Displaying items by tag: Lionsgate

Evening, folks!

Next week is going to be another big one here at The Digital Bits, as all three of the new James Cameron catalog titles—Aliens, The Abyss, And True Lies—drop in 4K Digital on Tuesday. And it’s very possible that they could start appearing on Digital services sooner, especially if you already own HD Digital copies (iTunes/AppleTV sometimes upgrades the files to 4K a little early). So I’ll be back on Tuesday to review them from an A/V standpoint, in anticipation of the disc releases arriving in March. And I’ll have more restoration details from Lightstorm as well, so be sure to check back next week.

In the meantime, we have a little big more announcement news today...

Imprint has just unveiled their February 2024 Blu-ray slate. They include Ingmar Bergman’s Face to Face (1976), Peter Yates’ The Dresser (1983), Bob Rafelson’s Mountains of the Moon (1990), Diane Kurys’ A Man in Love (1987), Gabriele Salvatores’ I’m Not Scared (2003), and Majid Majidi’s Children of Heaven (1997). Face to Face, Mountains of the Moon, and I’m Not Scared are all arriving on Blu-ray for the first time. All of these titles are limited to 1500 copies. Street date is 2/28/24 and you can pre-order them here on the Imprint webstore.

Kino Lorber Studio Classics has set Pat Rocco’s Drifter (1974) for Blu-ray release on 2/20/24 as the next title (#6) in its new Kino Cult label.

It looks very much like Paramount Home Entertainment will be releasing John Landis’ Beverly Hills Cop III (1994) and a new Beverly Hills Cop 3-Movie Collection in 4K Ultra HD on 2/20 as well. [Read on here...]

This is going to be a big week in terms of new disc reviews! Just today we’ve got...

My take on Christopher Nolan’s Oppenheimer (2023) in 4K Ultra HD from Universal, which in my opinion is the A/V demo disc of the year, not to mention a terrific special edition release. Unfortunately, it’s selling out everywhere, but we strongly suspect that Universal is already replicating more copies (and we’ve asked for official confirmation of that, which we’ll share here as soon as we hear back).

Tim’s reviews of Greta Gerwig’s Barbie (2023) in 4K Ultra HD from Warner Bros and Jeannot Szwarc’s Santa Claus: The Movie (1985) in 4K UHD from StudioCanal in the UK.

Stuart’s look at the Audie Murphy Collection III box set from Kino Lorber Studio Classics, which includes Hell Bent for Leather (1960), Posse from Hell (1961), and Showdown (1963) on Blu-ray.

And Dennis’ thoughts on Brad Watson’s The Siege (2023) on Blu-ray from Well Go USA Entertainment, as well as Harry Beaumont’s Dance, Fools, Dance (1931) on Blu-ray from the Warner Archive Collection.

I’m also hard at work on my 4K review of James Cameron’s Titanic (1997) from Paramount and we have several more Blu-ray and 4K Ultra HD reviews cooking at the moment. I would expect James Mangold’s Indiana Jones and the Dial of Destiny to show up at any time for review in 4K as well. So be sure to keep your eyes peeled for them. [Read on here...]

Good afternoon, Bits readers and welcome to a new week! If all goes well, it’s shaping up to be a pretty exciting one—but more on that soon.

First up today, we’ve got an exclusive early 4K Ultra HD review for you: I’ve just taken an in-depth look at Christopher Cain’s fan-favorite western Young Guns (1988) in a long-awaited new Ultra HD release from our friends over at Lionsgate! The A/V quality is excellent, the disc includes original theatrical stereo and a great new Atmos mix, legacy extras carry over (including the commentary, a historical featurette, and trailers), and there’s a terrific new doc as well called How the West Was Wild: Making Young Guns. It’s a fine release that fans of the film should really love.

Now then, our friends at Kino Lorber Studio Classics have announced that Rod Lurie’s The Last Castle (2001) is “coming soon” to 4K Ultra HD.

Also newly revealed for Blu-ray from KLSC are Ted Kotcheff’s Split Image (1962), Joseph Sargent’s To Hell with Heroes (1968), Norman Panama’s The Road to Hong Kong (1962), and Douglas Sirk’s Has Anybody Seen My Gal (1952) on 1/9, followed by Andrew V. McLaglen’s The Devil’s Brigade (1968) on 1/16. And coming soon is Mitchell Leisen’s No Man of Her Own (1950). [Read on here...]

I’ve been thinking a lot, in recent days, about the future of physical media.

Frankly, I can’t recall a time in this industry that’s offered greater cognitive dissonance than this past week, which began with the news that Best Buy is exiting the disc business—and saw a Digital Bits headline on the subject appear in Jimmy Fallon’s Tonight Show monologue—but ended not only with the release of Barbie and The Exorcist in 4K, but also with the Ultra HD announcement of Titanic, The Color Purple, and Oppenheimer, to say nothing of the revelation (by Kino Lorber Studio Classics) that Stanley Kubrick’s earliest films are coming to the format!

