Displaying items by tag: Billy Wilder

We’ve got several new disc reviews for you today here at The Bits, including...

Stephen’s look at David Fincher’s Zodiac (2007) in 4K Ultra HD from Paramount, along with his look at Shout! Factory’s Limited Edition Collector’s Set of Jim Henson and Frank Oz’s The Dark Crystal (1982) in 4K UHD, as well as Billy Wilder’s One, Two, Three (1961) on Blu-ray from Kino Lorber Studio Classics.

Dennis’ reviews of Barnaby Thompson’s Mad About the Boy: The Noël Coward Story (2023) documentary on DVD from Kino Lorber, as well as Rebecca Snow’s The Boy in the Woods (2023) on Blu-ray also from Kino Lorber.

And Stuart’s take on Kurt Neumann’s Cattle Drive (1951) on Blu-ray from Kino Lorber Studio Classics, as well as Indicator’s Columbia Horror Blu-ray box set, which includes Region B-locked editions of John Francis Dillon’s Behind the Mask (1932), Roy William Neill’s Black Moon (1934), Albert S. Rogell’s Air Hawks (1935), Charles Barton’s Island of Doomed Men (1940), Henry Levin’s Cry of the Werewolf (1944), and Will Jason’s The Soul of a Monster (1944).

More reviews are on the way soon, as always, so be sure to keep checking back both here and on our social media feeds (on Facebook, Twitter/X, and BlueSky). [Read on here...]

All right, here are today’s new disc reviews...

Dennis has taken a look at Joel Schumacher’s 8MM (1999) on Blu-ray from Imprint Films.

Stuart has offered his take on Roberto Gavaldón’s Untouched (1954) on Blu-ray on Powerhouse Films’ Indicator label.

Tim has taken a look at Marcus Nispel’s remake of Friday the 13th (2009) in 4K Ultra HD from Arrow Video. He’s also turned in a review of Lucio Fulci’s Lizard in a Woman’s Skin (1971) on Blu-ray from Umbrella Entertainment.

And last, but certainly not least, Stephen has taken a deep dive into Toho’s Godzilla store-exclusive version of Takashi Yamazaki’s Godzilla Minus One (2023) in 4K Ultra HD!

Also here at The Bits today, we have a brand new update of our Release Dates & Artwork section, which is a convenient way to see all of the new Blu-ray, DVD, and 4K Ultra HD titles that street each week. You can see the cover art, and sort by date and format. And you can click on each of the titles to pre-order them on Amazon.

On that note, I wanted to take a moment to share a challenge we’ve been having of late, which is that our Amazon Affiliate revenue has been declining. For a long time now—for over a decade—our Affiliate revenue has been a big part of helping us to keep The Digital Bits going—to help us cover our server and operating costs. It’s how we’ve been able to keep The Bits free for everyone to read for over 27 years now. In recent months, however, that revenue has begun to decline. We understand that Amazon may not always be the cheapest option these days. So for those of you who still support The Bits by shopping with them through links (in the daily news column, in our disc reviews, in the 4K Ultra HD Release List, and in the Release Dates & Artwork section), we really appreciate it very much! [Read on here...]

We’re back as promised this morning with another big announcement news round-up (and definitely be sure to check out our packed news update from yesterday evening as well, if you missed it)...

We’ll start with Barbie news (and there’s a phrase I officially never imagined I’d say): Warner Bros. Discovery Home Entertainment has just set Greta Gerwig’s pink-hued box office bonanza for “Premium Digital” release on 9/12 (SRP $29.99). Extras will include 6 behind-the-scenes featurettes (Welcome to Barbie Land, Becoming Barbie, Playing Dress-Up, Musical Make Believe, All-Star Barbie Part, and It’s a Weird World). The physical media release on Blu-ray, DVD, and 4K Ultra HD will be announced at a later date (but our sources are still telling us to expect it on 10/3).

