Displaying items by tag: Imprint Films

All right, I wanted to check in here today with one more update.

I believe we finally have the site stable, but just quick note: If you see a message that says “Performing Security Verification…” that is 100% normal. We’re using Cloudflare to verify actual human Bits readers from AI bots trying to scrape the site.

The good news is that it’s definitely helping—the site is much more stable now.

And we have a couple things to share with you all here today.

First, we have more new disc reviews, including…

My take on the Wachowskis’ Speed Racer (2008) in 4K Ultra HD from Warner Bros. as well as Ric Roman Waugh’s Greenland (2020) in 4K Ultra HD from Lionsgate.

Tim’s looks at Richard Fleischer’s Red Sonja (1985) in 4K from Arrow Video, as well as John Binder’s UFOria (1983) in 4K Ultra HD from Kino Lorber Studio Classics, and Kuei Chih-Hung’s Killer Constable (1980) on Blu-ray from Arrow’s Shawscope: Volume 3 box set.

Dennis’ take on Ira Sachs’ The Delta (1996) on Blu-ray from the Criterion Collection and Vincente Minnelli’s Tea and Sympathy (1956) on Blu-ray from the Warner Archive Collection.

Stuart’s look at The Magnificent Seven Collection on Blu-ray from Imprint Films.

And Stephen’s thoughts on John Woo and Tsui Hark’s A Better Tomorrow Trilogy (1986-1989) in 4K Ultra HD from both Shout! Studios and also Imprint Films!

More reviews are also on the way next week, including our review of David Fincher’s Fight Club (1999) in 4K and more! So be sure to check back then. [Read on here...]

We’ve got a few more reviews for you today, and a few more great bits of announcement news to round out the week here…

First, Stuart has turned in his thoughts on Howard Zieff’s House Calls (1978) and Gilles Grangier’s Maigret Sees Red (1963) on Blu-ray from Kino Lorber Studio Classics.

And Dennis has offered his take on John Binder’s UFOria (1985), also on Blu-ray from KLSC.

Now then, here’s something fun: Our friends at Vinegar Syndrome have revealed they’ve licensed Joe Dante’s Explorers (1985) from Paramount and they’ve about to release a new 4K Ultra HD edition! Limited to 8,000 units, it will ship following their next Halfway to Black Friday sale that runs from May 22nd to 25th! And in addition to legacy extras, you’ll get a 40-page book and a new 77-minute documentary on the making of the film by Elijah Drenner! [Read on here...]

Welcoming to a new week, Bits readers!

So the good news is that the site appears to be stable, our email is working, and all of our functionality appears to be restored. If you’re having any trouble, please let us know.

In the meantime, we have some new reviews for you to enjoy today…

Stephen has taken a look at Guy Hamilton’s Remo Williams: The Adventure Begins (1985) on Blu-ray from Kino Lorber Studio Classics, as well as Frank Henenlotter’s Frankenhooker (1990) in 4K Ultra HD from Synapse Films.

Tim has offered his thoughts on Hanna-Barbera’s The New Fred and Barney Show: The Complete Series (1979) on Blu-ray from the Warner Archive Collection. He’s also assisted Dennis with 4K Ultra HD reviews of Terry Jones’ Monty Pythons’ Life of Brian (1979) from the Criterion Collection and Alvin Rakoff’s Death Ship (1980) from Kino Lorber Studio Classics.

And Dennis has turned in a solo review of Mike Figgis’ Mr. Jones (1993) on Blu-ray from Imprint films.

More reviews are on the way all this week, so be sure to watch for them!

Now then, in release and announcement news today, Disney officially announced the Blu-ray, DVD, and 4K Ultra HD release of Pixar’s CG-animated Hoppers (2026) on 6/2, with the Digital release expected tomorrow on 4/28. The 4K disc will come in Steelbook packaging and interestingly, it will be released on a 100 GB disc with Dolby Vision HDR and Dolby Atmos audio. Extras will include 5 featurettes (The Critter Dairies, Hopping In: The Making of Hoppers, Meet King George: Scene Breakdown, Beaverton Revealed, and Damn Good Bloopers) plus 6 deleted scenes. You can see the cover art at left. [Read on here...]

All right, we’ve got some outstanding new catalog title announcements to cover today here at The Bits—the perfect way to close out the week!

First though, we have a few more new disc reviews to share with you this morning as well…

Tim has taken a look at Charles Barton’s Abbott and Costello Meet Frankenstein (1948) in 4K Ultra HD from Kino Lorber Studio Classics, as well as Hanna-Barbera’s Loopy De Loop: The Complete Collection (1959-65) on Blu-ray from the Warner Archive Collection.

