Displaying items by tag: Synapse Films

We have several new disc reviews for you here at The Bits today, including…

Tim’s look at John Hough’s Twins of Evil (1971) in 4K Ultra HD from Imprint Films and Via Vision, as well as his review of the final film in Criterion’s The Wes Anderson Archive in 4K Ultra HD, specifically The French Dispatch (2021).

Dennis’ review of Michael Stasko’s Vampire Zombies… from Space! (2024) on Blu-ray from MVD and Cleopatra Entertainment).

Stephen’s thoughts on John Carpenter’s Vampires (1998) in 4K Ultra HD from Via Vision Entertainment.

And finally, Stuart’s take on the Columbia Noir #7: Made in Britain Blu-ray box set from Indicator, which includes A Prize of Gold (1955), The Last Man to Hang (1956), Wicked as They Come (1956), Spin a Dark Web (1956), The Long Haul (1957), and Fortune Is a Woman (1957).

More reviews are forthcoming, so be sure to check back for them.

Also, before we get to the news today, we’ve just posted our latest update of our Release Dates & Artwork section featuring all the latest Blu-ray, DVD, and 4K Ultra HD cover art and Amazon pre-order links. As always, whenever you order literally anything from Amazon after clicking through one of our links (like this one), you’re helping to support our work here at The Bits and we really appreciate it! [Read on here...]

We’re going to do a bit of an early 2026 4K new round-up here at The Bits today, catching you all up on the latest announcements and release news from our industry sources.

First though, a few more new disc reviews…

Stuart has taken a look at the BBC’s Death Valley: Season One on DVD from Warner Bros.

Dennis has given William Keighley’s The Bride Came C.O.D. (1941) on Blu-ray from the Warner Archive Collection.

And Stephen has offered his thoughts on Neil Marshall’s The Descent (2005) as found in a new 20th Anniversary 4K Steelbook from Lionsgate Limited.

As always, more new disc reviews are forthcoming, so be sure to keep your eyes peeled for them.

Now then, just as a quick reminder, we recently revealed here on The Bits (see this link) that Warner Bros. Discovery Home Entertainment is planning a very nice slate of 4K catalog releases for 2026, including William Wyler’s Ben-Hur (1959) and Alan J. Pakula’s All the President’s Men (1976)—already set for release on 2/17—as well as Chuck Russell’s Eraser (1996), Alfonso Cuarón’s Gravity (2013), Tim Burton’s Mars Attacks! (1996), Neil Jordan’s Interview with the Vampire (1994), Victor Fleming’s Gone with the Wind (1939), and P. T. Anderson’s Magnolia (1999) which are all TBA for later this year.

Then on New Year’s Eve, we broke the news (see this link) that Warner is also planning a new 4K Ultra HD release of the Wachowski’s Speed Racer (2008) this year as well. [Read on here...]

We’ve got three more new disc reviews for all of you to enjoy today, including…

Tim’s thoughts on Jess Franco’s The Castle of Fu Manchu (1969) in 4K Ultra HD from Blue Underground as well as David Schmoeller’s Crawlspace (1986) on Blu-ray from Kino Lorber Studio Classics.

And Stephen’s take on Stephen Sayadian’s Café Flesh (1982) on Blu-ray from Mondo Macabro.

Before we get going today, it looks like we finally know what the next two Steven Spielberg films are that are going to be released in 4K Ultra HD: Multiple retail sources are reporting that both Minority Report (2002) and Catch Me If you Can (2002) are coming to the format before the end of the year from Paramount. Street date for each is TBA, but this isn’t entirely surprising—both films have been recently available Digitally in 4K. As more information comes in, we’ll be sure to let you know.

Speaking of Paramount, their long-delayed 4K Ultra HD Steelbook release of Karyn Kusama’s Æon Flux (2005) is finally set for 10/7.

Also, we have a street date for Christopher McQuarrie’s Mission: Impossible – The Final Reckoning (2025) on Blu-ray, DVD, 4K Ultra HD, and 4K Steelbook. Look for it to arrive on 10/14. [Read on here...]

We’ve got SIX more new disc reviews for you all to enjoy today, including...

