Displaying items by tag: Tim Salmons

We’ve been waiting for this for a while now, but as you may know Criterion last week finally teased their Stanley Kubrick 4K Ultra HD + Blu-ray box set with a trailer last Wednesday—we shared it here on the site.

Well today, they officially unveiled The Complete Kubrick, a 30-disc collection that includes all thirteen of Stanley Kubrick’s feature films from Fear and Desire (1952) to Eyes Wide Shut (1999), and his three short films as well—Day of the Fight, Flying Padre, and The Seafarers—in both 4K Ultra HD and Blu-ray!

The set will include over 25 hours of both newly produced and legacy special features, among them new commentaries with director Lee Unkrich (on The Shining) and author Michael Benson (on 2001: A Space Odyssey). Criterion has also secured “rare films from Graphic Films and computer-animation pioneer John Whitney that inspired the special effects in 2001,” not to mention unseen Lolita screen test footage, and more!

The street date is October 20th, and the SRP is a whopping $599.95. But Criterion is selling it for $479 on their website (click here), and of course there are the usual 30% off and 50% off sales that they do fairly regularly.

At the moment, it doesn’t yet look like Criterion is going to be selling Kubrick’s Lolita (1962)—which is the only one of his films not yet released in 4K—separately, as they did last year with Wes Anderson’s Isle of Dogs and The French Dispatch when The Wes Anderson Archive came out. But that’s something that could still happen eventually.

You can see the cover artwork for the set at left, and also below the break. [Read on here...]

We’re closing out the week here at The Bits with more new disc reviews today, including…

Stephen’s in-depth look at George A. Romero’s Day of the Dead (1985) in 4K Ultra HD from Scream and Shout! Factory.

Tim’s review of Chin-Ku Lu and Chang Cheh’s Bastard Swordsman (1983) on Blu-ray from Arrow Video’s Shawscope: Volume Three box set.

And Stuart’s take on Ken Hughes’ Jazz Boat (1960) on Blu-ray from Powerhouse Films and Indicator, as well as Ralph Thomas’ Hot Enough for June (1964) on Blu-ray from Via Vision’s Imprint Films.

More reviews are forthcoming, as always, so be sure to keep checking back!

Now then… Arrow Video’s Toy Robot Video sub-label has just revealed its September slate of Blu-ray and 4K Ultra HD titles—it’s first official announcements ever. And it’s pretty great for fans of a certain kind of deep genre titles. [Read on here...]

All right, we've had another bout with AI scraping and other AI-related shenanigans here at The Bits website this week, but our meat-brain team has fought back valiantly and all is well here at the site again.

As such, we've got a bunch of news to catch you all up on here today and we have lots more new disc reviews to share with you, including...

Tim’s take on Hal Ashby’s Let’s Spend the Night Together (1983) on Blu-ray from Kino Lorber Studio Classics and Jess Franco’s Vampyros Lesbos (1971) in 4K UHD from Severin Films.

Stephen’s look at Huang Chiang-hua’s Legend of the Sacred Stone (2000) on Blu-ray from Deaf Crocodile, Lucio Fulci’s Conquest (1983) in 4K UHD from Cauldron Films, and William Dear’s Harry and the Hendersons (1987) in 4K UHD from Kino Lober Studio Classics.

Todd thoughts on Imprint’s Directed by John Mackenzie (1980-92) Blu-ray box set, and Bradley Bell and Pablo Jones-Soler’s Charli XCX: Alone Together (2021) on Blu-ray from Kino Lorber.

Stuart’s take on Lewis Allen’s Another Time, Another Place (1958) and the Directed by David Lean: Volume II (1949-55) box set both on Blu-ray from Imprint.

And finally, Dennis’ look at Brian Levant’s Beethoven (1992) and Tomas Alfredson’s The Snowman (2017) both on Blu-ray from Kino Lorber Studio Classics.

As always, more reviews are forthcoming, so be sure to keep checking back!

