Displaying items by tag: Dennis Seuling

We’ve got a trio of new disc reviews to round out the week today, including...

My thoughts on David Anspaugh’s Rudy (1993) which streets in 4K Ultra HD from Sony next Tuesday (11/14), featuring not only the original Theatrical Version but also a new Director’s Cut that’s 13 minutes longer.

Stephen’s take on Chuck Russell’s 1988 remake of The Blob in 4K UHD from Shout! and Scream Factory.

And Dennis’ take on Ron Winston’s The Gamblers (1970) on Blu-ray from VCI Entertainment.

More reviews are on the way, including my own look at Billy Wilder’s Stalag 17 (1953) in 4K from Kino Lorber Studio Classics. So be sure to watch for those soon.

Also today, over on our Patreon we’ve kicked off an in-depth poll asking our supporters what video, audio, special features, and packaging options 4K Ultra HD fans value most on their catalog titles on the format. The poll will remain open until next Friday (11/17) at Noon Pacific, so if you sign up as a supporter between now and then, you can weigh in with your picks. And we’ll share the results here on the website.

We’re going to run these kind of polls regularly on Patreon, both for our own edification and also to provide that information to studio sources who might ask for it, so this is a great chance to make your opinions heard. [Read on here...]

All right, I certainly hope you all had a lovely weekend. We’ve got some great new disc reviews for you to enjoy today, as well as some terrific release news.

Before we get to that, however, I wanted to make another pitch for those of you who’ve long read and enjoyed our work here at The Digital Bits to consider supporting the site via our new Patreon (or PayPal, if you prefer). We’re up to 127 subscribers now (with nearly 50 more followers), and we appreciate each and every one. (Next stop… 200!) So if you value what we do here—if you find that our work regularly brings a little bit of joy into your life as a fan of physical media—please consider subscribing to help us keep The Bits going indefinitely. I’m making regular—really almost daily—blog posts on Patreon, most of which are exclusive to our backers, and I’m trying to ensure that those complement what we do here on the website. So please consider joining us, and we thank you for the support!

Now then, let’s get to those reviews...

First, I’ve posted my thoughts on Apple TV’s For All Mankind: Season One, which is new on Blu-ray from Sony Pictures Home Entertainment, as well as For All Mankind: Season Two, which was released on Region B Blu-ray by Dazzler a few months ago. This is shaping up to be one of the great science fiction series, one that’s worthy of the legacy and spirit of optimism about the future that we all loved about classic Star Trek. It’s well worth your time.

Also, Dennis has turned in his thoughts on Tod Browning’s Sideshow Shockers on Blu-ray from the Criterion Collection, a disc that includes Browning’s Freaks (1932), The Unknown (1927), and The Mystic (1925).

And Stuart has delivered his take on Dan M. Kinem and Levi Peretic’s Adjust Your Tracking: The Untold Story of the VHS Collector (2013) on Blu-ray from Vinegar Syndrome.

Note that I’m also working on a review of Sony’s new Rudy 4K Ultra HD Steelbook release, which is pretty great. More on that here soon. [Read on here...]

Good afternoon (or evening as the case may be), Bits readers! My wife and I had a houseguest here visiting yesterday, so today’s post is a little later than usual. But we’re starting as always with some new disc reviews...

First of all, on Monday I posted my thoughts on Christopher McQuarrie’s Mission: Impossible – Dead Reckoning Part One (2023) on 4K Ultra HD from Paramount, and just today I added a couple of additional Editor’s Notes discussing one of the film’s key story points as well as the 4K video quality (which I’ve revised downward just a tad from A to A-, the reason for which is explained in my review).

Also, Stephen has turned in his thoughts on Hideaki Anno’s (et al) Evangelion: 3.0+1.11 Thrice Upon a Time (2021) in 4K from GKids and Shout! Factory, and for those of you who aren’t familiar, he also gives you a good little primer on the topic.

Meanwhile, Stuart has weighed in with looks at William Dieterle’s The Life of Emile Zola (1937) and Richard Brooks’ The Last Time I Saw Paris (1954) on Blu-ray from the Warner Archive Collection, as well as Lise Akoka and Romane Gueret’s The Worst Ones (2022) on DVD from Kino Lorber.

Dennis has offered his take on Julian Schnabel’s Before Night Falls (2000) on Blu-ray from the Warner Archive as well as Mark Pellington’s The Severing (2022) on Blu-ray from Kino Lorber.