And Dennis has shared his thoughts on Alvin Rakoff’s Death Ship (1980) on Blu-ray from Kino Lorber Studio Classics.

We’ve got a lot more new disc reviews coming next week, so be sure to keep your eyes peeled for them!

Now then... just as we expected today, some of our friends at the boutique labels have made great new 4K Ultra HD and Blu-ray catalog announcements this morning.

We’ll start with Arrow Video, which has just announced their full July 2026 release slate.

That’s officially set to include:

• To Live and Die in LA (1985) (4K – UK only) – July 5
• Sex & Fury (1973) / Female Yakuza Tale (1973) (Blu-ray – UK, US, and Canada) – July 6
• Hush (2016) (4K – UK only) – July 12
• Red Sun (1971) (Blu-ray & 4K – US, and Canada) – July 13
• Falling Down (1993) (Blu-ray & 4K – UK, US, and Canada) – July 20
• Soylent Green (1973) (Blu-ray & 4K – UK, US, and Canada) – July 27
• The Outfit (Blu-ray – UK, US, and Canada) – July 27

So we did indeed get a couple of sneaky Warner Bros. titles in there!

Here’s what the packaging looks like (you’ll find it below the break)... [Read on here...]

Greetings Bits readers!

So you may have noticed some funkiness going on over the last week or so here at The Digital Bits website.

Back on March 27 (see our post here), I told you that we were fighting the scourge of AI companies relentlessly sending bots to crawl our site to scrape for content to train their LLMs. It got so bad that we essentially have had to move the site and use Cloudflare to block them.

That was frustrating enough, but the process of moving hasn’t been smooth. And we’ve had several other disruptions over the last week, including (currently) to our email. So if you’re trying to reach us and your messages are getting bounced back or not delivered properly, rest assure we’re aware of it and are working to get it sorted.

Thanks for your patience!

All part of the frustrations of trying to run a website in the 21st century… especially in a world of AI, which is probably only going to make things on the Internet worse. [Read on here...]

All right, we’ve got a bit of ground to cover today, and it’s going to feel a little bit like whiplash. But first, as always, we have some new disc reviews to share with you…

Tim has taken a look at Michael Felsher’s Hearts of Darkness: The Making of The Final Friday (2025) on Blu-ray from Synapse Films.

Stephen has offered his thoughts on Simon Wincer’s The Phantom (1996) in 4K Ultra HD from Kino Lorber Studio Classics.

And Dennis has shared his take on Arthur Penn’s Target (1985) on Blu-ray from Imprint Films.

Definitely be sure to watch for more new disc reviews over the next few days.

Now then… the positive news we have for you today is that our friends at the Criterion Collection have just announced their July Blu-ray and 4K Ultra HD release slate, which includes some gems as always and some nice surprises too. [Read on here...]

We’ve got more new disc reviews for you all to enjoy today, including…

Stephen’s take on Ema Tammi’s Five Nights at Freddy’s 2 (2025) in 4K Ultra HD from Universal and also Bill Plympton’s Hair High (2004) on Blu-ray from our friends at Deaf Crocodile Films.

Tim’s review of David Lynch’s Twin Peaks: Fire Walk with Me (1992) in 4K from Criterion.

Dennis’ look at Terry Jones’ Monty Python’s Life of Brian (1979) on Blu-ray from Criterion, as well as Martin Ritt’s Cross Creek (1983) on Blu-ray from Imprint Films.

And finally, Stuart’s thoughts on Raoul Walsh’s Silver River (1948) on Blu-ray from the Warner Archive Collection.

More reviews are forthcoming all this week, so be sure to keep checking back for them!

Now then… in announcement news today, Kino Lorber Studio Classics has revealed that Howard Hawks’ El Dorado (1966) is “coming soon” to 4K Ultra HD. That’s a Paramount Western featuring John Wayne, Robert Mitchum, and James Caan, featuring a screenplay co-written by Leigh Brackett (The Empire Strikes Back) and music by Nelson Riddle (the 1966 Batman). [Read on here...]

All right, we have a few more new disc reviews to share with you this morning, including…

Tim’s thoughts on Guy Magar’s Lookin’ Italian (1994) on Blu-ray from Severin Films.

Dennis’ take on William Richert’s A Night in the Life of Jimmy Reardon (1988) on Blu-ray from Kino Lorber Studio Classics and Shane Meadows’ TwentyFourSeven (1997) on Blu-ray from Imprint Films.