Also today, Kino Lorber Studio Classics has officially announced that Billy Wilder’s Stalag 17 (1953) is coming on Blu-ray and 4K Ultra HD on 11/21! Also coming that day on Blu-ray only is Clive Donner’s Babes in Toyland (1986), featuring both 1.33:1 and 1.78:1 aspect ratio versions. And coming on 11/14 on Blu-ray only will be Monte Markham’s Neon City (1991).

Stalag 17 will include a new 4K scan of the original camera negative with Dolby Vision HDR. The Blu-ray will also be mastered from the new 4K scan. Each disc will include new audio commentary with film historians Steve Mitchell and Steven Jay Rubin, as well as a second commentary with film historian Joseph McBride. You’ll also get the legacy commentary with Richard Erdman, Gil Stratton, and Donald Bevan, as well as 2 featurettes (Stalag 17: From Reality to the Screen and The Real Heroes of Stalag XVII B).

In terms of titles that are coming soon from KLSC, a 4K Ultra HD release of Clint Eastwood’s Play Misty for Me (1971) is in the offing. And the company has revealed that Kino Cult and Something Weird are working together on a Two Cult Classics by Betty Page Blu-ray double feature of Varietease (1954) and Teaserama (1955). Look for that to street sometime in 2024. [Read on here...]

We’ve got more new disc reviews for you today as well as more great title announcements, cover artwork, and pre-order links too...

Today’s reviews start with Tim’s take on Marquis de Sade’s Justine (1969) in 4K Ultra HD from director Jesús Franco and our friends at Blue Underground.

Also this evening, Stuart has offered his thoughts on François Truffaut’s Mississippi Mermaid (1969) on Blu-ray Disc from the Kino Lorber Studio Classics line, and also Mathieu Amalric’s Hold Me Tight (2021) on Blu-ray from Kino Lorber.

As always, watch for more new disc reviews all this week.

Now then, the big catalog news today is that Paramount has finally announced a title we first revealed here at The Bits back in December: Mimi Leder’s Deep Impact (1998) is officially set for release in 4K Ultra HD on 5/2. The title will include Dolby Vision HDR and will carry over all of the previous Blu-ray special features. You can see the cover artwork at left and also below. [Read on here...]

We’ve got more new disc reviews for you to enjoy today, including a couple that we posted over the weekend...

First up, Tim and Dennis have taken a look at Billy Wilder’s Some Like It Hot (1959) in 4K Ultra HD from Kino Lorber Studio Classics.

I’ve also posted my thoughts on Steven Spielberg’s new West Side Story on 4K Ultra HD from 20th Century Studios.

And Tim has offered his thoughts on Philip Marshak’s Dracula Sucks (1978) in 4K Ultra HD as well, an infamous adult genre title available from Vinegar Syndrome.

Finally, Dennis has posted his take on Ridley Scott’s House of Gucci on regular Blu-ray too.

More new disc reviews are on the way soon, so be sure to check back for them in the coming days, including my in-depth look at Paramount’s The Godfather Trilogy in 4K. I had the chance to watch the films over the weekend, and let me tell you: They’ve simply never looked better. The new 2020 restoration is a night and day improvement upon the already fine 2007 restoration that was released previously on Blu-ray, so you’re definitely not going to want to miss this new set. [Read on here...]

We’ve got some great release news for you all today and of course more new disc reviews as well. As always, we’ll start with the reviews...

I’ve just posted my thoughts on Rian Johnson’s science fiction time-twister Looper (2012), which is finally available in 4K Ultra HD here in the States from Sony Pictures Home Entertainment. What’s more—and unlike last year’s UK 4K release from eOne—this edition features fresh remastering by cinematographer Steve Yedlin, with a new Dolby Vision and HDR10 high dynamic range grade and a new Dolby Atmos mix too. Not only is it a big improvement on the original Blu-ray, it improves on the eOne 4K release too, so it’s definitely worth a look for fans.

Also today, Tim has posted a look at Bruce Beresford’s The Adventures of Barry McKenzie on Blu-ray from Umbrella Entertainment.