What’s the opening line of A Tale of Two Cities again? “It was the best of times, it was the worst of times, it was the age of wisdom, it was the age of foolishness, it was the epoch of belief, it was the epoch of incredulity.” Charlies Dickens was nothing if not a visionary.

This coming December, I’ll mark my twenty-sixth year as editor of The Digital Bits, and my thirty-fifth as a working professional in the business of media more generally. For most of that time, I’ve had a front row seat from which to view the ebbs and flows of the disc business—both its public-facing portion, as well a singularly-unique insider’s perspective. I launched The Bits website in 1997, at the height of LaserDisc and the dawn of DVD, to create a nexus between fans of these formats and the industry professionals who create them.

Soon afterwards, I gave the world its first look at Circuit City’s pay-per-view DIVX format, then led the crusade against it. I co-led a campaign that convinced George Lucas to begin releasing his beloved Star Wars films on DVD. I reported from the trenches on—and correctly predicted the outcome of—the high-definition format war between Blu-ray and HD-DVD. And I’ve covered every minute of the Golden Age of Physical Media, the rise and stumbles of Digital and streaming, and the continuing adventures of our favorite little format that could… 4K Ultra HD. [Read on here...]

All right, believe it or not, even after the insanity that’s been the last couple of days, we still have a bit more new release news to catch you all up on here at The Bits...

First things first… Lionsgate has officially set The Expendables 4, aka Expend4bles, for release on Blu-ray, DVD, and 4K Ultra HD on 11/21. There will also a trio of retail exclusive versions, including an Amazon 4K with lenticular cover, a Best Buy 4K Steelbook, and a Walmart Steelbook 4-Film 4K Collection. All 4K versions of Expend4bles will offer Dolby Vision HDR and Dolby Atmos audio on a 100GB disc. Extras on the Blu-ray and 4K SKUs will include audio commentary with director Scott Waugh, 2 featurettes (Bigger, Bolder, Badder: The Expendables in Action and More Than a Team: New Blood Meets Old Blood), plus the film’s theatrical trailer. You can see the cover artwork at left and also below.

Lionsgate has also set Kevin Greutert’s Saw X for release on Blu-ray, DVD, and 4K Ultra HD on 11/21. Look for HDR10 and Dolby Atmos on the 4K SKU. Extras will include audio commentary (with director-editor Kevin Greutert, cinematographer Nick Matthews, and production designer Anthony Stabley), the 6-part Reawakening documentary (includes I Want to Play a Game: Bleeding New Life into the Saga, This Time It’s Personal: Characters and Casting, Another Time, Another Place: Locations and Cinematography, There Will Be Blood: Production Design and Make-up, Leave Nothing to Chance: Post-Production, and Live or Die: Release and Legacy), 2 additional featurettes (Drawing Inspiration: Illustrated Scene Breakdowns with Kevin Greutert and Make-Up Department Trap Tests), deleted scenes, and the film’s theatrical trailer. Again, you’ll find the cover art below. [Read on here...]

We’ve got some interesting release news for you today, as well as updates on forthcoming 4K catalog titles we’ve been tracking for a while, and of course more new disc reviews. So let’s get to the latter first...

Our own Stephen Bjork has posted his in-depth review of Loki: The Complete First Season in 4K Ultra HD Steelbook from Marvel Studios and Disney. The short version is that the studio really does seem to have done this title right, in terms of AV quality, which bodes well for forthcoming Disney+ streaming series in 4K UHD.

Stephen has also turned in a look at Barry Levinson’s Rain Man (1988) in 4K Ultra HD from the MVD Marquee Collection.

And Stuart has delivered his take on Kino Lorber Studio Classic’s Audie Murphy Collection II on Blu-ray, which features Sierra (1950), Kansas Raiders (1950), and Destry (1954).

In terms of new release news, we’re hearing from retail sources that Universal’s forthcoming Blu-ray, DVD, and 4K Ultra HD release of David Gordon Green’s The Exorcist: Believer (2023) will arrive in stores on 12/19.

Lionsgate has also delayed their 4K Ultra HD + Blu-ray release of Jean-Luc Godard’s Contempt (1963) from 9/26 to 10/24. Adjust your plans accordingly. [Read on here...]

We’re starting the new week with a trio of disc reviews...

First up, I’ve posted my look at Dan Trachtenberg’s Prey (2022), which streets in long-awaited 4K Ultra HD on 10/3 from 20th Century Studios and Buena Vista Home Entertainment. And I’m pleased to say that the disc does not disappoint in terms of A/V quality.

Also today, Stuart has offered his thoughts on Compton Bennett and Andrew Marton’s King Solomon’s Mines (1950), as recently released on Blu-ray by The Warner Archive Collection.

And Tim has turned in his take on Ryan Meade’s Tom Sullivan documentary Invaluable: The True Story of an Epic Artist (2014) on Blu-ray from Synapse Films.

