Displaying items by tag: Powerhouse Films

We’ve got a bunch of new disc reviews for you all to enjoy here at The Bits today, but first I wanted to let you know that Amazon.com is currently running a pretty great deal for 4K titles: You can buy 3 4K titles for just $33, which is a great way to fill holes in your collection. The selection of titles is pretty good too (lots of titles from Warner, Universal, and more), so click here to take advantage if you wish.

All right, today’s new disc reviews here at The Bits start with Stephen’s two cents on David Fincher’s Se7en (1996) on 4K Ultra HD from Warner Bros. Discovery Home Entertainment, Richard Attenborough’s A Bridge Too Far (1977) in 4K UHD from Imprint, and Woo-Ping Yuen’s In the Line of Duty IV (1989) on Blu-ray from 88 Films.

Stuart’s look at Marco Bellocchio’s Slap the Monster on Page One (1972) and Seijun Suzuki’s Tattooed Life (1965) on Blu-ray from Radiance Films, John Farrow’s California (1947) on Blu-ray from Kino Lorber Studio Classics, and Fernando Méndez’s El Vampiro: Two Bloodsucking Tales from Mexico Blu-ray box set from Powerhouse Films, which includes The Vampire (1957) and The Vampire’s Coffin (1958).

Dennis’ thoughts on Matthew Ryan Hoge’s The United States of Leland (2003) on Blu-ray from Imprint Films.

And finally, Tim’s take on Randall Lobb and Robert McCallum’s Power of Grayskull: The Definitive History of He-Man and the Masters of the Universe (2017) documentary on Blu-ray from Vinegar Syndrome, as well as Irving Klaw’s Teaserama (1955), Varietease (1954), and Buxom Beautease (1956) on Blu-ray from Kino Cult.

As always, lots more reviews are on the way in the coming days, so be sure to keep checking back.

Now then, in announcement news today, Warner Bros. Discovery Home Entertainment has revealed that they’re releasing Shane Black’s The Nice Guys (2016) and Shaka King’s Judas and the Black Messiah (2021) on 4K UHD on 2/18. [Read on here...]

We’ve got more interesting release news to report today, along with more new disc reviews. Among the latter are...

My take on Frank Capra’s Lost Horizon (1937) in 4K Ultra HD from Sony’s excellent new Frank Capra at Columbia Collection box set, which is loaded with great films (20 in all, including 9 of them in 4K). If you’re a fan of Capra’s work, it’s definitely a must-have release.

Also today, Sam has taken a look at Robert M. Young’s Triumph of the Spirit (1989)—which features Willem Dafoe, Robert Loggia, and Edward James Olmos—on Blu-ray from Kino Lorber Studio Classics.

And Dennis has offered his thoughts on Mario Garcia’s The Throwback (2023) on Blu-ray from Kino Lorber proper.

All three films are worth a look, and we have a few more reviews coming tomorrow, including a look at the new 4K Ultra HD release of Ron Howard’s Willow from Lucasfilm.

Now then, in terms of catalog announcement news, Sony Pictures Home Entertainment has once again won the day by announcing that they’re releasing David Fincher’s The Social Network (2010) on 4K Ultra HD in Steelbook packaging on 2/18. This is in addition to Panic Room, which was announced yesterday. Note that this film was available previously from the studio in 4K, specifically in the Columbia Classics 4K Ultra HD Collection: Volume 2 box set back in 2021. [Read on here...]

We’ve got more new disc reviews for you today here at The Bits and some great release news as well to close out the week. So let’s get right into it...

First up, I’ve posted my review of James Cameron’s The Terminator (1984) in 4K Ultra HD from MGM and Warner Bros. It’s the best AI remaster yet from Lightstorm and Park Road Post, not to mention one that I think is going to pleasantly surprise a lot of people. (Hint: There’s grain.) BTW, I’m also working on my review of Alfred Hitchcock’s North by Northwest (1959) in 4K, which I expect to share over the next 24 hours or so, so be sure to keep checking back. And Mel Brooks’ Blazing Saddles (1974) will follow shortly after that.

Tim has turned in his thoughts of Alexandre Aja’s Crawl (2019) in 4K UHD from the Paramount Scares: Volume 1 box set. He’s also taken a look at Lindsay Shonteff’s The Million Eyes of Sumuru (1967) in 4K from Blue Underground. And he’s reviewed Monk: Season One (2002) on Blu-ray from Kino Lorber Studio Classics as well today.

Stephen has taken a look at Elia Kazan’s On the Waterfront (1954) in 4K UHD from the new Columbia Classics 4K Ultra HD Collection: Volume 5 box set.

