Displaying items by tag: David Fincher

We’ve got a bunch of new disc reviews for you all to enjoy here at The Bits today, but first I wanted to let you know that Amazon.com is currently running a pretty great deal for 4K titles: You can buy 3 4K titles for just $33, which is a great way to fill holes in your collection. The selection of titles is pretty good too (lots of titles from Warner, Universal, and more), so click here to take advantage if you wish.

All right, today’s new disc reviews here at The Bits start with Stephen’s two cents on David Fincher’s Se7en (1996) on 4K Ultra HD from Warner Bros. Discovery Home Entertainment, Richard Attenborough’s A Bridge Too Far (1977) in 4K UHD from Imprint, and Woo-Ping Yuen’s In the Line of Duty IV (1989) on Blu-ray from 88 Films.

Stuart’s look at Marco Bellocchio’s Slap the Monster on Page One (1972) and Seijun Suzuki’s Tattooed Life (1965) on Blu-ray from Radiance Films, John Farrow’s California (1947) on Blu-ray from Kino Lorber Studio Classics, and Fernando Méndez’s El Vampiro: Two Bloodsucking Tales from Mexico Blu-ray box set from Powerhouse Films, which includes The Vampire (1957) and The Vampire’s Coffin (1958).

Dennis’ thoughts on Matthew Ryan Hoge’s The United States of Leland (2003) on Blu-ray from Imprint Films.

And finally, Tim’s take on Randall Lobb and Robert McCallum’s Power of Grayskull: The Definitive History of He-Man and the Masters of the Universe (2017) documentary on Blu-ray from Vinegar Syndrome, as well as Irving Klaw’s Teaserama (1955), Varietease (1954), and Buxom Beautease (1956) on Blu-ray from Kino Cult.

As always, lots more reviews are on the way in the coming days, so be sure to keep checking back.

Now then, in announcement news today, Warner Bros. Discovery Home Entertainment has revealed that they’re releasing Shane Black’s The Nice Guys (2016) and Shaka King’s Judas and the Black Messiah (2021) on 4K UHD on 2/18. [Read on here...]

Afternoon, everyone! We’re starting the short Christmas week here at The Bits with more new disc reviews as always. Today, we’ve got...

Tim’s review of Shawn Levy’s Deadpool & Wolverine (2024) in 4K Ultra HD from 20th Century Studios and Marvel, via Sony Pictures Home Entertainment.

Stephen’s review of Roman Polanski’s The Tenant (1976) in 4K Ultra HD from Paramount via Vinegar Syndrome.

And Dennis’ take on Vincent Sherman’s The Return of Doctor X (1939) on Blu-ray from the Warner Archive Collection.

We also have a few more new disc reviews for you from late last week, in case you missed them, including...

Tim’s review of Monk: Season Six (2007-2008) on Blu-ray from Kino Lorber Studio Classics.

Stuart’s review of Richard Thorpe’s Three Little Words (1950) on Blu-ray from Warner Archive.

Dennis’ look at Umberto Lenzi’s Battle of the Commandos (1969) on Blu-ray from Kino Lorber Studio Classics.

Stephen’s review of William Friedkin’s The Hunted (2003) on 4K Ultra HD from Kino Lorber Studio Classics.

Stuart’s look at Claude Autant-Lara’s Enough Rope (1963) on Blu-ray from Kino Lorber Studio Classics.

And finally, my review of Robert Meyer Burnett and Max Allan Collins’ True Noir: The Assassination of Anton Cermak 10-part audio drama from Imagination Connoisseurs Unlimited.

Also, just so you know, we’re not done yet: Look for at least one more new disc review tomorrow before the Christmas holiday, and lots more after we get back from the break next week. [Read on here...]

All right, we have another Lionsgate/Tarantino 4K update for you today, but first we also have more new disc reviews to share with you...

Stephen has turned in his thoughts on Robert Wynne-Simmons’ The Outcasts (1982) in a new Deluxe Limited Edition Blu-ray from Deaf Crocodile Films, as well as Disney and Marvel’s Loki: The Complete Second Season in 4K UHD Steelbook.

I’ve offered my thoughts on Lee Isaac Chung’s recent sequel Twisters (2024) in 4K Ultra HD from Universal.

And Dennis has offered a look at Christopher Guest’s For Your Consideration (2006) on Blu-ray from the Warner Archive Collection, as well as the Coen Brothers’ No Country for Old Men (2007) on Blu-ray from the Criterion Collection.

More reviews will follow tomorrow and throughout the rest of the week.

Now then, Lionsgate has indeed officially announced Quentin Tarantino’s Jackie Brown, Kill Bill: Volume 1, and Kill Bill: Volume 2 today for 4K Ultra HD release on 1/21. There will be Lionsgate Limited-exclusive Steelbook editions (SRP around $40) on that day, along with wide-release Amaray versions as well. [Read on here...]

