Displaying items by tag: Aliens 4K

There’s some good title announcement news to report today, including a long-awaited music release.

But first, we wanted to let you all know that the 3/12 James Cameron 4K titles—The Abyss (1989), True Lies (1994), and Aliens (1986)—are finally available for pre-order on Amazon. And while they currently show full price, the usual 30% off discount should be applied soon. (Anyone who pre-orders now will get that discount when it is finally applied.)

Also now available for pre-order on Amazon is John Guillermin’s King Kong (1975) in 4K Ultra HD Steelbook from Paramount. This is a title that’s been available for a couple of years in the UK from StudioCanal, but it’s finally coming to the US. The film stars Jessica Lange, Jeff Bridges, Charles Grodin, and René Auberjonois (of Star Trek: Deep Space Nine fame).

Click on the title links above to find their respective pre-order pages (and as always, whenever you order literally anything from Amazon after clicking to them through our links, you’re helping to support our work here at The Bits and we appreciate it).

Now then, the big announcement news today is that A24 is finally taking pre-orders for Jonathan Demme’s remastered Stop Making Sense (1984) in A24 Shop-exclusive Blu-ray and 4K Ultra HD Collector’s Editions. Both will include Dolby Atmos audio and the original stereo mix, plus extras (including a 25-minute documentary and 2 bonus tracks—Cities and Big Business/I Zimbra) as well as a 64-page booklet. The 4K will also include Dolby Vision HDR. The title is expected to ship in sometime in May. You can find the pre-order page here. We don’t yet know if there will be a wide-release version eventually, though one is certainly possible. [Read on here...]

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All right, we’ve got a few interesting items for you today, including some new release news and more. But first, more new disc reviews...

Tim has taken a look at Peter Walker’s House of the Long Shadows (1983) on Blu-ray from Kino Lorber Studio Classics, a Cannon Films cult title featuring no less than Vincent Price, Christopher Lee, Peter Cushing, and John Carradine. Tim has also reviewed Umbrella Entertainment’s wide-release 4K UHD edition of Andrzej Zulawski’s Possession (1981) in 4K Ultra HD, and he’s updated his review of the Collector’s Edition 4K too.

Dennis has taken a look at Daphné Baiwir’s King on Screen (2022) documentary on the film adaptations of author Stephen King. That comes to Blu-ray by way of Dark Star Pictures and Vinegar Syndrome.

And Stephen has reviewed another Toho kaiju classic in 4K Ultra HD, this time Ishirō Honda’s Ghidorah, the Three-Headed Monster (1964). Once again, being a Japanese import title it does not include English subtitles, but there’s a work around for that.

Before we get to the announcement news this afternoon, a number of online retailers have begun taking pre-orders on the 3/12 4K Ultra HD release of James Cameron’s The Abyss (1989), True Lies (1994), and Aliens (1986), with the odd exception of Amazon. The links are up on Amazon (click on the title links in the previous sentence, and we’ll including them on the cover artwork below) but for whatever reason they haven’t been made live yet. I don’t know if this is a Disney oversight, or an Amazon oversight, but we’ll keep our eyes on the situation and update you when they go live. [Read on here...]

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All right, we’ve got quite a bit of ground to cover today here at The Digital Bits. But as always, we’re starting first with some more new disc reviews. And they’re good ones...

Stephen has taken a look at a pair of 4K Ultra HD releases, including Walter Hill’s The Warriors (1979) in 4K from Arrow Video—an absolutely fantastic release—as well as Ishirō Honda’s original Godzilla (1954) in 4K from Toho, a Japanese import disc that has no English subtitles. But read on, because Stephen’s thoughts on it are well worth your time.

Now then, the first big piece of news we have today is that our friends at The Criterion Collection have just announced their April Blu-ray, DVD, and 4K UHD slate, which is set to include an update of Mathieu Kassovitz’s La haine (1995) (Spine #381 – 4K Ultra HD + Blu-ray) on 4/2, an update or Peter Weir’s Picnic at Hanging Rock (1975) (Spine #29 – 4K Ultra HD + Blu-ray) on 4/9, Béla Tarr and Ágnes Hranitzky’s Werckmeister Harmonies (2000) (Spine #1215 – 4K Ultra HD + Blu-ray, Blu-ray, and DVD) on 4/16, Mikhail Kalatozov’s I Am Cuba (1964) (Spine #1214 – 4K Ultra HD + Blu-ray, Blu-ray) on 4/23, and Nancy Savoca’s Dogfight (1991) (Spine #1216 – Blu-ray) on 4/30. Of the 4K titles, La Haine will include Dolby Vision HDR. [Read on here...]

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All right, as you’ve probably seen here on The Digital Bits, I’ve now shared my thoughts on the 4K Digital remasters of James Cameron’s The Abyss, True Lies, and Aliens. These reviews have been shared after looking at each of the remasters as they currently appear on Vudu, Movies Anywhere, and Apple TV/iTunes, allowing for streaming quality variations in each. So if you’re interested in those, you’ll find my take on each via the title links provided in this paragraph.

