Displaying items by tag: Imprint Asia

I wanted to do something a little different here at The Bits today.

This being a Friday afternoon, and with the recent passing of Robert Duvall much on my mind, I wanted to call your attention to a film that I think features one of his finest performances.

But the sad reality is, thanks to studio apathy and/or a dispute between the film’s director and distributors (as reported here back in 2019), some of you may not even be aware of it.

First though, a bit of regular site business: We’ve got three more new disc reviews for you to enjoy here at the site today, including…

Dennis’ look at Don Siegel’s The Verdict (1946) on Blu-ray from our friends at the Warner Archive Collection.

Stuart’s thoughts on Mabel Cheung’s An Autumn’s Tale (1987) on Blu-ray from Imprint Asia and Via Vision.

And finally, Tim’s review of Roy Ward Baker’s Scars of Dracula (1970) in 4K Ultra HD from Hammer Films via the good folks at Kino Lorber Studio Classics.

More reviews are on the way for next week (including one or two from yours truly), so be sure to check back for them.

All right… with that aside, let me tell you about a little gem of a film called Open Range (2003).

Based on the 1990 Western novel The Open Range Men by Lauran Paine, and featuring a screenplay by Craig Storper, this Kevin Costner-directed project was both a critical and box office success, if a modest one, and it currently holds a respectable 79% critics score on Rotten Tomatoes (with an audience rating of 84%). [Read on here...]

Published in My Two Cents

Cheers, Bits readers!

We’ve got one last My Two Cents update for you this week with some great new disc reviews, as well as some great new Blu-ray and 4K Ultra HD release news. Let’s hit those reviews first…

I’ve just updated our dear late friend Barrie Maxwell’s review of William Wyler’s Ben-Hur (1959) to cover Warner’s stunning new 4K Ultra HD restoration of the film, which streets next week. It’s truly one of the great classic film presentations we’ve seen on this format to date, and certainly not to be missed.

Dennis and Tim have checked in with thoughts on a pair of Agatha Christie film adaptations in 4K Ultra HD from Kino Lorber Studio Classics, including John Guillerman’s Death on the Nile (1978) and Guy Hamilton’s The Mirror Crack’d (1980).

Dennis has also reviewed Michael Winner’s The Mechanic (1972) and Antonia Bird’s Priest (1994) on Blu-ray from Kino Lorber Studio Classics and Imprint, respectively.

Tim has posted his own reviews of Alberto Cavalcanti, Charles Crichton, Basil Dearden, Robert Hamer’s Dead of Night (1945) anthology on Blu-ray from KLSC as well as Chor Yuen’s The Jade Tiger (1977) from Arrow’s Shawscope: Volume 3 Blu-ray box.

Stephen has reviewed Emma Seligman’s Bottoms (2023) on Blu-ray from KLSC.

And Stuart has taken a look at Hideo Gosha’s Gate of Flesh (1988) on Blu-ray from Toei via 88 Films.

We have lots more great 4K reviews cooking for next week as well, believe me.

Also here at The Bits today, we’ve posted an update of our Release Dates & Artwork section featuring all the latest Blu-ray, DVD, and 4K Ultra HD cover artwork with Amazon pre-order links. As always, whenever you order anything after clicking to Amazon though one of our links (like this one) you’re helping to support our work here at the site and we appreciate it!

Now then, first things first: Our retail and industry sources have informed us that Warner Bros. Discovery Home Entertainment’s much anticipated 4K Ultra HD release of the Wachowski’s Speed Racer (2008) should street on or about 5/19. So adjust your plans accordingly. Go Speed Go!

Of course, the big news today is that our friends at the Criterion Collection have just unveiled their May slate of Blu-ray and 4K titles. And any slate that includes more Kurosawa in 4K UHD is a good one. [Read on here...]

Published in My Two Cents

All right, this is going to be a quick post, because there’s a LOT going on in Hollywood this week—as you may have seen, and which we’ll get to in a moment—and I’m spending a lot of time today (and especially over the next few days) talking with studio and industry friends, colleagues, and sources for insight and context on all of it.

First though, we have some great new disc reviews here at The Bits for you to enjoy today, including…

Stephen’s reviews of Stanley Kubrick’s Eyes Wide Shut (1999) in 4K Ultra HD from the Criterion Collection, as well as John Woo’s The Killer (1989) in 4K Ultra HD from Shout! Factory via their HK Cinema line.