And finally, Tim has delivered an in-depth review of Kevin Connor’s Motel Hell (1980) in 4K Ultra HD from Scream Factory. [Read on here...]

All right, I’d like to start today’s post out by saying a big thank you to everyone who’s signed up to support our Digital Bits Patreon, or expressed the intent to do so soon, or made a PayPal donation, or simply sent us good wishes. Thanks also to those among you who are using our Amazon affiliate links whenever you shop or pre-order new Blu-ray and 4K titles. The overall response has been very encouraging and very understanding, and we appreciate each and every one of you. So thank you!

Now then, we’re going to catch up on some news, plus we’ve got a bunch of new disc reviews for you here, and then I’m going to spend the next few days working on a few Blu-ray and 4K reviews myself. But first, here are some reviews our team has posted for you all to enjoy in the last few days...

Stuart has chimed in with reviews of Henry Hathaway’s Nevada Smith (1966), John Cassavetes’ Gloria (1980), and Ida Lupino’s Outrage (1950) all on Blu-ray from Kino Lorber Studio Classics, François Ozon’s Everything Went Fine (2021) on Blu-ray from Cohen Media Group, and John Mackenzie’s Unman, Wittering and Zigo (1971) on Blu-ray from Arrow Video.

Dennis has offered his thoughts on Dorothy Arzner’s Christopher Strong (1933) on Blu-ray from the Warner Archive Collection, Harley Cokeliss’ Malone (1987) on Blu-ray from Kino Lorber Studio Classics, Chalit Krileadmongkon and Pakphum Wongjinda’s Creepy Crawly (2022) on Blu-ray from Well Go USA, and Brian Paulin’s At Dawn They Sleep (2000) on Blu-ray from Saturn’s Core and Vinegar Syndrome.

Stephen has taken an in-depth look at Louis Malle’s Pretty Baby (1978) on Blu-ray from Kino Lorber Studio Classics, Godfrey Ho’s Undefeatable (1993) on 4K Ultra HD from Vinegar Syndrome, and Allen Plone’s Night Screams (1987) also in 4K Ultra HD from Vinegar Syndrome.

And Tim has reviewed Brendon Small and Tommy Blacha’s direct-to-video animated finale Metalocalypse: Army of the Doomstar (2023) on Blu-ray from Adult Swim and Warner, as well as Amy Holden Jones and Deborah Brock The Slumber Party Massacre (1982) and The Slumber Party Massacre II (1987) in 4K Ultra HD from Scream Factory. [Read on here...]

All right, we’ve got some ground to cover today here at The Bits, so first things first. We have a trio of new disc reviews for you to enjoy this afternoon, including...

Tim’s take on Amando de Ossorio’s Tombs of the Blind Dead (1972) on Blu-ray from Synapse Films.

And Dennis’ thoughts on William A Wellman’s Westward the Women (1951) on Blu-ray from the Warner Archive Collection, as well as James Foley’s After Dark, My Sweet (1990) on Blu-ray from Kino Lorber Studio Classics.

Don’t forget, Amazon’s Prime “Big Deal” Days Sale continues until the end of the day today, so be sure to take advantage of all the great prices on Blu-ray, DVD, and 4K Ultra HD titles, box sets, and collections. Click here and here to see what’s on sale and act fast!

For the record, some of today’s deals include...

• Universal Classic Monsters: Icons of Horror 4K UHD (regularly $79.99) Now $29
• The Alfred Hitchcock Classics Collection 4K UHD (regularly $69.98) Now $38
• The Alfred Hitchcock Classics Collection #2 4K UHD (regularly $69.98) Now $38

• Game of Thrones: The Complete Collection 4K UHD (regularly $219) Now $94
• Batman: The Complete Animated Series Blu-ray (regularly $79) Now $24
• Superman: The Complete Animated Series Blu-ray (regularly $69) Now $19
• The Last of Us: The Complete First Season Blu-ray (regularly $49) Now $26
• Battlestar Galactica: The Complete Series Blu-ray (regularly $99) Now $49
• Bonanza: The Complete Series DVD (regularly $244) Now $159

• Back to the Future: The Ultimate Trilogy 4K UHD (regularly $55) Now $23
• The Lord of the Rings: The Motion Picture Trilogy (Extended & Theatrical) 4K UHD (regularly $89) Now $39
• Harry Potter: 8-Film Collection 4K UHD (regularly $178) Now $59
• Mission: Impossible 6-Movie Collection 4K UHD (regularly $83) Now $50
• The Godfather Trilogy 4K UHD (regularly $90) Now $54
• The James Bond Collection 24-Films Blu-ray (regularly $144) Now $54

So be sure to act fast if you’re interested.