Rest assured, I will also be reviewing the forthcoming 4K Ultra HD disc versions of those films, and the forthcoming Avatar and Avatar: The Way of Water collector’s editions when they arrive. And the rest of The Bits team is working on a whole slate of disc reviews for next week and beyond… allowing of course for the usual holiday season distractions of family and the like.

Based on some of the interesting… I’ll generously call them conversations (but they’re more like angry bitch-fests)… on social media over the past couple weeks about some of these 4K titles, I’m also written a essay entitled A Word About Screenshots, Reviewing, and Trusting Opinions on the Internet that you can find over on The Digital Bits’ new Patreon page.

Not only is subscribing to our Patreon page a great way to support our work here at The Digital Bits—if you believe in it and find that it brings your enjoyment of physical media some value—it’s also becoming a great place to respectfully share your thoughts and ideas about these topics with like-minded people without risking getting attacked or worrying about having snark and scorn heaped upon you… and there’s definitely some value in that too. So please consider check it out, and know that we appreciate each and every one of you, our readers, regardless. [Read on here...]

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All right, we’ve got a big week ahead of us here at The Digital Bits. As all of you know, the new James Cameron catalog 4K titles—The Abyss, True Lies, and Aliens—all drop via 4K Digital tomorrow. And we’ve got some big announcement news to share with all of you today as well. But first, we’ve got a new disc review for you...

Stephen has just turned in his thoughts on Kathryn Bigelow’s Point Break (1991) in 4K Ultra HD from Shout! Factory. Enjoy!

Now then... there’s big news today, more big news, and yet another piece of big news. So let’s start with that first one...

Paramount Home Entertainment has just officially set Herbert Ross’ original Footloose (1984) for release on 4K Ultra HD on 2/13/24. We’re awaiting confirmation of the A/V specs on this one, but the title will come in both Amaray and Steelbook packaging, and will have a Blu-ray and Digital copy code. All of the legacy extras from the Blu-ray will carry over. You can see the cover artwork at left and also below. [Read on here...]

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Evening, folks!

Next week is going to be another big one here at The Digital Bits, as all three of the new James Cameron catalog titles—Aliens, The Abyss, And True Lies—drop in 4K Digital on Tuesday. And it’s very possible that they could start appearing on Digital services sooner, especially if you already own HD Digital copies (iTunes/AppleTV sometimes upgrades the files to 4K a little early). So I’ll be back on Tuesday to review them from an A/V standpoint, in anticipation of the disc releases arriving in March. And I’ll have more restoration details from Lightstorm as well, so be sure to check back next week.

In the meantime, we have a little big more announcement news today...

Imprint has just unveiled their February 2024 Blu-ray slate. They include Ingmar Bergman’s Face to Face (1976), Peter Yates’ The Dresser (1983), Bob Rafelson’s Mountains of the Moon (1990), Diane Kurys’ A Man in Love (1987), Gabriele Salvatores’ I’m Not Scared (2003), and Majid Majidi’s Children of Heaven (1997). Face to Face, Mountains of the Moon, and I’m Not Scared are all arriving on Blu-ray for the first time. All of these titles are limited to 1500 copies. Street date is 2/28/24 and you can pre-order them here on the Imprint webstore.

Kino Lorber Studio Classics has set Pat Rocco’s Drifter (1974) for Blu-ray release on 2/20/24 as the next title (#6) in its new Kino Cult label.

It looks very much like Paramount Home Entertainment will be releasing John Landis’ Beverly Hills Cop III (1994) and a new Beverly Hills Cop 3-Movie Collection in 4K Ultra HD on 2/20 as well. [Read on here...]

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Whew! Yesterday was a big day, was it not? I was up all night prior to the announcement, formatting the post for 7 AM Pacific release, and man was it ever good to finally share that! I’ve been sitting on some of that information for months, so I’m very glad to finally be able to speak about it openly. And after thirteen years, it’s damn good to finally confirm that those James Cameron titles are indeed coming to 4K and Blu-ray at long last.

We have more new disc reviews to share today here at The Bits, and there’s more release news today as well. But first, I wanted to let you all know that I’ve just done a new blog post over on Patreon: My Two Cents on the New Abyss Trailer, and the Subject of DNR and Film Grain. It’s based on an impromptu Q&A thread I was involved in over on Twitter/X this morning, but with some added detail that will definitely be of interest to fans of these James Cameron films in remastered 4K. So if you’re a backer of The Bits’ new Patreon—and if you’re not, you should be, as we really need and appreciate the support!—I think you’ll certainly enjoy that. But for the rest of you, rest assured: Much of the substance of that post will be shared here on The Bits website when we review The Abyss, True Lies, Aliens, and Titanic in 4K, first on Digital in a few weeks and then in a few months on actual 4K UHD disc.

Now then, speaking of reviews... Stephen has posted his thoughts on Roger Spottiswoode’s The Best of Times (1986) on Blu-ray from Kino Lorber Studio Classics.