Tim’s look at Brian De Palma’s Carrie (1976) in 4K Ultra HD from Imprint Films and Via Vision Entertainment.

And Stuart’s thoughts on Kayo Hatta’s Picture Bride (1995) on Blu-ray, also from Imprint (via their Imprint Asia line) and Via Vision Entertainment.

We’ll have more new disc reviews next week, so be sure to check back for them!

Now then, the first big piece of news we want to address here today broke early last night: Netflix appears to have won a three-way bidding war (against Comcast and Paramount Skydance) to purchase Warner Bros., in a “megadeal” that’s reportedly worth nearly $83 billion. [Read on here...]

Published in My Two Cents

All right, we have a few great new disc reviews up for your reading enjoyment today, including…

Stephen’s thoughts on John Carpenter’s Dark Star (1974) in 4K Ultra HD from Fabulous Films.

Dennis’ thoughts on Peter Brook’s The Beggar’s Opera (1953) and Anatole Litvak’s Out of the Fog (1941) on Blu-ray from the Warner Archive Collection, as well as Universal’s new Alfred Hitchcock Presents: The Legacy Collection box set on DVD.

Stuart’s review of Daniel Taradash’s Storm Center (1956) on Blu-ray from Indicator.

And finally, Tim has begun reviewing the films in Criterion’s new The Wes Anderson Archive 4K Ultra HD box set, starting with Bottle Rocket (1996)!

More reviews are forthcoming this week, so be sure to keep checking back.

All right, in terms of release news, call this tentative at the moment but at least it’s filmmaker confirmed: Director Oliver Stone has announced on his Facebook page that a new 4K remaster of Platoon (1986) is on the way (possibly from Shout! Factory). You can see his post here. Thanks to the many Bits readers who sent that info. [Read on here...]

Published in My Two Cents

We have sort of a big day on the release news front, both good and bad, so I’ll get into that in just a minute.

But first as always, we have a couple more new disc reviews, including…

Stuart’s look at William Conrad’s Brainstorm (1965) on Blu-ray from the Warner Archive Collection.

And Stephen’s thoughts on Wim Verstappen’s Dakota (1974) on Blu-ray from Cult Epics.

Now then, the first piece of big news today is that Warner Bros. Home Entertainment has officially announced the 4K Ultra HD release of the Apple TV+ original series Ted Lasso on 11/11! This is indeed the complete series, which is officially titled Ted Lasso: The Richmond Way. All 34 episodes will be includes with Dolby Vision HDR.

Meanwhile, Marvel Studios and Disney have officially set Matt Shakman’s The Fantastic Four: First Steps (2025) for Blu-ray, DVD, and 4K Ultra HD release on 10/14, with the Digital release due on 9/23. Note that the 4K Ultra HD release will include Dolby Vision HDR and Dolby Atmos audio. [Read on here...]

Published in My Two Cents

We’ve got more new disc reviews for you to enjoy this afternoon, including…

Tim’s review of Steve Miner’s Friday the 13th: Part III (1982) on Blu-ray 3D from Paramount via Turbine Medien in Germany.

Dennis’ review of Mike Nichols’ Carnal Knowledge (1971) on Blu-ray from the Criterion Collection.

And Stephen’s thoughts on Ruggero Deodato’s House on the Edge of the Park (1980) in 4K Ultra HD from Severin Films, as well as Ryan Coogler’s Sinners (2025) in 4K Ultra HD from Warner Bros. Discovery Home Entertainment.

We’ll have more reviews tomorrow and all this week, so be sure to check back for them.

Now then… we’ve got more new and recent title announcements for you today, starting with word that Lionsgate has just set Len Wiseman’s From the World of John Wick: Ballerina (2025) for release on Blu-ray, 4K Ultra HD, and 4K Steelbook format on 9/9. There will be a wide-release 4K edition, plus Walmart and Amazon-exclusive 4K Steelbooks. Extras will include The Making of Ballerina, Building a Frozen Underworld, The Art of Action, and Deleted & Extended Scenes. Look for the 4Ks to include Dolby Vision HDR and Dolby Atmos audio. You can see the cover artwork above left. [Read on here...]

Published in My Two Cents

We’ve got SIX more new disc reviews for you all to enjoy today, including...