We’re rounding out the week with three more new disc reviews for you to enjoy here today, including...

My joint review (with longtime Bits contributor Todd Doogan) of Ron Howard’s Willow (1988) in 4K Ultra HD Steelbook from Lucasfilm.

Tim’s review of Monk: Season Five on Blu-ray from Kino Lorber Studio Classics.

And Dennis’ take on Glenn Andreiev’s Night (1996) on Blu-ray from Vinegar Syndrome.

Now then, the big news this afternoon is that our friends at The Criterion Collection have just announced SEVEN new Blu-ray and 4K titles for release in March of next year, including Henri-Georges Clouzot’s The Wages of Fear (1953) (Spine #36 – 4K + Blu-ray, Blu-ray & DVD) on 3/4, Michael Mann’s Thief (1981) (Spine #691 – 4K + Blu-ray) on 3/11, Kazuki Omori’s Godzilla vs. Biollante (1989) (Spine #1254 – 4K + Blu-ray & Blu-ray) and Charles Chaplin’s A Woman of Paris (1923) (Spine #1253 – Blu-ray & DVD) on 3/18, and Alan Rudolph’s Choose Me (1984) (Spine #1256 – 4K + Blu-ray and Blu-ray) and Arthur Penn’s Night Moves (1975) (Spine #1255 – 4K + Blu-ray and Blu-ray) on 3/25! [Read on here...]

We’ve got more interesting release news to report today, along with more new disc reviews. Among the latter are...

My take on Frank Capra’s Lost Horizon (1937) in 4K Ultra HD from Sony’s excellent new Frank Capra at Columbia Collection box set, which is loaded with great films (20 in all, including 9 of them in 4K). If you’re a fan of Capra’s work, it’s definitely a must-have release.

Also today, Sam has taken a look at Robert M. Young’s Triumph of the Spirit (1989)—which features Willem Dafoe, Robert Loggia, and Edward James Olmos—on Blu-ray from Kino Lorber Studio Classics.

And Dennis has offered his thoughts on Mario Garcia’s The Throwback (2023) on Blu-ray from Kino Lorber proper.

All three films are worth a look, and we have a few more reviews coming tomorrow, including a look at the new 4K Ultra HD release of Ron Howard’s Willow from Lucasfilm.

Now then, in terms of catalog announcement news, Sony Pictures Home Entertainment has once again won the day by announcing that they’re releasing David Fincher’s The Social Network (2010) on 4K Ultra HD in Steelbook packaging on 2/18. This is in addition to Panic Room, which was announced yesterday. Note that this film was available previously from the studio in 4K, specifically in the Columbia Classics 4K Ultra HD Collection: Volume 2 box set back in 2021. [Read on here...]

Heads up, Bits! We’ve got some very great and long-awaited catalog 4K release news for you this morning.

But first, we also have a few more new disc reviews to share with you...

I’ve just posted my thoughts on Ahsoka: The Complete First Season in 4K Ultra HD Steelbook format from Lucasfilm, which (like all of the latest wave of Disney+ titles, now includes Dolby Vision HDR). And yesterday, I reviewed Christopher Nolan’s Interstellar (2014) in a new 10th Anniversary Limited Edition 4K box set release from Paramount.

Sam has shared his take on Oliver Stone’s Born on the Fourth of July (1989) in a new Shout Select Collector’s Edition 4K Ultra HD release from Shout! Factory.

Dennis has reviewed James Ivory’s Roseland (1977) on Blu-ray from the Cohen Film Collection via Kino Lorber.

And yesterday, Tim posted his look at Arrow’s When Titans Ruled the Earth box set, which includes Louis Letterier’s Clash of the Titans (2010) and Jonathan Liebesman’s Wrath of the Titans (2012) in 4K UHD, as well as Kino Lorber Studio Classics’ Monk: Season Four on Blu-ray.

Watching for more reviews each day the rest of the week. And you Marvel fans should know that yes, we are working on a Loki: Season Two 4K review as well. So be sure to stay tuned for that. [Read on here...]

We’ve got several new disc reviews for you today here at The Bits, including...

Stephen’s look at David Fincher’s Zodiac (2007) in 4K Ultra HD from Paramount, along with his look at Shout! Factory’s Limited Edition Collector’s Set of Jim Henson and Frank Oz’s The Dark Crystal (1982) in 4K UHD, as well as Billy Wilder’s One, Two, Three (1961) on Blu-ray from Kino Lorber Studio Classics.

Dennis’ reviews of Barnaby Thompson’s Mad About the Boy: The Noël Coward Story (2023) documentary on DVD from Kino Lorber, as well as Rebecca Snow’s The Boy in the Woods (2023) on Blu-ray also from Kino Lorber.