In terms of announcement news today, Sony Pictures Home Entertainment has just announced a new Resident Evil: 6-Movie Collection 4K Ultra HD in Steelbook packaging. That’s due on 11/21. The set includes all 6 films in both Blu-ray and 4K, and all of the 4Ks will feature Dolby Vision HDR and Dolby Atmos audio, plus the previous 5.1 mixes. You can see the cover artwork at left. [Read on here...]

We’re closing out the week with a bunch of new disc reviews and a ton of significant new title announcements as well from the likes of Arrow, Imprint, Sony, Shout! Factory, and more. But first, here are those reviews...

First, Stephen has delivered his in-depth takes on James Gunn’s Guardians of the Galaxy, Volume 3 (2023) on 4K Ultra HD from Marvel and Disney, Jonathan Goldstein and John Francis Daley’s Dungeons & Dragons: Honor Among Thieves (2023) on 4K UHD from Paramount, Russell Mulcahy’s Razorback (1984) on 4K UHD from Umbrella Entertainment, Lucio Fulci’s City of the Living Dead (1980) on 4K UHD from Cauldon Films, and Dario Argento’s Tenebrae (1982) on 4K UHD from Synapse Films.

Stuart has chimed in with his thoughts on Henry Koster’s My Man Godfrey (1957) on Blu-ray from Kino Lorber Studio Classics, as well as Fred Zinnemann and John Sturges’ The Old Man and the Sea (1958) on Blu-ray from the Warner Archive Collection.

And Dennis has taken a look at Laura Tarruso’s About My Father (2023) on Blu-ray from Lionsgate, along with Cauleen Smith’s Drylongso (1998) on Blu-ray from the Criterion Collection.

Rest assured, we have even more new disc reviews coming next week, including Tim Burton’s The Nightmare Before Christmas, Akira Kurosawa’s Dreams, and several other titles.

Now then... in announcement news over the last couple of days, Sony Pictures Home Entertainment has officially set Frank Oz’s The Muppets Take Manhattan (1984) for release on 4K Ultra HD on 10/24. Look for the film to be mastered in 4K from the original camera negative with Dolby Vision HDR and a new Dolby Atmos sound mix, both approved by Oz (the original English 5.1 and mono audio are also included). The 4K disc will also include a new audio commentary with Oz. This will be accompanied by a Blu-ray disc featuring the remastered film with 5.1 audio and 3 legacy special features (including an Interview with Jim Henson, Muppetisms: Miss Piggy & Kermit the Frog, and Muppetisms: Pepe and Fozzie Bear). You can see the cover artwork at left and also below. [Read on here...]

All right, we’ve got a lot of catching up to do in terms of release news today, in the wake of the recent Disney and Fox title announcements. So let’s get right to it...

Paramount has just set a pair of fan-favorite catalog films for release on 4K Ultra HD on 11/7... John Landis’s Trading Places (1983) and Richard Donner’s Scrooged (1988). We haven’t seen official announcements yet, so we don’t know for sure what the details are, but they’re now available for pre-order on Amazon.com. You can see the cover art at left and also below the break, where we’ll include the Amazon links. If the studio follows their usual release pattern however, the discs should include Dolby Vision HDR, DTS-HD MA soundtracks, and (possibly) the previously-released extras. It appears that Scrooged will not include a Blu-ray copy however—it’ll will be 4K UHD + Digital Code only.

Speaking of Paramount, their previously-announced South Park: The Complete Twenty-Sixth Season is finally available for pre-order on Amazon and you can see the cover art below.

Lionsgate has just announced a new John Wick: Chapters 1-4 Blu-ray collection for release on Blu-ray, DVD, and Digital on 10/17. All of the previous special features will be included.

Also newly-announced by Lionsgate for release on Blu-ray, DVD, and Digital that same day is The Twilight Saga: The Complete Collection – 15th Anniversary Edition. Included will be Twilight (2008), The Twilight Saga: New Moon (2009), The Twilight Saga: Eclipse (2010), The Twilight Saga: Breaking Dawn – Part 1 and the Breaking Dawn: Part 1 – Extended Edition (2022), as well as The Twilight Saga: Breaking Dawn – Part 2 (2012). The package will also include “three alternative artwork cards that can be swapped into the front cover of the package” and most or all of the previous legacy extras.

And here’s the big one: Lionsgate and AMC are releasing a massive The Walking Dead: The Complete Collection Blu-ray box set on 10/17. SRP for this one is $209.97. You can see the cover artwork for all three of these Lionsgate sets below the break. [Read on here...]

We’re starting today with a couple more new disc reviews including...

Stephen’s take on Disney’s new wide-release 4K Ultra HD version of their animated classic Cinderalla (1950), which looks fantastic and bodes well for future Disney 4K titles.

And Dennis’ review of Harry Beaumont’s The Broadway Melody (1929) on Blu-ray from the Warner Archive Collection.

Now then, the big announcement news today is that Sony Pictures Home Entertainment has finally (and officially) set Sydney Pollack’s The Way We Were (1973) for 4K Ultra HD release on 10/17 in a new 50th Anniversary Edition. [Read on here...]