Now then, we have a few pieces of great title announcement news for you today. First, Sony has officially set Ben Stiller’s The Cable Guy (1996) for 30th anniversary 4K UHD release on 10/6—something we first revealed was coming to our Patreon subscribers several weeks ago! The disc will include a new 4K Dolby Vision presentation restored from the original camera negative, with both a new Dolby Atmos mix and the original English 5.1 audio mix. The package will also include legacy extras as well as a new feature: A 30th Anniversary Conversation with Ben Stiller and Matthew Broderick, from the 2026 Tribeca Film Festival. Great news indeed! [Read on here...]

We’ve got more new disc reviews for you to close out the week here at The Bits, including…

Stephen’s reviews of Rango Lam’s City on Fire (1987) and John Woo’s The Killer (1989) in 4K Ultra HD from Imprint.

Stuart’s thoughts on John Guillermin’s House of Cards (1968) on Blu-ray from Kino Lorber Studio Classics, the Spencer Tracy Collection on Blu-ray from the Warner Archive Collection—which includes Bad Day on Black Rock (1955), Fury (1936), Libeled Lady (1936), and Northwest Passage (1941)—and the Directed by David Lean: Volume II box set on Blu-ray from Imprint—which includes The Passionate Friends (1949), Madeleine (1950), The Sound Barrier (1952), Hobson’s Choice (1954), and Summertime (1955).

Tim’s look at Tobe Hooper’s Salem’s Lot (1979) in 4K Ultra HD from our friends at Arrow Video.

And Dennis’ take on Brian Levant’s Beethoven (1992) on Blu-ray from Kino Lorber Studio Classics.

More reviews are in the works for release here all next week, so be sure to keep checking back for them.

Now then… the first thing to be said today is that Phil Lord and Chris Miller’s Project Hail Mary (2026) is now available for pre-order on Amazon.com in Blu-ray, DVD, and 4K Ultra HD (click here for the link). This is an Amazon MGM Studios release. The street date isn’t yet official, but we believe it will be on or about 8/11. Look for the disc to include audio commentary with the directors, deleted scenes, and the Earth’s Favorite Eridian featurette. You can see the cover artwork above left. [Read on here...]

Morning, folks!

I’ve got some good Lionsgate news for you today. But first as always, we have more new disc reviews for you to enjoy, including…

Stephen’s look at Albert Pyun’s The Sword and the Sorcerer (1982) and John Woo’s Hard Boiled (1992) in 4K Ultra HD from Imprint, and Damiano Damiani’s Confessions of a Police Captain (1971) on Blu-ray from Radiance.

Tim’s review of James Melkonian’s The Stoned Age (1994) on Blu-ray from the Vestron Video Collector’s Series via Lionsgate Limited, Cesare Canevari’s A Hyena in the Safe (1968) on Blu-ray from Celluloid Dreams, and Norman Jewison’s In the Heat of the Night (1967) in 4K from Imprint.

Todd’s thoughts on Alex Russell’s Lurker (2025) on Blu-ray from Mubi, Urška Djukić’s Little Trouble Girls (2025) on Blu-ray from Kino Lorber, and Zak Hilditch’s We Bury the Dead (2024) on Blu-ray from Vertical Entertainment, Kansas Bowling’s Cuddly Toys (2022) on Blu-ray from Vinegar Syndrome, and Vinegar Syndrome Film Archive Presents: Reviver 2 on Blu-ray.

And finally, Stuart’s look at Ralph Thomas’ Some Girls Do (1969) on Blu-ray from Imprint and Louis Soulanes, Léonard Keigel, Robert Enrico, and Serge Moati’s Ténèbres Françaises (1970-77) on Blu-ray from Vinegar Syndrome.

More reviews are on the way all this week, so be sure to keep your eyes peeled for them!

Now then… as promised, we have the complete list of 245 titles that are hitting Movies Anywhere tomorrow, on Tuesday (June 9)!

The thing to know is that if you’ve redeemed codes for any of these films previously from Lionsgate 4K or Blu-ray titles, they should start appearing in your MA library shortly.

And the way it’s going to work thereafter, is that every month new titles will follow (including a 100 more titles in July, which we’ll share with you next month). [Read on here...]

We’ve got a bunch of new disc reviews for you to check out today, including…

Tim’s take on Charlie Chaplin’s A Woman of Paris (1923) on Blu-ray from the Criterion Collection, Taylor Wong’s Buddha’s Palm (1982) on Blu-ray from Arrow’s Shawscope: Volume Three box, and J. Lee Thompson’s 10 to Midnight (1983) in 4K Ultra HD from Kino Lorber Studio Classics.

