Displaying items by tag: David Zucker

Our second news update of the day starts with a little bit of breaking news: Paramount has just made David Zucker, Jim Abrahams, and Jerry Zucker’s Top Secret! (1984) and David Fincher’s Zodiac (2007) available in 4K Digital on Apple TV, Vudu, Kaleidescape, and more. Given the amount of effort Fincher puts into his remasters, we believe it’s safe to assume that Zodiac will be coming to physical 4K Ultra HD from Paramount sooner than later as well.

Zodiac, it should be remembered, was shot mostly in 10-bit RAW in 1080p HD (4:4:4) using the Thomson Viper FilmStream camera, along with some footage in 35 mm photochemical film (Super 35 format). But anyone who doubts that it could look great upscaled and remastered in 4K would do well to take a look at HBO’s Game of Thrones: The Complete First Season in 4K UHD (which we’ve reviewed here). The advantages of high data rate and low compression, combined with an HDR grade, could really make a difference. Zodiac in particular was very well lit and photographed. Personally, I’m eager to get a look at it.

Also today, Arrow Video has announced their August slate, which includes a UK-only 4K Ultra HD release of Michael Lehmann’s Heathers (1988) on 8/5, followed by a slew of titles on 8/26. Among them are Robert Rodriguez’s Desperado (1995) in 4K Ultra HD and The Mexico Trilogy box set (both in the UK, US, and Canada), which includes El Mariachi (1992) and Once Upon a Time in Mexico (2003) in Blu-ray, as well as the Desperado 4K. [Read on here...]

We’ve got a lot of announcement news to cover today, so we’re going to share some of it here now, and then we’ll come back early tomorrow morning with the rest of it. But first, as always, here are some new disc reviews that we’ve posted recently...

Tim has taken a look at Albert Band’s Ghoulies II (1987) on Blu-ray from the MVD Rewind Collection.

Stephen has reviewed Carl Theodor Dreyer’s Michael (1924) on Blu-ray from Kino Lorber via their Kino Classics label.

And Stuart has offered his thoughts on Max Ophüls’ There’s No Tomorrow (1939) on Blu-ray also from Kino Classics, as well as Otto Preminger’s Angel Face (1953) and Anthony Mann’s Border Incident (1949) both on Blu-ray from the Warner Archive Collection.

Now then! Let’s get to that release news...

First up, just as we predicted the other day, Paramount has set David Zucker’s The Naked Gun: From the Files of Police Squad! (1988) for release in 4K Ultra HD Steelbook format on 11/28. You can see the cover artwork at left and also below. It’s not up for pre-order yet, but the Amazon listing is there, so we’ll include the link below. The 2-disc set will include the film in 4K UHD and also Blu-ray. We don’t yet know if the Blu-ray is remastered as well, and if there will be any new extras, but you can certainly expect many of the legacy extras to carry over. The release is timed to honor of the film’s 35th anniversary, which takes place on 12/2. [Read on here...]

We’ve got a couple quick updates for you over the long Labor Day weekend here at The Bits...

The big one is that Sony Pictures Home Entertainment has just set David Anspaugh’s Rudy (1993) for release on 4K Ultra HD on 11/11, complete with both the 114-minute Theatrical Cut and a new 127-minute Director’s Cut in 4K, with Dolby Vision HDR and Dolby Atmos audio. Both are fully restored from original camera negative and the process was approved by the director. The 4K disc also includes English 5.1 DTS-HD MA for both versions, plus 2.0 audio for the Theatrical Cut. You also get a new commentary with Anspaugh and screenwriter Angelo Pizzo on the Director’s Cut, 5 additional deleted scenes, and the film’s trailer.

The package will also include the previous Blu-ray that offers 5.1 audio and 3 legacy featurettes (Rudy: The Real Story, Production, and First Down with Sean Astin). It comes in Steelbook packaging. You can see the cover artwork at left and also below the break.

Also today, Mondo Macabro and CAV have set Stephen Sayadian’s Dr. Caligari (1989) for release on 4K Ultra HD on 11/14, featuring both full frame and 1.85 theatrical versions, an isolated music and effects track, audio commentary with the director, and several interview featurettes. Audio will be 2.0 DTS-HD MA. [Read on here...]