Stephen’s look at Richard Attenborough’s A Bridge Too Far (1977) in Blu-ray from Kino Lorber Studio Classics, as well as Ivan Passer’s Cutter’s Way (1981) in 4K Ultra HD from Radiance Films.

And Stuart’s review of the Warner Archive’s Fred Astaire Collection on Blu-ray, which includes Easter Parade (1948), The Band Wagon (1953), Silk Stockings (1957), and Finian’s Rainbow (1968). Stuart has also reviewed Peter Yates’ Summer Holiday (1963) on Blu-ray from Indicator’s Cliff in Color! box set.

Now then, the big news we want to share with you today is that pre-orders have finally begin for Disney’s Blu-ray and 4K Ultra HD release of James Cameron’s Avatar: Fire and Ash (2026), all of which are set to street on 5/19. [Read on here...]

We’ve got BIG 4K news to cover here at The Bits this afternoon, so let’s get right into it…

First up, reviews! Today we have for you…

Stephen’s look at Delmar Daves’ 3:10 to Yuma (1957) in 4K from Criterion, Hal Ashby’s Being There (1979) on Blu-ray as recently reissued by Warner Bros., and Marcell Jankovics’ Song of the Miraculous Hind (2002) on Blu-ray from our friends at Deaf Crocodile Films. (And we have more Deaf Croc reviews forthcoming!)

Tim’s thoughts on Don Coscarelli’s The Beastmaster (1982) in 4K Ultra HD, both the new release from Imprint Films and also the Scream Factory edition from November of last year.

And Tim has also reviewed the Warner Archive’s new Looney Tunes: Collector’s Vault – Volume 2 (1934-63) on Blu-ray, Guy Magar’s Retribution (1987) in 4K from Severin Films, and he’s tag-teamed with Dennis for a review of Kenneth Branagh’s Dead Again (1991) in 4K Ultra HD from Kino Lorber Studio Classic.

Also here at The Bits today, our own Russell Hammond has just shared the latest update of our Release Dates & Artwork section, featuring all the latest Blu-ray, DVD, and 4K Ultra HD cover art and Amazon pre-order links. Don’t forget, The Bits is an Amazon Affiliate, so literally anything you order after clicking to them from of our links (like this one) goes to help support our work here at the site and we appreciate it!

Now then… the big release news here today is something that those of you who are subscribers to our Patreon site already knew was coming: Disney has just officially announced the classic animated Alice in Wonderland (1951) for 4K Ultra HD release on 5/5! [Read on here...]

Greetings, Bits readers—I hope this finds you all well!

You may have noticed that there have been very few updates here on the site this week, and also that we’ve had a lot of downtime in which the site wasn’t working or was slow to load.

There’s a reason for that, which is that we’ve been the target of relentless scaping by AI companies trying to train their LLMs. We’ve taken steps to prevent it in the past, but they don’t seem to care that when they scrape us, it causes significant disruptions for both us and you as readers. So it looks like we’re going to have to take further steps to prevent this going forward.

In the meantime, we’ve got a lot of ground to cover today, as I haven’t been able to post a news update since Monday due to these disruptions.

We’ll start with disc reviews! We’ve had a bunch for you this week, including…

My looks at Jeannot Szwarc’s Somewhere in Time (1980) in 4K from Kino Lorber Studio Classics, David Lynch’s The Straight Story (1999) in 4K from StudioCanal (a joint review with former Bits staffer Dan Kelly), Michael Crichton’s Westworld (1973) in 4K from Arrow Video, and Ted Lasso: The Richmond Way (2020-23) in 4K from Warner Bros. Home Entertainment.

Tim’s review of Lam Nai-Choi’s The Cat (1991) on Blu-ray from 88 Films.

Dennis’ take on Claude Leloch’s A Man and a Woman (1966) on Blu-ray from the Criterion Collection.

Stuart’s thoughts on Jerzy Skolimowski’s The Lightship (1985) on Blu-ray from Imprint Films and Jeffrey Dell and Roy Boulting’s Man in a Cocked Hat (1959) on Blu-ray from Kino Lorber Studio Classics.

And finally, Stephen’s look at Dario Argento’s The Phantom of the Opera (1998) and Emmett Alston’s Demonwarp (1988) in 4K from Vinegar Syndrome, and Ti West’s The Innkeepers (2011) on Blu-ray from Umbrella and in 4K Ultra HD from Second Sight. Whew!

Now, let’s get to the news that’s broken since our announcement of James Cameron’s Avatar: Fire and Ash on Blu-ray and 4K on Monday… [Read on here...]