Displaying items by tag: Universal Studios

All right, we’ve got some big announcement news to report today, as well as some very interesting industry news. But first, more new disc reviews...

Stuart has turned in his thoughts on Franco Zeffirelli’s The Taming of the Shrew (1967) on Blu-ray from Via Vision’s Imprint Films label, as well as Robert Clouse’s Black Belt Jones (1974) on Blu-ray from the Warner Archive Collection.

And Dennis has turned in a look at Todd Solondz’s Happiness (1998) on Blu-ray from the Criterion Collection.

Also here at The Bits today, we’ve posted major updates of our 4K Ultra HD Release List, as well as our Release Dates & Cover Art section, both of which feature all the latest Amazon pre-order links. So be sure to check those out, and remember that we’re an Amazon Affiliate which means that clicking through one of our links (like this one) before shopping for literally anything from Amazon is a great way to help support our work here at the site. It makes a BIG difference. So thank you!

Now then, speaking of Criterion, let’s get right to today’s big release news: Criterion has just announced their January 2025 release slate, and every single title will include 4K UHD! On 1/7, look for Yojimbo/Sanjuro: Two Samurai Films by Akira Kurosawa, which itself has no Spine # but which includes 4K UHD upgrades of Yojimbo (1961) (Spine #52 – 4K+BD) and Sanjuro (1962) (Spine #53 – 4K UHD + BD). Following on 1/14, you’ll get Jean Eustache’s The Mother and the Whore (1973) (Spine #1245 – 4K+BD, BD & DVD) and Richard Pryor’s Jo Jo Dancer, Your Life Is Calling (1986) (Spine #1247 – 4K+BD & BD). On 1/21, look for Stephen Frears’ The Grifters (1990) (Spine #1246 – 4K+BD & BD). And finally, 1/28 will bring Anthony Mann’s Winchester ‘73 (1950) (Spine #1247 – 4K+BD & BD). You can see the cover artwork at left and below the break. [Read on here...]

All right, I’d intended to have a news update yesterday, but we all day working on a major upgrade of the Release Dates & Cover Artwork section here at The Bits. Not only have added tons of new Blu-ray, DVD, and 4K Ultra HD cover artwork and Amazon.com pre-order links, we’ve done some software and server upgrades to the section as well, so it should be working better than ever. Better yet, we’re going to have new updates of the section every Tuesday to keep it fresh with all the latest titles!

As you may know, The Digital Bits is an Amazon Affiliate, so anytime you order literally anything after clicking to them through one of our links, you’re helping to support our work at The Bits. It makes a big difference and we truly appreciate it. So we hope you’ll find our upgraded Release Dates & Cover Artwork useful and use it often!

Now then, we have some new disc reviews for all of you to enjoy here today...

Stephen has offered his in-depth thoughts on Robert Altman’s Thieves Like Us (1974) in 4K Ultra HD from Vinegar Syndrome’s Cinématographe label, along with Destin Daniel Cretton’s Just Mercy (2019) in 4K from Warner Bros. Discovery Home Entertainment, and also Peter Hyams’ Sudden Death (1995) in 4K UHD from Kino Lorber Studio Classics.

Stuart has weighed in with a look at Ken Loach’s The Old Oak (2023) on Blu-ray from Kino Lorber, as well as Fred Zinnemann’s The Nun’s Story (1959) on Blu-ray from the Warner Archive Collection.

And Dennis has reviewed Phil Karlson’s 99 River Street (1953) on Blu-ray from Kino Lorber Studio Classics as well.

In announcement news today, Universal and Illumination have just set the CG-animated Despicable Me 4 for Blu-ray, DVD, and 4K Ultra HD release on 9/24, with the Digital version available next week on 9/10. Scores of featurettes and deleted scenes will be included. [Read on here...]

“American Graffiti is one of those films where a filmmaker brings his youth to the screen with such a sense of sweetness and genuine nostalgia, that his or her personal recollections somehow become universal for the audience.” – Gary Leva, director of Fog City Mavericks: The Filmmakers of San Francisco

The Digital Bits and History, Legacy & Showmanship are pleased to present this longform retrospective commemorating the golden anniversary of the release of American Graffiti, George Lucas’s popular film that nostalgically asked, “Where were you in ‘62?”

American Graffiti starred Richard Dreyfuss (Jaws, Close Encounters of the Third Kind), Ronny Howard (The Andy Griffith Show, Happy Days), Paul Le Mat (Aloha, Bobby and Rose, Melvin and Howard), Charles Martin Smith (Never Cry Wolf, The Untouchables), Candy Clark (The Man Who Fell to Earth, Blue Thunder), Mackenzie Phillips (One Day at a Time), Cindy Williams (The Conversation, Laverne & Shirley) and Wolfman Jack (popular radio DJ), plus a small, early-career performance by Harrison Ford (Star Wars, Raiders of the Lost Ark). The film was nominated for five Academy Awards (Picture, Director, Supporting Actress—Candy Clark, Screenplay, and Film Editing). In 1995 the Library of Congress selected American Graffiti for preservation in the National Film Registry as being “culturally, historically or aesthetically significant.” Its most recent home media release, on 4K UHD, was in November of this year (but received less than high marks for A/V quality in most reviews).[Read on here...]

Good afternoon (or evening as the case may be), Bits readers! My wife and I had a houseguest here visiting yesterday, so today’s post is a little later than usual. But we’re starting as always with some new disc reviews...

First of all, on Monday I posted my thoughts on Christopher McQuarrie’s Mission: Impossible – Dead Reckoning Part One (2023) on 4K Ultra HD from Paramount, and just today I added a couple of additional Editor’s Notes discussing one of the film’s key story points as well as the 4K video quality (which I’ve revised downward just a tad from A to A-, the reason for which is explained in my review).