Sam has given Philippe Mora’s Howling II: Your Sister Is a Werewolf (1985) and Chih-Hung Kuei’s Corpse Mania (1981) a look in 4K UHD from Vinegar Syndrome.

And finally, Stuart has offered his take on John “Bud” Cardos’ Kingdom of the Spiders (1977) on Blu-ray from Kino Cult, as well as Fritz Lang’s You and Me (1938) on Region B Blu-ray from Powerhouse Films’ Indicator label. [Read on here...]

We have three new disc reviews for you this afternoon, including...

Sam’s take on Glenn Ficarra and John Requa’s Focus (2015) in 4K Ultra HD from Warner Bros.

Tim’s review of the new Scooby-Doo! and the Witch’s Ghost (1999) and Scooby-Doo and the Alien Invaders (2000) on Blu-ray from the Warner Archive Collection.

And Stuart’s thoughts on Sidney Lanfield’s You’ll Never Get Rich (1941) on Region B only Blu-ray from Powerhouse Films’ Indicator label in the UK.

As for release news, there’s not a ton of it to report today, however we do have a couple of fun items for you...

First, Paramount has officially set the animated Transformers One for release on Blu-ray and 4K Ultra HD on 12/17, with the Digital release expected tomorrow on 10/22. Extras will include 5 behind-the-scenes featurettes (including In the Beginning, World Building on Cybertron, Together As One, The Iacon 5000, and The Battle for Cybertron). You can see the cover artwork below the break.

Speaking of Paramount, they along with CBS have set Blue Bloods: The Final Season and Blue Bloods: The Complete Series for DVD only release on 12/17 as well. Extras on the final season will include deleted scenes, 2 featurettes (The Story of the Reagans and May the Road Rise Up to Greet You), and a gag reel. [Read on here...]

As we close out the week, let’s start today as always with more new disc reviews...

Stephen has turned in his thoughts on John Mackenzie’s The Long Good Friday (1980) in 4K Ultra HD from the Criterion Collection.

Stuart has offered his take on a trio of new and recent Blu-ray titles, including Daniel Mann’s Come Back, Little Sheba (1952) from Kino Lorber Studio Classics, and the 1965 French anthology film Six in Paris (1965) and Larry Kent’s The Bitter Ash (1963) from Vinegar Syndrome.

Tim has taken a look at Tinto Brass’ Frivolous Lola (1998) in 4K Ultra HD from Cult Epics.

And finally, Dennis has delivered a review of Penny Lane’s documentary Nuts! (2016) on Blu-ray from Vinegar Syndrome.

In announcement news today, Warner Bros. Discovery Home Entertainment has finally made Aaron Sorkin’s The West Wing official for Blu-ray on 10/1, in honor of the NBC series’ 25th anniversary. [Read on here...]

We’re starting today with a bunch of new and recent disc reviews here at The Bits, including...

Stephen’s look at Michael Mann’s Collateral (2004) in a new 4K Steelbook from Paramount, The Flash: The Original Series (1990) on Blu-ray from the Warner Archive Collection, and Bosco Lam and Kin-Nam Cho’s A Chinese Torture Chamber Story 1 & 2 (1994 & 1998) on Blu-ray from Vinegar Syndrome.

Tim’s thoughts on Park Chan-wook’s JSA: Joint Security Area (2000) in 4K Ultra HD from Umbrella Entertainment.

Dennis’ take on Philip Kaufman’s Twisted (2004) on Blu-ray from Paramount via Kino Lorber Studio Classics.

And finally, Stuart’s reviews of George King’s Tomorrow We Live (1943) and Barbet Schroeder’s Single White Female (1992) on Blu-ray from Powerhouse Films’ Indicator label.

Speaking of Indicator, they’ve just unveiled their November slate, which includes a UK-only box set called Pryor & Wilder that features Sidney Poitier’s Stir Crazy (1980), Arthur Hiller’s See No Evil, Hear No Evil (1989), and Maurice Phillips’ Another You (1991) on Blu-ray. Look for that on 18 November. In the US, Indicator will release Frank Launder and Sidney Gilliat’s Left Right and Centre (1959), Ken Loach’s Family Life (1971), and John Krish’s The Man Who Had Power Over Women (1970) all on Blu-ray on 11/19. [Read on here...]

We’ve got two more new disc reviews for you to enjoy today, including...

My take on Trey Parker and Matt Stone’s Team America: World Police in 4K Ultra HD from Paramount, which streets this coming Tuesday.

Also, my review of Alfonso Cuarón’s Gravity (2013), which is available in a new reissue Blu-ray (essentially a repackage of the 2015 Diamond Luxe Edition with Dolby Atmos audio) from Warner Bros. Discovery Home Entertainment.