Dennis’ reviews of Stanley Donen’s Arabesque (1966) in 4K Ultra HD and Dick Powell’s The Conqueror (1956) on Blu-ray, both from Kino Lorber Studio Classics, as well as Ryan Kruger’s Street Trash (2024) on Blu-ray from Vinegar Syndrome, and Jonathan Mostow’s Breakdown (1997) in 4K Ultra HD from Paramount Home Entertainment (the 4K reviews with an A/V assist by Tim).

And Tim’s reviews of the third title in Arrow Video’s Shawscope: Volume Two Blu-ray box set—Disciples of the 36th Chamber (1985)—and also Bob Clark’s Murder by Decree (1979) in 4K Ultra HD from Kino Lorber Studio Classics.

Speaking of Arrow Video, the company has just announced its June slate of Blu-ray and 4K titles, which includes Rowdy Herrington’s Road House (1989) on Blu-ray and 4K UHD + Blu-ray (in the UK only) on 6/2, Joseph Sargent’s The Taking of Pelham One Two Three (1974) on Blu-ray and 4K UHD + Blu-ray (in the UK only) on 6/9, Dominic Sena’s Swordfish (2001) on 4K UHD + Blu-ray (in the UK, US, and Canada) on 6/9, Peter Weir’s Witness (1985) on Blu-ray and 4K UHD + Blu-ray (in the UK only) on 6/16, and Alex Proyas’ Dark City (1998) on Blu-ray and 4K UHD + Blu-ray (in the UK, US, and Canada), Yoshiyuki Kuroda’s The Invisible Swordsman (1970) on Blu-ray (in the UK, US, and Canada), and Sergio Leone’s The Good, the Bad, and the Ugly (1966) on Blu-ray and 4K UHD + Blu-ray (in the UK only) all on 6/23. [Read on here...]

Published in My Two Cents

We’ve got three more new disc reviews for you to enjoy today as we close out the week, including...

Stephen’s look at the new I Walked with a Zombie/The Seventh Victim: Produced by Val Lewton 4K Ultra HD release from Criterion.

Dennis’ take on John Farrow’s Botany Bay (1953) on Blu-ray from our friends at Kino Lorber Studio Classics.

And Stuart’s thoughts on William Dieterle’s Red Mountain (1951) on Blu-ray also from Kino Lorber Studio Classics.

In announcement news today, Imprint Films has just revealed a new trio of Imprint Asia Blu-ray releases for release in January (street date 1/8/25) that includes Jia Ling’s Yolo (2024), Sun Zhou’s Zhou Yu’s Train (2002), and the Erotic Ghost Story Trilogy (1990–1992) box set, which offers Lam Ngai Kai’s Erotic Ghost Story (1990), Peter Ngor’s Erotic Ghost Story II (1991), and Kai-Ming Lai’s Erotic Ghost Story III (1992). Those first two are available here in their very first appearances on Blu-ray anywhere.

Not to be outdone, Umbrella Entertainment’s February slate will include Jon S. Baird’s Filth (2013), Neil Jordan’s The Crying Game (1992), Kim Ki-duk’s Spring, Summer, Fall, Winter, and Spring (2003), and E.L. Katz’s Azrael (2024) on Blu-ray, along with Lynne Ramsay’s You Were Never Really Here (2017) in 4K Ultra HD + Blu-ray, all on 2/5. [Read on here...]

Published in My Two Cents

We’ve got one more new disc review for you all to enjoy today, which is Stephen’s look at Simon Wincer’s Quigley Down Under (1990) in 4K Ultra HD from Shout! Studios—a new Shout Select title.

We’ve also updated our 4K Ultra HD Release List here at The Bits, and we’ve posted a big update of the Release Dates & Cover Art section (click on Cover Art in the navigation bar at the top of the page) with all the latest Blu-ray, DVD, and 4K Ultra HD cover artwork and Amazon.com pre-order links. Don’t forget, any time you order literally anything from Amazon after clicking to them through one of our links, you’re helping to support our work here at The Bits and we really appreciate it.

And I just posted an interesting column over on our Patreon page that details some of the extraordinary changes currently underway behind-the-scenes within the home video industry—changes that begin with Disney making a deal for Sony to take over their physical media production but definitely don’t end there. I think you’ll find it interesting—and don’t forget that joining our Patreon is also a great way to help support our work here at the site. [Read on here...]

Published in My Two Cents
Page 1 of 2