Also, Stephen has turned in his thoughts on Hideaki Anno’s (et al) Evangelion: 3.0+1.11 Thrice Upon a Time (2021) in 4K from GKids and Shout! Factory, and for those of you who aren’t familiar, he also gives you a good little primer on the topic.

Meanwhile, Stuart has weighed in with looks at William Dieterle’s The Life of Emile Zola (1937) and Richard Brooks’ The Last Time I Saw Paris (1954) on Blu-ray from the Warner Archive Collection, as well as Lise Akoka and Romane Gueret’s The Worst Ones (2022) on DVD from Kino Lorber.

Dennis has offered his take on Julian Schnabel’s Before Night Falls (2000) on Blu-ray from the Warner Archive as well as Mark Pellington’s The Severing (2022) on Blu-ray from Kino Lorber.

And finally, Tim has delivered an in-depth review of Kevin Connor’s Motel Hell (1980) in 4K Ultra HD from Scream Factory. [Read on here...]

All right, thanks for your patience while I was away at the end of last week. My father-in-law passed away, so my wife and I flew across the country to attend his memorial and see family.

But there’s a good deal to catch up on today news-wise, so let’s get right to it. First things first...

Yes, we are aware of the rumors that Warner Bros. Home Entertainment is planning to bring The Lord of the Rings and The Hobbit films to 4K Ultra HD. They originated on the excellent 4K Filme.de website, which (I’m told) found the titles briefly listed on a Warner B2B website for German retailers. All six films were indicated for release on UHD (with the Extended Editions included) and with a tentative street date given of June 25, 2020. All right, now let’s put this in context...

First of all, there’s no doubt that Warner Bros. is going to release these films on physical 4K Ultra HD. These are literally their most demanded catalog titles on the format. Also, 2021 is the 20th anniversary of Fellowship of the Ring. And Amazon’s new Lord of the Rings prequel series, which reportedly begins production next month and will apparently be in production for two years, is likely to debut on Amazon Prime in late 2022. So the studio is certainly going to want to get those films ready for 4K release by then. [Read on here...]

So I spent a couple hours up in Hollywood yesterday afternoon to cover something pretty interesting…

At a press event at the Screen Actors Guild, members of the UHD Alliance, three major consumer electronics manufacturers, and leading Hollywood filmmakers officially announced a new partnership effort to implement Filmmaker Mode as an extension of the 4K Ultra HD spec.

The idea is to ensure that when you watch a movie at home in 4K on your new Ultra HD display, whether from a disc, stream, or cable/satellite broadcast, it will look exactly as it should. UHD Alliance research suggests that as many as 80% of people who buy 4K TVs never change the settings out of the box. This means irritating features like motion smoothing and unnecessary processing are being applied to the image by default – processing that actually takes the picture away from the filmmakers’ intent.

What the Filmmaker Mode will do is to allow the user – either with one push of a button on the remote, or with a very easy and obvious menu setting – to set the TV’s display parameters to most accurately display the 4K content. This would be a baseline setting for the image – any added adjustments signaled by HDR10, HDR10+, or Dolby Vision metadata would happen on top of that setting. [Read on here...]

I had the pleasure last night of attending a press screening of Damien Chazelle’s new Neil Armstrong biopic, First Man. So let me give you my non-spoiler review…

A little background first: As someone who’s been a lifelong supporter and aficionado of the space program, I’ve seen every film there is on the subject, from Apollo 13 and The Right Stuff to the most obscure documentary. I’ve listened to most of the CAPCOM recordings, I have DVDs and Blu-rays containing almost every foot of archival footage shot by NASA and the astronauts during their missions. I’ve been to NASA facilities, I’ve seen launches, and I’m fortunate enough to even know a few astronauts. It’s with that lifetime of experience that I can say this: First Man is the single most realistic dramatic film about the subject yet made.

The level of detail exceeds even Ron Howard’s Apollo 13 and by a good measure. In Howard’s film, great as it is, there are a couple of things that just aren’t quite right. For example, the mission patch plaques on the wall of Mission Control are painted versions of the souvenir patches sold to the public, not the actual patches the astronauts wore. The NASA emblems on characters’ flight suits are modern, not period accurate. They’re little things, sure, but for the knowledgable, they can throw you out of the moment. But Chazelle and his team nail all of those little details, right down to the tiniest stitch. It’s as if First Man was actually shot in the 1960s, a level of verisimilitude and immersion that’s rare, even for a film of this type. [Read on here...]

All right, we’ve been busy here at The Bits these last couple days. Just a quick note first: Tomorrow is my birthday, so I’m not working. I turn 49, if you can believe it, which I can’t. But that’s how these things go. In any case, to make up for it, we’ve got a bunch of good stuff for you all to enjoy today. So let’s get to it...

First, I’ve just spent the last six months putting Samsung’s launch 4K Ultra HD Blu-ray player, the UBD-K8500, through its paces and I have my full review for you to check out today. Suffice it to say that there’s never been a debut player for any format (that I know of) that offers so much quality and performance for such a low price. If you’re thinking about upgrading to 4K Ultra HD and you’re looking for the best value for your dollar, this is the player for you. [Read on here…]

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All right, sorry for the absence there for a couple days. I got hit by some kind of flu on Tuesday night and figured it would pass quickly. Instead it just got worse each day – throbbing headache, fever, body aches, lungs full of muck – the whole smash. I spent all of Wednesday and Thursday in bed in a haze of sleep, cold sweats, and flu meds. Finally, today, I’m functional again and feeling more like a human being. Moral of the story is: Avoid this flu at all costs if you can. It’s no fun.  [Read on here…]