I’m working on more disc reviews for early next week, including South Park: Bigger, Longer, and Uncut (1999) and also The Ministry of Ungentlemanly Warfare (2024), both in 4K UHD. And the rest of the review team will be back next week as well with a bunch more.

In announcement news today, Warner Bros. Discovery Home Entertainment has officially set Ishana Night Shyamalan’s The Watchers (2024) for release on Blu-ray, DVD, and 4K Ultra HD on 8/27. Expect the Digital release to become available on 6/28. Extras will include 4 featurettes (Welcome to the Show: The Making of The Watchers, Creating The Watchers, Constructing the Coop, and Ainriochtán and the Irish Fairy Folklore) as well as a deleted scene. You can see the cover artwork at left and also below. [Read on here...]

Sorry for the lack of a news update yesterday, but I spent the entire day on the phone with studio and industry sources digging into upcoming 4K catalog titles. Rest assured, I’ll share more on all of that in the days and weeks to come.

In the meantime, we have some great release news for you—which we’ll share in a couple of news posts today—as well as more new disc reviews. Those include...

Stuart’s look at Jerry Hopper’s Alaska Seas (1954) on Blu-ray from Kino Lorber Studio Classics, as well as Carlotta Films’ Region B Blu-ray release of Roger Corman’s The Intruder (1962), which is one of his best films and also features one of William Shatner’s early film roles.

Dennis’ thoughts on John Farrow’s Submarine Command (1951) and Charles Vidor’s Thunder in the East (1952) both on Blu-ray from Kino Lorber Studio Classics.

Tim’s look at the complete Hanna-Barbera’s Superstars 10 (1987-1988) Blu-ray box set from the Warner Archive Collection.

And finally Stephen’s take on Wellson Chin’s The Inspector Wears Skirts 2 (1989) on Blu-ray from 88 Films, as well as Michael Benveniste and Howard Ziehm’s Flesh Gordon: 50th Anniversary Edition (1974) on region-free Blu-ray from Turbine Medien.

Now then... let’s get to the announcement news, because we’ve got a bunch of it. [Read on here...]

We have two more new disc reviews for you here at The Bits today, including…

Stephen’s thoughts on Walter Hill’s Southern Comfort (1981) in 4K Ultra HD from Vinegar Syndrome, as well as his take on another of Toho’s recent Godzilla 4K UHD releases, in this case Ishirō Honda’s Destroy All Monsters (1968). Once again, this is a region-free Japanese import release, but with no English subtitles.

The big announcement news today is that our friends at the Criterion Collection have officially unveiled their May release slate, which is set to include an upgrade of A Story of Floating Weeds/Floating Weeds: Two Films by Yasujiro Ozu (1934/1959) (Spine #232 – Blu-ray and DVD) on 5/7, followed by an upgrade of Michael Powell’s Peeping Tom (1960) (Spine #58 – 4K UHD + Blu-ray and Blu-ray) on 5/14, Three Revolutionary Films by Ousmane Sembène (Spine #1217 – Blu-ray and DVD)—which includes Emitaï (1971), Xala (1975), and Ceddo (1977)—on 5/21, and Justine Triet’s Anatomy of a Fall (2023) (Spine #1218 – Blu-ray and DVD) and Karyn Kusama’s Girlfight (2000) (Spine #1219 – Blu-ray) on 5/28.

You can see the cover art for Peeping Tom at left, and all of them below the break. We’ve updated our Criterion Spines Project listing here at The Bits accordingly. [Read on here...]

We’ve got four more new disc reviews for you today, including...

Stuart’s take on Douglas Sirk’s Has Anybody Seen My Gal (1952) on Blu-ray from Kino Lorber Studio Classics.

Dennis’ look at Harry Beaumont’s Faithless (1932) on Blu-ray from the Warner Archive Collection, as well as Giuseppe Fiorello’s Fireworks (2023) on DVD from Cinephobia Releasing.

And Stephen’s review of Ishirō Honda’s Invasion of Astro-Monster (1965) in 4K Ultra HD from Toho Studios in Japan (note that this release has no English subtitles).

Also this afternoon, we’ve asked our supporters on The Bits’ new Patreon page to share their Ten Favorite TV Series, and we’ve updated our 4K Ultra HD Release List here at The Bits with new titles as well.

In announcement news today, Kino Lorber Studio Classics has just officially set Fred Zinnemann’s High Noon (1942) for release on Blu-ray and 4K Ultra HD on 4/16. The film will include a collection of legacy special features (from previous Blu-ray and DVD releases) along with a pair of new audio commentary track by film historians, one by Alan K. Rode and another by Julie Kirgo. You can see the cover artwork above left and also below. Look for Dolby Vision HDR on the 4K disc. [Read on here...]