Dennis’ reviews of Stanley Donen’s Arabesque (1966) in 4K Ultra HD and Dick Powell’s The Conqueror (1956) on Blu-ray, both from Kino Lorber Studio Classics, as well as Ryan Kruger’s Street Trash (2024) on Blu-ray from Vinegar Syndrome, and Jonathan Mostow’s Breakdown (1997) in 4K Ultra HD from Paramount Home Entertainment (the 4K reviews with an A/V assist by Tim).

And Tim’s reviews of the third title in Arrow Video’s Shawscope: Volume Two Blu-ray box set—Disciples of the 36th Chamber (1985)—and also Bob Clark’s Murder by Decree (1979) in 4K Ultra HD from Kino Lorber Studio Classics.

Speaking of Arrow Video, the company has just announced its June slate of Blu-ray and 4K titles, which includes Rowdy Herrington’s Road House (1989) on Blu-ray and 4K UHD + Blu-ray (in the UK only) on 6/2, Joseph Sargent’s The Taking of Pelham One Two Three (1974) on Blu-ray and 4K UHD + Blu-ray (in the UK only) on 6/9, Dominic Sena’s Swordfish (2001) on 4K UHD + Blu-ray (in the UK, US, and Canada) on 6/9, Peter Weir’s Witness (1985) on Blu-ray and 4K UHD + Blu-ray (in the UK only) on 6/16, and Alex Proyas’ Dark City (1998) on Blu-ray and 4K UHD + Blu-ray (in the UK, US, and Canada), Yoshiyuki Kuroda’s The Invisible Swordsman (1970) on Blu-ray (in the UK, US, and Canada), and Sergio Leone’s The Good, the Bad, and the Ugly (1966) on Blu-ray and 4K UHD + Blu-ray (in the UK only) all on 6/23. [Read on here...]

We have more new disc reviews for you all to enjoy today here at The Bits, including...

Tim’s reviews of Charles Martin Smith’s Trick or Treat (1986) in 4K Ultra HD from Synapse Films and Robert Altman’s McCabe & Mrs. Miller (1971) in 4K UHD from our friends at The Criterion Collection.

Stephen’s take on Kazuki Ōmori’s Godzilla vs. Biollante (1989) in 4K Ultra HD from Criterion.

Dennis’ thoughts on Fred Burnley’s Neither the Sea Nor the Sand (1972) on Blu-ray from Vinegar Syndrome.

And Stuart’s looks at Patrice Leconte’s Half a Chance (1998) on Blu-ray from Kino Lorber Studio Classics and Montgomery Tully’s The Terrornauts (1967) on Blu-ray from Vinegar Syndrome.

In announcement news today—well, it’s not exactly an official announcement yet, but—Studio Distribution Services has just listed the James Bond 007 Sean Connery 6-Film Collection for release in 4K Ultra HD (click here) and 4K Steelbook Limited Edition (click here) on Amazon from MGM and WBDHE. There’s no street date yet listed, but we expect them to arrive on or about 6/3. The sets will include the films Dr. No (1962), From Russia with Love (1963), Goldfinger (1964), Thunderball (1965), You Only Live Twice (1967), and Diamonds Are Forever (1971). There’s no cover art yet, and we’re still awaiting an official press release. Nor is there any sign of UK listings yet, but that’s likely to change soon. Click on the links to pre-order them. [Read on here...]

We’re closing out the week here at The Bits with a trio of new disc reviews, including...

Tim’s review of Alfred Sole’s Alice, Sweet Alice (1976) in 4K Ultra HD from Arrow Video.

Stephen’s review of Howard Hawks’ Hatari! (1962) in 4K Ultra HD from Kino Lorber Studio Classics.

And Stuart’s review of Bruce Weber’s Let’s Get Lost (1988) on Blu-ray from Kino Classics.

Also today, our friends at Vinegar Syndrome have revealed a number of new March Blu-ray and 4K titles, including Richard Loncraine’s Brimstone & Treacle (1982) in 4K Ultra HD + Blu-ray (with Dolby Vision), a double-feature Blu-ray of Hung-Chuen Lau’s Devil Fetus (1983) and Ngai Choi Lam’s Her Vengeance (1988), Forgotten Gialli: Volume Eight on Blu-ray—which includes Alberto Negrin’s Rings of Fear (1978), Tano Cimarosa’s Reflections in Black (1975), and Demofilo Fidani’s A.A.A. Masseuse, Good-Looking, Offers Her Services (1975)—Miguel Angel Martinez’s 38 Especial (1992) on Blu-ray from Degausser Video, Gene Saks’s Last of the Red Hot Lovers (1972) on Blu-ray from Cinématographe, and Peter Greenaway’s The Belly of an Architect (1987) on Blu-ray from Vinegar Syndrome Labs. All are set to ship later this month. [Read on here...]

