) each on Blu-ray from the Criterion Collection, and Gary David Goldberg’s Must Love Dogs (2005) on Blu-ray from the Warner Archive.

More reviews are on the way next week, so be sure to check back for them! Also, we’ve updated our 4K Ultra HD Release List here at The Bits, as well as our Release Dates & Artwork section—the latter with all the latest 4K UHD, Blu-ray, and DVD cover art and Amazon.com pre-order links. And The Bits is an Amazon Affiliate, so anything you order from them after clicking through one of our links goes to help support our work here at the site and we appreciate it!

Now then, let’s get to that breaking announcement news… [Read on here...]

Afternoon, everyone! We’ve got some great breaking news to report here at The Bits today, but first we’ve got more new disc reviews to share with you as always...

Dennis has taken a look at Stephen Frears’ The Grifters (1990) on Blu-ray from the Criterion Collection, as well as Bob Rafelson’s Mountains on the Moon (1990) on Blu-ray from Kino Lorber Studio Classics.

Stuart has offered his thoughts on Terence Young’s Bloodline (1979) on Blu-ray from Vinegar Syndrome, as well as Jean Aurel’s Les Femmes (1969) on Blu-ray from Kino Classics and StudioCanal.

Tim has reviewed Russ Meyer’s Supervixens (1975) in 4K Ultra HD from Severin Films.

And Stephen has given the complete In the Line of Duty I-IV Blu-ray box set a look from 88 Films.

I’ve also gotten my hands on Lionsgate’s new Quentin Tarantino Lionsgate Limited 4K Steelbooks, and I’ll have a review of each of them very soon, starting with Jackie Brown (1997) later today. To give you a tease, the new 4K presentations are terrific, particularly Jackie Brown which is a full 4K scan of original camera negative. But more on those soon.

Now then, as I noted a moment ago, we’ve got great breaking news to report today, starting with the fact that Warner Bros. Discovery Home Entertainment has just made Miloš Forman’s Amadeus official for release in 4K Ultra HD on 2/25. [Read on here...]