Displaying items by tag: Columbia Classics 4K Ultra HD Collection: Volume 3

While all the talk about digital and the implosion of some of the most high-profile streamers purging content from their services faster than Stalin and his politburo, it’s worth spotlighting the fact that it was still a fairly impressive year for physical media whose death, much like Mark Twain, has been greatly exaggerated.

While there’s still too many A-list titles that are MIA that haven’t migrated to 4K Ultra HD yet and other films in desperate need of upgraded hi-def masters (including, self-promotion alert, Free Enterprise), several labels have stepped up their games in a big way ranging from Shout to Arrow and, most impressively, Kino-Lorber.

And, of course, as always, Warner Bros has brought it with their classic titles (although I still have to wonder where the hell North By Northwest is). So even though it’s almost March 2023, these are some of the stellar titles of 2022 that will undoubtedly stand the test of time.

If there’s only one vexing trend in the home entertainment market today, it’s how rare it is to find many re-issues featuring compelling new bonus material instead consistently relying on re-purposing old VAM. [Read on here...]

We’re finishing the week here at The Bits with a spate of new disc reviews for you to check out and enjoy...

First, I’ve taken a look at Michael Mann’s Heat (1995) which is finally available in a long-awaited new 4K Ultra HD release from 20th Century Studios. The new 4K master is impressive, though not reference-quality.

It’s important to note, however, that Mann made creative changes to the film’s color grading in 2017, as he was preparing his new Director’s Definitive Edition (see his own comments on this at the time here). This means the film is somewhat darker looking, with slightly-desaturated color, than it was before—even with the new HDR grade. This in turn has caused a host of “fan” reviewers to claim that the disc is defective, when the truth is that they simply don’t like the new color grade. Meanwhile, professional reviewers have almost all praised the disc’s image improvements, while acknowledging the darker grading. Those of you with genuinely bright 4K displays (with effective tone-mapping) will appreciate the new color grade the most. The point is, you’re going to see a lot of diverse opinions about this title out there on the Interwebs and social media. It’s only by understanding that these changes were initiated by the director himself that you can sort the reality from opinion. Anyway, I break it down in the review.

Also today, Stephen has turned in his thoughts on Sam Raimi’s Doctor Strange in the Multiverse of Madness in 4K Ultra HD from Marvel and Disney. [Read on here...]

We’ve got no less than five new disc reviews for you all to enjoy today, with still more on the way…

Tim has reviewed Stephen Soderbergh’s Out of Sight (1998) on 4K Ultra HD from Kino Lorber Studio Classics, as well as Kenneth Branagh’s Mary Shelley’s Frankenstein (1994) on 4K Ultra HD from Arrow Video.

Dennis has offered his thoughts on David Lean’s Summertime (1955) on regular Blu-ray from the Criterion Collection.

And Stephen has taken a look at William Malone’s Scared to Death (1980) on Blu-ray from Vinegar Syndrome, as well as Luis Bunuel’s The Discreet Charm of the Bourgeoisie (1972) on import 4K Ultra HD from StudioCanal in the UK.

We’ve also got some significant new 4K Ultra HD catalog news today as well… [Read on here...]

We’ve got some major catalog release news for you today to start the new week off right…

Sony Pictures Home Entertainment has just set Tom Holland’s Fright Night (1985) for release on 4K Ultra HD on 10/4. The release will feature a new 4K scan from the original camera negative, with Dolby Vision HDR and a new Dolby Atmos mix along with the previous 5.1 mix and the original stereo as well.

The title will come a Blu-ray version of the film mastered from the new 4K scan that will feature all-new Deleted Scene Storyboards and the never-before-seen alternate Holland/Beyda Spec Trailer, along with legacy extras that include audio commentary by Holland, actors Chris Sarandon and Jonathan Stark, and filmmaker Tim Sullivan, a second commentary with Holland, actors William Ragsdale and Stephen Geoffreys, FX artist Randall Cook, journalist Jeremy Smith and Tim Sullivan, and 3 featurettes (You’re So Cool, Brewster! The Story of Fright Night, What is Fright Night, and Tom Holland: Writing). [Read on here...]