Stephen has offered his thoughts on Mervyn LeRoy and Busby Berkeley’s long-awaited Gold Diggers of 1933 new on Blu-ray from The Warner Archive Collection.

And Dennis has turned in his takes on Kino Classics’ Princess Tam Tam (1935) and Zou Zou (1934) double-feature and Philip Kaufman’s Invasion of the Body Snatchers (1978) from Kino Lorber Studio Classics, both on Blu-ray. [Read on here...]

Wednesday afternoon here at The Bits brings new disc reviews and more release news as well...

First, Tim has posted his thoughts on Michael Felsher’s excellent new documentary After Effects: Memories of Pittsburgh Filmmaking, now available on Limited Edition Blu-ray from his own new label, Red Shirt Video. Sounds like it’s a pretty terrific release so do check it out.

By the way, after you enjoy that, here’s a link to an interview I did way back in 2005 (on the original Bits website) with writer/director John Harrison about Effects and his work with Romero and other Pittsburgh filmmakers. (Just pardon the messy formatting.)

Also this afternoon, Stephen has posted reviews of William Beaudine’s The Old Fashioned Way (1934) on Blu-ray from Kino Lorber Studio Classics, as well as Sarah Smith, Jean-Philippe Vine, and Octavio E. Rodriguez’s Ron’s Gone Wrong in 4K Ultra HD from 20th Century Studios.

More reviews are forthcoming in the days ahead, including several that I’m working on, so be sure to keep your eyes peeled for them. [Read on here...]

All right, I’m finally feeling better after my recent brush with an allergic reaction, so I’ve got a good My Two Cents update for you all today with some exciting 4K UHD release news and more new disc reviews as well.

First up is Stephen’s look at Joe Dante’s The Howling, now available in a new 40th anniversary release in 4K Ultra HD from Studio Canal in the UK. The 4K disc in the package will work on any UHD player, but the Blu-ray is Region B only and the DVD is Region 2 only.

Also today, Stephen has taken a look at Anthony Mann’s The Naked Spur (1953) on Blu-ray from MGM via the Warner Archive Collection.

And Tim has reviewed Camillo Mastrocinque’s An Angel for Satan (1966) on Blu-ray from Severin Films, as well as Don Siegel’s Coogan’s Bluff (1968) on Blu-ray from Kino Lorber Studio Classics. [Read on here...]

We’re kicking things off today with a trio of new Blu-ray reviews, including...

Tim’s look at Peter Medak’s The Changeling (1980), available in a new limited edition from Severin Films.

David’s thoughts on William Castle’s Strait-Jacket (1963) from Scream Factory.

And Dennis’ take on the 2004 remake of Walking Tall, starring Dwayne Johnson, from MVD Visual.

We’ve also posted the weekly update of the Release Dates & Artwork section, featuring all the latest Blu-ray, DVD, and 4K cover artwork and Amazon.com pre-order links. As always, whenever you order literally anything from Amazon after clicking to them through one of our links (like this one), you’re helping to support our work here at The Bits and we really appreciate it. [Read on here...]

First things first today... I’ll be at WonderCon in Anaheim, CA tomorrow afternoon to participate in an interesting panel discussion with friends. It’s at 5PM in Room 207 and it’s called Everyone’s a Critic: Being a Journalist in the Online Age. Here’s the panel description:

Bill Watters (Bleeding Cool), Mary Anne Butler (Aggressive Comix), Jeff Bond (Geek Monthly), Bill Hunt (The Digital Bits), Alexandra August (Comic Book Resources), and Thomas Parham (APU) discuss the expansion of journalism over the past decade, from the rise of citizen journalism to blogging to vloggers, podcasters, and online-only news sources. This panel of nationally known writers and hosts will talk about the roles new media play between their readers and the industries and communities they serve, varying levels of informality versus classic ideas of professionalism, show-specific outlets versus general news sites, moving from hobbyist to being a professional, and more. Friday March 31, 2017 – 5:00pm-6:00pm – Room 207

It’s an interesting topic and I think it’ll be a good discussion so I hope to see you there or elsewhere around the show! [Read on here…]