Dennis has reviewed Éric Gravel’s Full Time (2021) on Blu-ray from Music Box Films and Vinegar Syndrome, as well as Jared Moshe’s Aporia (2023) on Blu-ray from Well Go USA.

Stuart has weighed in with his take on Roy Del Ruth’s Du Barry Was a Lady (1943) on Blu-ray from the Warner Archive Collection, along with Jules Dassin’s Uptight (1968) on Blu-ray from Imprint Films.

And for you Peckinpah fans, Tim has shared his in-depth look at Sam Peckinpah’s Bring Me the Head of Alfredo Garcia (1974), also on Blu-ray from Imprint Films.

As always, more new disc reviews are on the way for tomorrow and all next week, so be sure to watch for them. [Read on here...]

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All right, Digital Bits readers...

Having reported on the long and twisted saga of The Abyss and True Lies on Blu-ray and 4K Ultra HD for over thirteen years now—and having first broken news of this release all the way back in March—it gives me enormous pleasure to be able to share this with all of you: The day has come at last!

Not only are The Abyss and True Lies finally coming to 4K Ultra HD and Blu-ray, so too are Aliens, the recently-announced Titanic, and new versions of both Avatar (with all three versions of the film) and Avatar: The Way of Water!

Here’s the full text of Disney and Lightstorm’s official press release today…

SIX ICONIC JAMES CAMERON FILMS INCLUDING FOR THE FIRST TIME EVER ON 4K UHD™ ALIENS, THE ABYSS AND TRUE LIES!

IN ADDITION, SPECIAL COLLECTOR EDITIONS FOR TITANIC, AVATAR AND AVATAR: THE WAY OF WATER WITH:

** IMMERSIVE DOLBY ATMOS AUDIO
** STUNNING 4K DOLBY VISION HDR PICTURE QUALITY
** HOURS OF COMPELLING NEW BONUS FEATURES

BURBANK, CA. (November 15, 2023) – A piece of cinema history comes home this year when six box-office juggernauts from Oscar®-winning director James Cameron are released. The six titles—The Abyss, True Lies, Aliens, Titanic, Avatar and Avatar: The Way of Water—will be made available in 4K Digital and 4K Ultra HD + Blu-ray.

Cameron, who has helmed three of the five highest grossing movies of all time, says “There’s a world of emotions in revisiting these films and I hope we’ve captured some of that in the new bonus materials we created for our fans.”

Oscar®-winning producer Jon Landau added, “We really wanted to deliver the best possible experience at home so viewers could immerse themselves both in the films and the journeys we went through to make them.”

The 4K transfer for each release will be presented in superb Dolby Vision HDR and with an immersive Atmos audio mix. Additionally, most of the releases will arrive with several hours of captivating all-new bonus features. From the eight hours of Avatar: The Way of Water bonus including all-new deleted scenes to the five hours of new and legacy Titanic extras, fans will delight in the numerous hours of never-before-seen materials. [Read on here...]

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All right, we’ve got some ground to cover today here at The Bits, so first things first. We have a trio of new disc reviews for you to enjoy this afternoon, including...

Tim’s take on Amando de Ossorio’s Tombs of the Blind Dead (1972) on Blu-ray from Synapse Films.

And Dennis’ thoughts on William A Wellman’s Westward the Women (1951) on Blu-ray from the Warner Archive Collection, as well as James Foley’s After Dark, My Sweet (1990) on Blu-ray from Kino Lorber Studio Classics.

Don’t forget, Amazon’s Prime “Big Deal” Days Sale continues until the end of the day today, so be sure to take advantage of all the great prices on Blu-ray, DVD, and 4K Ultra HD titles, box sets, and collections. Click here and here to see what’s on sale and act fast!

For the record, some of today’s deals include...

So be sure to act fast if you’re interested.

Also today here at the site, we’ve got word on some long-awaited 4K Ultra HD catalog titles... [Read on here...]

Published in My Two Cents

We’ve got some interesting release news for you today, as well as updates on forthcoming 4K catalog titles we’ve been tracking for a while, and of course more new disc reviews. So let’s get to the latter first...

Our own Stephen Bjork has posted his in-depth review of Loki: The Complete First Season in 4K Ultra HD Steelbook from Marvel Studios and Disney. The short version is that the studio really does seem to have done this title right, in terms of AV quality, which bodes well for forthcoming Disney+ streaming series in 4K UHD.

Stephen has also turned in a look at Barry Levinson’s Rain Man (1988) in 4K Ultra HD from the MVD Marquee Collection.

And Stuart has delivered his take on Kino Lorber Studio Classic’s Audie Murphy Collection II on Blu-ray, which features Sierra (1950), Kansas Raiders (1950), and Destry (1954).

In terms of new release news, we’re hearing from retail sources that Universal’s forthcoming Blu-ray, DVD, and 4K Ultra HD release of David Gordon Green’s The Exorcist: Believer (2023) will arrive in stores on 12/19.

Lionsgate has also delayed their 4K Ultra HD + Blu-ray release of Jean-Luc Godard’s Contempt (1963) from 9/26 to 10/24. Adjust your plans accordingly. [Read on here...]

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