Stephen’s thoughts on Robert Wise’s The Haunting (1963) in 4K Ultra HD from Scream Factory, John “Bud” Cardos’ Mutant (1984) in 4K Ultra HD from Vinegar Syndrome, and Clive Barker’s Nightbreed (1990) in 4K from Arrow Video.

Todd’s review of Spike Lee’s Highest 2 Lowest (2025) on Blu-ray from A24, Timur Bekmambetov’s Mercy (2026) on Blu-ray from Amazon MGM, and Tony Scott’s The Fan (1996) and David Greene’s Hard Country (1981) on Blu-ray from Imprint Films.

Stuart’s look at Hobart Henley’s Night World (1932), Anthony Mann’s Bend of the River (1952), Allen Smithee’s Death of a Gunfighter (1969 – actually directed by Robert Totten and Don Siegel), and Christian-Jaque’s The Second Twin (1966) all on Blu-ray from Kino Lorber Studio Classics.

And Dennis’ thoughts on William Keighley’s The Man Who Came to Dinner (1941) on Blu-ray from the Warner Archive Collection.

Also today, be sure to check out my recent special feature articles on Apple TV’s For All Mankind and Star City series, as well as Warner’s remastering the Wachowskis’ Speed Racer (2008) in 4K Ultra HD! [Read on here...]

Good afternoon, disc fans!

After yesterday’s big release news of Kill Bill: The Whole Bloody Affair in 4K from Lionsgate, it’s time to start catching up on news that dropped while we were grappling with our AI bot-scraping issue.

To start with today, we’ve got a number of new disc reviews to share with you, and—on that very note—we also have a nice surprise announcement as well…

Our old friend Todd Doogan is returning to The Digital Bits as a review contributor!

Longtime Bits readers will know that Doogan was a founding member of The Bits team, not only reviewing DVD and Blu-ray discs here for many years, but also writing his own Doogan’s Views and Gripe Soda columns here at the site.

Since we have so many great disc releases that need covering, Doogan has offered to revive Doogan’s Views as a new “quick” review format—these will feature the Doogan’s Views banner at the top of the review. And while the reviews won’t be as detailed as our regular review work, they’ll include enough information to highlight discs worth your attention and help you make buying decisions. These are the kinds of titles that would otherwise fall through the cracks, but that deserve some love from fans—indie and boutique deep cuts, genre oddballs, and more.

Todd’s first new Doogan’s Views reviews this afternoon include Chris Stuckmann’s Shelby Oaks (2025) on Blu-ray from Decal Releasing and Johannes Roberts’ Primate (2025) on Blu-ray from Paramount via Alliance.

We’re all thrilled here to have Todd on The Bits team again, and I’m personally very happy to have my friend calling videodisc balls and strikes once more as only he can.

So welcome back, Todd, and watch for more Doogan’s Views reviews in the days and weeks ahead!

Meanwhile today, we have a bunch of new disc reviews from the rest of The Bits review team too, including... [Read on here...]

We’ve got a few great new disc reviews for you to enjoy here at the site today as we continue our efforts to get things back to normal here. And a couple of them are significant titles…

First, Stephen has turned in his thoughts on David Fincher’s newly remastered Fight Club (1999) in 4K Ultra HD from 20th Century Studios via Disney and Sony. Stephen has also taken a look at Luis Llosa’s Anaconda (1997) in 4K Ultra HD from Sony Pictures Home Entertainment.

Next, Tim has offered his take on Ralph Bakshi’s animated Fire and Ice (1983) in 4K Ultra HD from Blue Underground.

And Dennis has shared his look at Jack Conway’s Honky Tonk (1941) on Blu-ray from the Warner Archive Collection.

More reviews are forthcoming, and again there should be a lot more over the next week or so as we return to something like normal operations here at The Bits after our efforts to stabilize the first from intensive AI bot scraping and higher-than-ever site traffic.

Also, we’ve got a new update of the Release Dates and Artwork section for you all to enjoy as well.

So we really appreciate your patience as we’ve dealt with that over the last 6-8 weeks or so.

