Displaying items by tag: Paramount Home Entertainment

All right, I’d intended to have a news update yesterday, but we all day working on a major upgrade of the Release Dates & Cover Artwork section here at The Bits. Not only have added tons of new Blu-ray, DVD, and 4K Ultra HD cover artwork and Amazon.com pre-order links, we’ve done some software and server upgrades to the section as well, so it should be working better than ever. Better yet, we’re going to have new updates of the section every Tuesday to keep it fresh with all the latest titles!

As you may know, The Digital Bits is an Amazon Affiliate, so anytime you order literally anything after clicking to them through one of our links, you’re helping to support our work at The Bits. It makes a big difference and we truly appreciate it. So we hope you’ll find our upgraded Release Dates & Cover Artwork useful and use it often!

Now then, we have some new disc reviews for all of you to enjoy here today...

Stephen has offered his in-depth thoughts on Robert Altman’s Thieves Like Us (1974) in 4K Ultra HD from Vinegar Syndrome’s Cinématographe label, along with Destin Daniel Cretton’s Just Mercy (2019) in 4K from Warner Bros. Discovery Home Entertainment, and also Peter Hyams’ Sudden Death (1995) in 4K UHD from Kino Lorber Studio Classics.

Stuart has weighed in with a look at Ken Loach’s The Old Oak (2023) on Blu-ray from Kino Lorber, as well as Fred Zinnemann’s The Nun’s Story (1959) on Blu-ray from the Warner Archive Collection.

And Dennis has reviewed Phil Karlson’s 99 River Street (1953) on Blu-ray from Kino Lorber Studio Classics as well.

In announcement news today, Universal and Illumination have just set the CG-animated Despicable Me 4 for Blu-ray, DVD, and 4K Ultra HD release on 9/24, with the Digital version available next week on 9/10. Scores of featurettes and deleted scenes will be included. [Read on here...]

We’re finishing up the week with a pair of additional disc reviews here, including...

Stephen’s look at John Krasinski’s If (2024) in 4K Ultra HD from Paramount.

And Stuart’s thoughts on Vittorio De Seta’s Bandits of Orgosolo (1960) on Blu-ray from Radiance Films.

As always, more reviews are on the way, so be sure to watch for them.

We’ve also just finished a massive update of our 4K Ultra HD Release List here at The Bits as promised to include everything announced for the format in the last few weeks, with A/V details (if known) and Amazon.com pre-order links (if available). We’ve also included some rumored titles from our industry sources and there are a few surprises in there, so you’ll definitely want to give it a look!

And we’ve got a few more new disc announcements for you here today, starting with Imprint’s revelation that they’re releasing Wolfgang Petersen’s The NeverEnding Story (1984) on 4K Ultra HD on 11/27, the final of four catalog 4Ks the company is releasing that month! The release is timed to celebrate the film’s 40th anniversary. This will be a 5-disc set that includes the original US Theatrical Cut and the German Extended Cut on separate 4K Ultra HD discs, the former with Dolby Vision HDR and the latter with HDR10. Both cuts will also be included on separate Blu-rays, and you’ll get an additional Blu-ray that features Lisa Downs’ all-new Life After NeverEnding Story feature-length documentary. [Read on here...]

The big news today is that Warner Bros. Discovery Home Entertainment has just set M. Night Shayamalan’s Trap (2024) for release on Blu-ray, DVD, and 4K Ultra HD on 11/5, with the Digital release expected on 8/30. Extras on the 4K will include 2 featurettes (Setting the Trap: A New M. Night Shayamalan Experience and Saleka as Lady Raven), as well as 3 deleted scenes, and an extended concert scene. The press release doesn’t indicate the A/V specs, but it’s reasonable to expect Dolby Atmos audio and HDR10 high dynamic range.

Here’s something pretty terrific: Severin Films has just a 13-disc All the Haunts Be Ours: A Compendium of Folk Horror – Volume Two box set for release on 11/12. The set includes 24 international folks horror classics, with 55+ hours of extras, and a 252-page hardcover of new folk horror fiction. [Read on here...]

We’re starting today with a bunch of new and recent disc reviews here at The Bits, including...

Stephen’s look at Michael Mann’s Collateral (2004) in a new 4K Steelbook from Paramount, The Flash: The Original Series (1990) on Blu-ray from the Warner Archive Collection, and Bosco Lam and Kin-Nam Cho’s A Chinese Torture Chamber Story 1 & 2 (1994 & 1998) on Blu-ray from Vinegar Syndrome.

Tim’s thoughts on Park Chan-wook’s JSA: Joint Security Area (2000) in 4K Ultra HD from Umbrella Entertainment.