And Stuart’s take on Kurt Neumann’s Cattle Drive (1951) on Blu-ray from Kino Lorber Studio Classics, as well as Indicator’s Columbia Horror Blu-ray box set, which includes Region B-locked editions of John Francis Dillon’s Behind the Mask (1932), Roy William Neill’s Black Moon (1934), Albert S. Rogell’s Air Hawks (1935), Charles Barton’s Island of Doomed Men (1940), Henry Levin’s Cry of the Werewolf (1944), and Will Jason’s The Soul of a Monster (1944).

More reviews are on the way soon, as always, so be sure to keep checking back both here and on our social media feeds (on Facebook, Twitter/X, and BlueSky). [Read on here...]

We’ve got more new disc reviews today to start the short Thanksgiving week out right here at The Bits. Among them are...

Stephen’s take on Fred Zinnemann’s A Man for All Seasons (1966) in 4K Ultra HD from Sony’s new Columbia Classics 4K Ultra HD Collection: Volume 5 box set.

Tim’s review of Don Siegel’s Two Mules for Sister Sara (1970) in 4K Ultra HD from Kino Lorber Studio Classics, as well as his on-going film-by-film review of Arrow’s excellent Shawscope: Volume Two Blu-ray boxed set—today featuring his thoughts on Lau Kar-leung’s The 36th Chamber of Shaolin (1978).

And my review of Dean Parisot’s Galaxy Quest (1999) in 4K Ultra HD Steelbook from our friends at Paramount Home Entertainment.

We’ve all got a lot more reviews in the works here at the site as well, so be sure to check back. In fact, in the next 24 hours or so, I’ll have my reviews of Akira Kurosawa’s Seven Samurai (1954) in 4K from the BFI (as compared to the recent Criterion 4K release, which I reviewed here last week), as well as my thoughts on Fede Álvarez’s Alien: Romulus (2024) in 4K UHD from 20th Century Studios.

Also today, I wanted to let you that I just dropped my second My Two Cents: A Video Blog episode exclusively for our supporters on The Digital Bits’ Patreon page. It runs about 26 minutes and includes comments on new and recent 4K titles, a sneak peek of 2025 4K catalog titles, and more. [Read on here...]

We’re starting as always today with new disc reviews! And we’ve got some good ones, including…

My look at Akira Kurosawa’s Seven Samurai (1954) in 4K Ultra HD from the Criterion Collection.

Stephen’s take on Ti West’s MaXXXine (2024) in 4K Ultra HD and Blu-ray from A24 and Lionsgate.

Tim’s review of Monk: Season Two (2003-2004) on Blu-ray from Kino Lorber Studio Classics.

Dennis’ thoughts on James Watkins’ Speak No Evil (2024) on Blu-ray from Universal, as well as Zach Clark’s The Becomers (2023) on Blu-ray from Vinegar Syndrome, and Peter Markle’s Youngblood (1986) on Blu-ray from Kino Lorber Studio Classics.

Sam Cohen’s look at Marco Bellocchio’s Kidnapped: The Abduction of Edgardo Mortara (2023) on Blu-ray from the Coen Media Group and Kino Lorber.

And finally, Stuart’s take on Claude Berri’s Tchao Pantin (1983) on Blu-ray from Radiance Films.

More reviews are forthcoming, including my own look on Dean Parisot’s Galaxy Quest (1999) in 4K Ultra HD from Paramount—that disc is expected to arrive here at the office today, so I’ll definitely be spinning it immediately upon its arrival! [Read on here...]

We’ve got more new disc reviews to share with you today, to start the new week out right…

As promised, I’ve shared my in-depth thoughts on Alfred Hitchcock’s North by Northwest (1959) in 4K Ultra HD from Warner Bros. Discovery Home Entertainment, and you’ll be pleased to know that it’s stunning. What’s more, those of you who saw the promotional trailer for the remaster need not worry—its missing fingers and cigarette are untouched in the actual 4K master. The film looks really great.

Also today, Stephen has taken a look at Shout! Factory’s new Limited Edition 4K Ultra HD box set of Jim Henson’s Labyrinth (1986).

Tim has offered his thoughts on Barry Sonnenfeld’s Addams Family Values (1993) in 4K Ultra HD from Paramount Pictures Home Entertainment.

And Sam has reviewed Nikhil Nagesh Baht’s Kill (2023) in 4K Ultra HD Steelbook from Lionsgate.

Next up on my review stack is Mel Brooks’ Blazing Saddles (1974) in 4K Ultra HD from Warner, but first I may share my look at Akira Kurosawa’s Seven Samurai (1954) in 4K UHD from Criterion, provided my copy arrives in the mail today as expected. Either way, both reviews should be posted in the next couple days.

Speaking of Criterion, the company has just unveiled its February 2025 release slate, as follows… [Read on here...]