In terms of announcement news this week, our friends at the Criterion Collection have revealed their August slate, which includes Todd Haynes’ Safe (1995) (Spine #739 – 4K UHD + Blu-ray) on 8/4, Bertrand Tavernier’s Coup de torchon (1981) (Spine #106 – Blu-ray) on 8/11, and Barbara Koppe’s Harlan County USA (1976) (Spine #334 – 4K UHD + Blu-ray) and American Dream (1990) (Spine #1324 – Blu-ray), and James Gray’s Little Odessa (1994) (Spine #1323 – 4K UHD + Blu-ray) on 8/25. Also coming on 8/25 is Eclipse Series 49: Five Radical Documentaries by Kazuo Hara and Sachiko Kobayashi (1972-2016) on Blu-ray. [Read on here...]

Welcoming to a new week, Bits readers!

So the good news is that the site appears to be stable, our email is working, and all of our functionality appears to be restored. If you’re having any trouble, please let us know.

In the meantime, we have some new reviews for you to enjoy today…

Stephen has taken a look at Guy Hamilton’s Remo Williams: The Adventure Begins (1985) on Blu-ray from Kino Lorber Studio Classics, as well as Frank Henenlotter’s Frankenhooker (1990) in 4K Ultra HD from Synapse Films.

Tim has offered his thoughts on Hanna-Barbera’s The New Fred and Barney Show: The Complete Series (1979) on Blu-ray from the Warner Archive Collection. He’s also assisted Dennis with 4K Ultra HD reviews of Terry Jones’ Monty Pythons’ Life of Brian (1979) from the Criterion Collection and Alvin Rakoff’s Death Ship (1980) from Kino Lorber Studio Classics.

And Dennis has turned in a solo review of Mike Figgis’ Mr. Jones (1993) on Blu-ray from Imprint films.

More reviews are on the way all this week, so be sure to watch for them!

Now then, in release and announcement news today, Disney officially announced the Blu-ray, DVD, and 4K Ultra HD release of Pixar’s CG-animated Hoppers (2026) on 6/2, with the Digital release expected tomorrow on 4/28. The 4K disc will come in Steelbook packaging and interestingly, it will be released on a 100 GB disc with Dolby Vision HDR and Dolby Atmos audio. Extras will include 5 featurettes (The Critter Dairies, Hopping In: The Making of Hoppers, Meet King George: Scene Breakdown, Beaverton Revealed, and Damn Good Bloopers) plus 6 deleted scenes. You can see the cover art at left. [Read on here...]

All right, we’ve got some outstanding new catalog title announcements to cover today here at The Bits—the perfect way to close out the week!

First though, we have a few more new disc reviews to share with you this morning as well…

Tim has taken a look at Charles Barton’s Abbott and Costello Meet Frankenstein (1948) in 4K Ultra HD from Kino Lorber Studio Classics, as well as Hanna-Barbera’s Loopy De Loop: The Complete Collection (1959-65) on Blu-ray from the Warner Archive Collection.

And Dennis has shared his thoughts on Alvin Rakoff’s Death Ship (1980) on Blu-ray from Kino Lorber Studio Classics.

We’ve got a lot more new disc reviews coming next week, so be sure to keep your eyes peeled for them!

Now then... just as we expected today, some of our friends at the boutique labels have made great new 4K Ultra HD and Blu-ray catalog announcements this morning.

We’ll start with Arrow Video, which has just announced their full July 2026 release slate.

That’s officially set to include:

• To Live and Die in LA (1985) (4K – UK only) – July 5
• Sex & Fury (1973) / Female Yakuza Tale (1973) (Blu-ray – UK, US, and Canada) – July 6
• Hush (2016) (4K – UK only) – July 12
• Red Sun (1971) (Blu-ray & 4K – US, and Canada) – July 13
• Falling Down (1993) (Blu-ray & 4K – UK, US, and Canada) – July 20
• Soylent Green (1973) (Blu-ray & 4K – UK, US, and Canada) – July 27
• The Outfit (Blu-ray – UK, US, and Canada) – July 27

So we did indeed get a couple of sneaky Warner Bros. titles in there!

Here’s what the packaging looks like (you’ll find it below the break)... [Read on here...]