Dennis’ take on Philip Kaufman’s Twisted (2004) on Blu-ray from Paramount via Kino Lorber Studio Classics.

And finally, Stuart’s reviews of George King’s Tomorrow We Live (1943) and Barbet Schroeder’s Single White Female (1992) on Blu-ray from Powerhouse Films’ Indicator label.

Speaking of Indicator, they’ve just unveiled their November slate, which includes a UK-only box set called Pryor & Wilder that features Sidney Poitier’s Stir Crazy (1980), Arthur Hiller’s See No Evil, Hear No Evil (1989), and Maurice Phillips’ Another You (1991) on Blu-ray. Look for that on 18 November. In the US, Indicator will release Frank Launder and Sidney Gilliat’s Left Right and Centre (1959), Ken Loach’s Family Life (1971), and John Krish’s The Man Who Had Power Over Women (1970) all on Blu-ray on 11/19. [Read on here...]

All right, Bits readers, today is a tough one news-wise, and it has little to do with specific title release news or announcements.

We’ve learned from multiple sources now that the 15% US workforce cuts at Paramount Global—a restructuring that’s happening in advance of the company’s merger with Skydance Media to reduce annual costs by some $500 million—have landed very heavily on the Melrose lot. As reported widely last week, the layoffs amount to about 2,000 people, with most expected to be gone by the end of next month and the rest by year’s end.

Current co-CEOs George Cheeks, Brian Robbins, and Chris McCarthy have described the layoffs thusly in a memo to the workforce: “As we continue to advance our plan, we announced on our earnings call last week that we will be reducing our US-based workforce by approximately 15%, focusing on redundant functions and streamlining corporate teams.”

The expectation was that every division would be impacted. As reported last week, Paramount Television Studios has been shuttered completely. What’s not been reported widely yet is the impact on overall studio operations.

The Digital Bits sources indicate that nearly every department has been affected—in a few cases severely—from marketing, legal, and accounting, to production, post-production, finance, mastering, vault and library services, and unfortunately also Paramount Home Entertainment. The cuts are reportedly not so deep as to result in a complete loss of institutional knowledge, but they’re more than deep enough to result in major workflow disruptions. [Read on here...]

We’ve got three new disc reviews to start the week, as well as some significant release news. So more on the latter in a minute...

Stuart has weighed in with a look at Edward Dmytryk’s Obsession (1949) on Blu-ray from Indicator here at The Bits today.

And Dennis has turned in his thoughts on Quarxx’s Pandemonium (2023) on Blu-ray from Arrow Video, as well as Basil Dearden’s The Man Who Haunted Himself (1970) on Blu-ray from Imprint.

Now then... the big news this afternoon is that Universal Pictures Home Entertainment has announced that the Digital release of Lee Isaac Chung’s Twisters (2024) will drop tomorrow on 8/13. It’ll come with deleted scenes and a gag reel. We don’t have an official street date yet for the physical media release, but that should follow in the weeks ahead as all physical SKUs are now available for pre-order. [Read on here...]

Good afternoon, Bits readers! We’re starting the new week today with a pair of new disc reviews from a new staff reviewer... Sam Cohen!

We’ll let Sam introduce himself to all of you...

“Hello, Digital Bits readers! I’m Sam Cohen and I cannot be more excited to join the incredible team here, as well as engage with our readers about everything going on in the physical media world. My journey with film started when I was a wee tot growing up on Cape Cod and not caring much about the beach, then it developed into a full-blown addiction when my Dad exposed me to so many classics at such a young age. Naturally, that love for film didn’t let up and only blossomed as I got older, and my studies as a communication professional helped me prepare for the wild world of film criticism. My writing has been featured at Sumo Skinny, Under the Gun Review, EDGE Media Network, High-Def Digest and now, here!

“While my day job is dedicated to Search Engine Optimization (SEO), I’m deeply passionate about all the boutique and studio releases that keep flying our way at a breakneck pace, and even have a nice movie theater that I built into my basement with an LG OLED display plus a 7.1.2 Dolby Atmos surround sound system from Klipsch. My favorite directors include Claire Denis, George Miller, Michael Mann, Frank Tashlin and Jacques Rivette, among many, many others.

“I’m elated to be here amongst other physical media experts and look forward to covering, discussing and living with all of these wonderful films on disc that continue to keep our passion for film fresh and unrelenting. Oh, and if you’re asking who is my favorite boutique label? It’s Mondo Macabro, with those sickos at Vinegar Syndrome and film lovers at Arrow Video tied for second. Check out Mondo Macabro for some of the weirdest and grotesque genre oddities from across the world.” [Read on here...]

We’ve got more interesting release news here today to close out the week, and a few more new disc reviews as well. First the reviews...

