Displaying items by tag: Guy Ritchie

Morning, folks!

All right, Tim is going to have a couple of new disc reviews posted here at the site shortly, and I’ll be back tomorrow with more release news, plus my own in-depth review of Andor: The Complete First Season in 4K Ultra HD.

I’ve actually been working on that over the weekend, but my father-in-law has also been visiting with us here for the past week or so, and he’s headed off to the airport this evening for his return flight home. So, real life calls.

In the meantime, we do have a few pieces of release news that are kind of important to share with you all this morning. So let’s get right to them...

The first comes to us by way of the Warner Bros. Shop in the UK, which has now revealed that Alfred Hitchcock’s North by Northwest (1959) is finally coming to 4K Ultra HD later this year in honor of the film’s 65th anniversary! We don’t yet have a street date, but you can see the expanded packaging mock-up below the break. [Read on here...]

We begin as always today with several more new disc reviews for you to enjoy here at The Bits...

First of all, I’ve begun to review Paramount’s new Star Trek: The Next Generation feature films in 4K Ultra HD, and so far I’ve completed David Carson’s Star Trek: Generations (1994) and Jonathan Frakes’ Star Trek: First Contact (1996). I should also have Star Trek: Insurrection (1998) finished by the end of the day as well.

Meanwhile, Tim has posted his thoughts on the regular Amaray 4K and Steelbook 4K Ultra HD versions of Tobe Hooper’s The Texas Chain Saw Massacre (1974) from Dark Sky Films. He’s also shared his take on John D. Lamond’s Nightmares (1980) on Blu-ray from Vinegar Syndrome. And he’s just posted his look at Don Coscarelli’s Bubba Ho-Tep (2003) in 4K Ultra HD from Scream Factory.

Stuart has delivered a review of Jerry Hopper’s Secret of the Incas (1954) on Blu-ray from Kino Lorber Studio Classics.

And Stephen has offered his review of Nicolas Winding Refn’s Drive (2011) in 4K Ultra HD, a UK-import title from Second Sight.

More reviews are on the way, including the rest of the Star Trek: TNG films in 4K, as well as All Quiet on the Western Front, Disney’s new Cinderella (1950) 4K, and much more, so be sure to keep checking back. [Read on here...]

Today I’m diving into work on more disc reviews here at The Bits, especially new 4K titles. So today’s update will be fairly quick. However, we do have some interesting odds and ends to report after yesterday’s flood of major news, and we have Amazon pre-order links for a bunch of newly-announced titles to share with you too.

First, some Blu-ray reviews... Tim has taken a look at Don Siegel’s The Beguiled (1971), which was released late last year on Blu-ray by Kino Lorber Studio Classics. He’s also given one of the last Hammer Films titles a spin on Blu-ray from Scream Factory, Terence Fisher’s Frankenstein and the Monster from Hell (1974). Both discs are worth your time.

A quick note on the subject of Kino Lorber Studio Classic: It appears that they inadvertently used the wrong master for their recent Blu-ray of Bring Me the Head of Alfredo Garcia (reviewed here on The Bits). The company is correcting this by replicating new replacement discs that use the proper 2017 4K restoration and you can request a copy by filling out this form on the Kino Lorber website.

Now then... the big announcement news today is that Sony Pictures Home Entertainment has officially set Guy Ritchie’s Snatch for release on 4K Ultra HD on 6/1. [Read on here...]

Afternoon, folks! Hope you all had a lovely weekend.

We’ve got some new disc reviews for you to enjoy today...

I’ve taken a look at Guy Ritchie’s Sherlock Holmes (2009) on 4K Ultra HD from Warner Bros. Home Entertainment. It’s a nice (if modest) image upgrade on the format that fans of the film especially should appreciate. HDR gives the proceedings a nice boost.

Also, Dennis has taken a look at David Lynch’s The Elephant Man, which is now available on Blu-ray from The Criterion Collection. Sounds like it’s a very worthy upgrade, mastered from the new StudioCanal 4K transfer. And for those of you wondering, the “missing” fade from the StudioCanal 4K is also missing here. But do keep in mind that Lynch approved the remaster, so it’s possible he made the change himself (meaning it might not be an error).

Now then, we’ve got more reviews coming over the next few days. Two are already to go for tomorrow and more should follow. So stay tuned for that. [Read on here...]

We’ve got still more release news to report today, though much if it we’ve already talked about here at The Bits. The point is, it’s all now official.

First up, Warner Bros. Home Entertainment has just set four catalog titles for release on 4K Ultra HD (with Blu-ray and Digital Copy) on 9/1...

These include Richard Donner’s The Goonies (1985), Tim Burton’s Beetlejuice (1988), and Guy Ritchie’s Sherlock Holmes (2009) and Sherlock Holmes: A Game of Shadows (2011). All four were shot on film, so appear to have been mastered from new 4K scans of the original camera negatives (the two Sherlock Holmes titles were shot on film but finished as 2K DIs, so it’s possible new 4K DIs were built from scans of the camera neg and VFX film outs).

All four titles will include the previous Blu-ray extras. In addition, Beetlejuice will offer a new English Dolby Atmos sound mix. There’s no indication of Dolby Vision HDR in Warner’s press release, so assume HDR10 for the time being. Both The Goonies and Beetlejuice will also be available in new Deluxe 4K Giftsets exclusive to Amazon.com. [Read on here...]