Also today here at the site, we’ve got word on some long-awaited 4K Ultra HD catalog titles... [Read on here...]

We’ve got another big title announcement for you here at The Bits today, as well as more new disc reviews. So let’s get to the latter first...

Tim has posted his thoughts on Kevin Reynolds’ The Beast (1988) on Blu-ray from Kino Lorber Studio Classics, as well as Brian Tenchard-Smith’s Day of the Panther (1988)/Strike of the Panther (1989) double feature from Umbrella Entertainment (via Vinegar Syndrome).

Dennis has shared his take on Jack Conway’s Saratoga (1937) on Blu-ray from the Warner Archive Collection.

And Stuart has offered his reviews of Russell Rouse’s The Fastest Gun Alive (1956) and Joseph Losey’s The Boy with Green Hair (1948) on Blu-ray from Warner Archive, along with Kino Lorber Studio Classic’s excellent Anna May Wong Collection, a Blu-ray box set that includes the films Dangerous to Know (1938), Island of Lost Men (1939), and King of Chinatown (1939). Enjoy!

Now then, the big piece of announcement news this afternoon is that Warner Bros. Discovery Home Entertainment has just officially set Andrew Davis’ The Fugitive (1993) for 4K Ultra HD and Digital release on 11/21. The 4K disc will include HDR10 high dynamic range, as well as a new Dolby Atmos sound mix. [Read on here...]

Boy, we’ve got a lot of ground to cover here at The Bits over the next few days! It’s been very busy here around the office these past several days. For one thing, my wife and I have had family staying with us for the weekend. I’ve also finally replaced my defunct Epson 5040UB home theater projector here at The Bits with a brand new JVC DLA-RS1100/NP5, and have spent time installing and calibrating it. (I’ll definitely have more to say about that later this week, though I’ll just note for now that I’m very pleased with the choice.)

But I would like to take this opportunity to thank my good friends John Schuermann (of The Screening Room AV, the fantastic home theater design and equipment retailer well known for their annual Projector Shootouts) and Kris Deering (the outstanding ISF calibrator, formerly of Sound and Vision magazine as well as his own Deep Dive AV) for their help and advice in selecting the RS1100 and getting it up and running. (Your counsel is very much appreciated, my friends!) If you’re ever in the market for home theater hardware or calibration, there’s no better place to start.

Needless to say, while I’ve been occupied with all that, our dedicated team here at The Bits has posted a number of great new disc reviews. So let’s quickly run them all down...

First of all, Stuart has offered his thoughts on Anthony Mann’s A Dandy in Sapic (1968) and Abraham Polonsky’s Force of Evil (1948) on Blu-ray from Kino Lorber Studio Classics, as well as Suzanna Raes’ documentary Close to Vermeer (2023) on DVD from Kino Lorber.

Dennis has shared his thoughts on Peter Hall’s Three Into Two Won’t Go (1969) on Blu-ray from Kino Lorber Studio Classics, as well as Luis Valdez’s La Bamba (1987) on Blu-ray from The Criterion Collection.

Stephen has delivered his reviews of Jean Renoir’s legendary classic The Rules of the Game (1939) in 4K Ultra HD from Criterion, along with Jiří Barta’s The Pied Piper (1986) on Blu-ray from Deaf Crocodile (via Vinegar Syndrome), and Ulli Lommel’s The Boogey Man (1980) in 4K UHD from Vinegar Syndrome.

And finally, our hard-working reviews editor Tim Salmons has posted his own take on David Lynch’s Lost Highway (1997) in 4K Ultra HD, also from Criterion.

As always, more new disc reviews are forthcoming all week, so be sure to check back for them.

All right… now let’s move on to the latest release news. And there’s quite a lot of it today. In fact, it’s fair to say that it’s going to be a very expensive Q4 for fans of Blu-ray and 4K Ultra HD! [Read on here...]