Stephen has turned in his thoughts on Abel Ferrara’s Dangerous Game (1993) on Blu-ray from Vinegar Syndrome via their fine new Cinématographe line.

And Dennis has reviewed Bryce McGuire’s Night Swim (2024) on Blu-ray from Blumhouse via Universal, as well as Raoul Walsh’s The Man I Love (1947) on Blu-ray from the Warner Archive Collection.

More reviews are on the way for next week, including my take on Hayao Miyazaki’s animated The Boy and the Huron (2023) in 4K Ultra HD from GKids. So be sure to stay tuned for them.

Also, my apologies for the lack of news updates this week, but I was struck a bout of vertigo last Saturday, and I’ve been having to take it a bit easy to reset everything back to normal. It’s nothing serious—mine is caused by tension in my shoulders aggravating the nerves in my neck, in this case triggered by sleeping with my neck in an awkward position. So the key is to fix my pillow situation and try to relax a little bit more. I’m sure some of you out there can relate!

Anyway, the big news lately is that Second Sight in the UK has finally set their long-awaited 4K remaster of Robert Harmon’s The Hitcher (1986) for release on both 4K Ultra HD and Blu-ray on 9/30. It’s currently exclusive to their website in a 4K + Blu-ray Limited Edition, as well as separate (and standard) 4K UHD and Blu-ray editions. [Read on here...]

All right, we haven’t had a lot of news updates this week, because frankly there just hasn’t been a lot of news to report. And also because we’ve all been working on a lot of disc reviews for you to enjoy. In fact, today we have no less than TEN to share with you, including...

My thoughts on Guy Ritchie’s The Ministry of Ungentlemanly Warfare (2024) in 4K Ultra HD from Lionsgate, Akira Kurosawa’s Dreams (1990) in 4K UHD from The Criterion Collection, and Gil Kenan’s Ghostbusters: Frozen Empire (2024) in 4K UHD from Sony Pictures Home Entertainment.

Tim’s review of Ernie Fosselius’ Hardware Wars (1978) on Blu-ray and Albert Band’s Ghoulies II (1987) in 4K UHD from the MVD Rewind Collection, Gualtiero Jacopetti and Franco Prosperi’s Goodbye Uncle Tom (1971) in 4K from Blue Underground (which is definitely not for the faint of heart), and Jason Reitman’s Ghostbusters: Afterlife (2021) in 4K UHD from Sony Pictures Home Entertainment.

Dennis’ take on Ted Geoghegan’s Brooklyn 45 (2023) on Blu-ray from Shudder.

And Stephen’s look at Mark Waters’ Mean Girls (2004) on 4K Ultra HD from Paramount, as well as the import version of Michael Mann’s Ferrari (2023) in 4K UHD from Neon and Sky via Universal in UK.

More reviews are on the way for Monday, including my look at Luc Besson’s La Femme Nikika (1990) in 4K from Sony, and Alex Garland’s Civil War (2024) in 4K from Lionsgate, so be sure to watch for them.

Also, just a heads up: Our very own Russell Hammond has posted the new update of our ever-popular Release Dates and Cover Art section (see Cover Art above), which includes all the latest Blu-ray, DVD, and 4K Ultra HD cover art and Amazon.com pre-order links. As always, you can sort by date, by format, even isolate the Criterion titles! And as an Amazon Affiliate, literally anything you order from Amazon after clicking to them through one of our links (like this one) goes to help support our work here at The Bits and we greatly appreciate it! [Read on here...]

Welcome to a new week here at The Bits!

We certainly hope you enjoyed your weekend. And special thanks to all those of you who joined us for our members-only live chat on The Bits’ Patreon on Saturday. Lots of good questions were asked and answered, and it’s something we’re going to be doing more often in the future.

We’ve got some good announcement news here at the site today, starting with word that The Criterion Collection has just officially unveiled their September release slate, which will include a 4K upgrade of Alex Cox’s Repo Man (1984) (Spine #654 – 4K UHD + Blu-ray) on 9/3, Andrew Haigh’s All of Us Strangers (2023) (Spine #1234 – 4K UHD + Blu-ray and Blu-ray) on 9/10, a 4K upgrade of John Mackenzie’s The Long Good Friday (1980) (Spine #26 – 4K UHD + Blu-ray and Blu-ray) on 9/17, and Gregg Araki’s Teen Apocalypse Trilogy—including Totally F***ed Up (1993), The Doom Generation (1995), and Nowhere (1997)—(Spine #1233 – 4K UHD + Blu-ray and Blu-ray) and Todd Solondz’s Happiness (1998) (Spine #1235 – 4K UHD + Blu-ray and Blu-ray) on 9/24. [Read on here...]