We have two more new disc reviews for you today here at The Bits...

Stuart’s look at A Man Called Shenandoah: The Complete Series (1965-66) on Blu-ray from the Warner Archive Collection.

And Dennis and Tim have taken a look at Guillermo del Toro’s Cronos (1992) in 4K Ultra HD from Criterion.

The big news today is that Arrow Video has just unveiled their full Blu-ray and 4K Ultra HD release slate for May, which is set to include D.W. Medoff’s I Will Never Leave You Alone (2023) on Blu-ray (in the UK only) on 5/5, Robert Wise’s The Andromeda Strain (1971) in 4K Ultra HD (in the US, UK, and Canada) on 5/13, Jim Isaac’s Jason X (2001) and Adam Marcus’ Jason Goes to Hell (1993) both in 4K Ultra HD (in the US, UK, and Canada) on 5/20, Sergio Leone’s For a Few Dollars More (1965) on Blu-ray and 4K UHD (in the UK only) on 5/26, and Adilkhan Yerzhanov’s Steppenwolf (2024) on Blu-ray (in the US, UK, and Canada) on 5/27. [Read on here...]

Three more new disc reviews are available here at The Bits today, including...

Stephen’s look at Joseph Cates’s Who Killed Teddy Bear? (1965) in 4K Ultra HD from Vinegar Syndrome’s excellent and endlessly surprising Cinématographe label.

Stuart’s review of Don Siegel’s Edge of Eternity (1959) on Blu-ray from Powerhouse Films via their Indicator brand.

And Dennis’ take on H.C. Potter’s Mr. Lucky (1943) on Blu-ray from RKO via our friends at the Warner Archive Collection.

We’ve also just completed a major update of our 4K Ultra HD Release List here at The Bits with a ton of new titles, including some of the latest announcement news just breaking today. That news includes...

Word that Arrow video is releasing Sergio Leone’s beloved Dollars Trilogy in 4K Ultra HD and Blu-ray in the UK only over the next few months. [Read on here...]

We’ve got one more new disc review to close out the week...

Stuart has turned in his take on Michel Boisrond’s Naughty Girl (1956) on Blu-ray from Kino Classics. It’s a French comedy starring Brigitte Bardot.

And more reviews are forthcoming, including possibly starting this weekend. So be sure to keep your eyes peeled both here and on our various social media (including @billhuntbits and @thedigitalbits).

Now then, the big news today is that our friends at Arrow Video have just unveiled their January Blu-ray and 4K slate.

And as you might expect, it includes a couple of long-awaited gems, as well as a few titles other labels have released previously (but Arrow always makes their own versions special). [Read on here...]

We’ve got a trio of new disc reviews for you today to start the new week, including...

Tim’s review of Columbo: The Return (1989-2003) on Blu-ray from Kino Lorber Studio Classics, featuring the final 24 episodes of the series.

Stuart’s take on Patrice Leconte’s The Hairdresser’s Husband (1990) on Blu-ray from Kino Classics.

And Dennis’ thoughts on Bert I. Gordon’s The Food of the Gods (1976) on Blu-ray from American International Pictures via Kino Lorber Studio Classics’ new Kino Cult line.

More discs are on the way this week as well, so be sure to watch for them.

It’s a slow morning for release news, but we do have a couple things for you.

First, Paramount has set ZAZ: The Collection! for release on 4K Ultra HD on 11/19. That’s Zucker, Abrahams & Zucker to you! The collection will include Airplane! (1980), Top Secret! (1984), and The Naked Gun: From the Files of Police Squad! (1988). The first two are new to the format.

Kino Lorber Studio Classics is going to be releasing Claude Miller’s Deadly Circuit (1983) on Blu-ray on 10/29. The company has also revealed that Herbert Ross’ Play It Again Sam (1972) is coming soon to Blu-ray, while Michael Anderson’s Orca (1977) is coming soon to 4K Ultra HD. [Read on here...]