Welcome to the new week, Bits-ers! We’re starting as always today with a trio of new disc reviews for you to check out...

Stuart has offered his thoughts on Andrei Konchalovsky’s Duet for One (1986) on Blu-ray from Kino Lorber Studio Classics.

Dennis has delivered a look at Renato Polselli’s Delirium (1972) on Blu-ray from Vinegar Syndrome.

And Tim rounds things out with his review of George A. Romero’s Creepshow (1982) in 4K Ultra HD from Scream Factory.

We also have several more reviews currently in the works for the next few days, so be sure to keep checking back for them.

The big news this morning is that the Criterion Collection has just unveiled its December slate of titles, including one new 4K Ultra HD release. The slate includes an upgraded version of Allen Baron’s Blast of Silence (1961) (Spine #428 – Blu-ray and DVD) on 12/5, followed by The Red Balloon and Other Stories: Five Films by Albert Lamorisse (1951-1965) (Spine #1200 – Blu-ray and DVD – includes Bim, the Little Donkey, White Mane, The Red Balloon, Stowaway in the Sky, and Circus Angel) and Guillermo del Toro’s Pinocchio (2022) (Spine #1201 – 4K UHD + Blu-ray, Blu-ray, and DVD) on 12/12.

You can see the cover art for Guillermo del Toro’s Pinocchio at left and all three of them below the break. [Read on here...]

All right, as mentioned earlier, we’ve got more release news to cover today here at The Bits. But first some new disc reviews...

Stephen has checked out Paul Verhoeven’s cult classic Showgirls (1995) on 4K Ultra HD from Vinegar Syndrome, which features the film in 4K UHD and Blu-ray, along with an additional Blu-ray full of special features. Stephen has also reviewed Peter Greenaway’s The Draughtsman’s Contract (1982) on Blu-ray from Zeitgeist Films and Kino Lorber.

Also today, Dennis has offered his thoughts on George Cukor’s Little Women (1955) and Abe Levitow’s animated Gay Purr-ee (1962), both new on Blu-ray from the Warner Archive Collection.

And Stuart has taken a look at the Norwegian legal drama Aber Bergen: Complete Series from MHz Networks and Kino Lorber, as well as Inés Toharia Terán’s Film: The Living Record of Our Memory (2021) documentary from Kino Lorber, both of them on DVD, along with the Warner Archive Collection’s Tintin and the Mystery of the Golden Fleece (1961) and Tintin and the Blue Oranges (1964) double feature Blu-ray.

Now then, speaking of Warner, Warner Bros. Discovery Home Entertainment and DC Studios have announced the Blu-ray, DVD, and 4K Ultra HD release of the Netflix original series The Sandman: The Complete First Season on 11/18, with a Digital release expected on 9/18. Note that a second season of the series is already on the way from Netflix. The set will include all 11 episodes, along with a pair of featurettes (The Sandman: Behind the Scenes Sneak Peek and The World of The Endless). You can see the cover artwork at left and also below. [Read on here...]

All right, we’ve got a bunch more great new 4K Ultra HD catalog news to report today, and more new disc reviews as well...

As expected, I posted my review of producer Glen A. Larson’s original Battlestar Galactica (1978) in 4K Ultra HD from Universal late last night, and it’s a pretty detailed look at the film and its history.

Also today, Tim has gone in-depth on Martin Scorsese’s Hugo (2011), which is now available in a terrific new 4K Ultra HD and Blu-ray 3D package from the good people of Arrow Video.

Dennis has checked in today as well with a look at Robert Wise’s Helen of Troy (1956) on Blu-ray from the always excellent Warner Archive Collection.

And Stuart rounds things out this afternoon with his thoughts on Marcel Ophul’s fascinating documentary on the Nazi occupation of France during World War II, The Sorrow and the Pity (1969) on Blu-ray from Kino Lorber.

Back to Arrow briefly: The company has just revealed on their social media feed that—in response to customer requests—they’re going to be including Michael Mann’s excellent Blackhat: Director’s Cut on Blu-ray in their forthcoming 4K UHD and Blu-ray packages! Thus the street date is going to be pushed back from 10/31 to 11/28. But the Director’s Cut—which has never been released on home video—is significantly different that the other two cuts of the film already being included on the release, so this is a terrific and welcome addition. Tip of the hat to Arrow for going the extra mile on this one. [Read on here...]