Displaying items by tag: Well Go USA

We’ve got a bunch of new disc reviews to share with you today here at The Bits, including…

My tag-team review (with Tim Salmons) of John Boorman’s Arthurian epic Excalibur (1981) in a long-awaited 4K Ultra HD release from Arrow Video.

Stephen’s thoughts on Jonathan Demme’s Married to the Mob (1988), Rachel Talalay’s Tank Girl (1995), and Satoshi Kon’s Perfect Blue (1997) each in 4K Ultra HD, from Cinématographe via Vinegar Syndrome, Vinegar Syndrome, and GKIDS via Shout! Studios, respectively.

Dennis’ look at Blake Edwards’ The Pink Panther (1963) in 4K Ultra HD from Kino Lorber Studio Classics.

And finally it’s back to Tim again for his thoughts on Jim Abrahams, David Zucker, and Jerry Zucker’s Top Secret! (1984) in 4K UHD from Paramount.

More reviews are coming this week, so definitely be sure to check back for them.

Now then… we’ve got a bunch of great announcement news to cover here today as well!

We’ll start with official word that Lionsgate is distributing Quentin Tarantino’s Kill Bill: The Whole Bloody Affair widely on Digital next week, on 2/17. In fact, you can find it available for pre-order on Apple TV right now. We’re told the Blu-ray and 4K Ultra HD physical release is coming later this year from Lionsgate.

A24 has just announced that Josh Safdie’s Best Picture-nominated film Marty Supreme (2025) is coming soon to Blu-ray and 4K Ultra HD. [Read on here...]

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We’ve got a few more new disc reviews to share with you today here at The Bits

Stephen has turned in his in-depth look at Sergio Leone’s Once Upon a Time in America (1984) in 4K Ultra HD from Eagle Pictures’ 4Kult label in Italy.

Dennis has offered his thoughts on Raoul Walsh’s Silver River (1948) and Tay Garnett’s The Valley of Decision (1945) both on Blu-ray from the Warner Archive Collection.

And Tim has delivered his take on Tim Burton’s Pee-Wee’s Big Adventure (1985) in 4K Ultra HD from the Criterion Collection, as well as Alex Winter and Tom Stern’s Freaked (1993) in 4K UHD from Umbrella Entertainment!

More disc reviews are forthcoming all this week, so be sure to keep checking back.

In announcement news today, it appears that Warner Bros. Discovery Home Entertainment is releasing Barry Levinson’s Sleepers (1996) in 4K Ultra HD and 4K Steelbook in the coming months. The film stars Kevin Bacon, Robert De Niro, Dustin Hoffman, Bruno Kirby, Jason Patric, Brad Pitt, Brad Renfro, and Minnie Driver.

Sony Pictures Home Entertainment will release James Vanderbilt’s Nuremberg (2025) on Blu-ray and DVD on 2/10. No 4K is currently planned. Sony has also set Hikari’s Rental Family (2025) for Blu-ray and DVD release on 2/17. And don’t forget that they’ve listed Richard Linklater’s Blue Moon (2025) for Blu-ray and DVD on 1/23. [Read on here...]

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We have several new disc reviews for you to enjoy today, including…

Tim’s look at multiple versions of Kevin Smith’s Dogma (1999) on 4K Ultra HD from Lionsgate Limited, Lionsgate (the wide release SKU), and Umbrella Entertainment.

Dennis’ reviews of Curtis Bernhardt’s Interrupted Melody (1955) and Archie Mayo’s It’s Love I’m After (1937) on Blu-ray from the Warner Archive Collection.

Stephen’s thoughts on Andres Veiel’s Riefenstahl (2024) documentary on Blu-ray from Kino Lorber and Dario Argento’s The Stendhal Syndrome (1996) in 4K Ultra HD from Vinegar Syndrome.

And finally, Stuart’s look at Romolo Guerrieri’s Young, Violent, Dangerous (1976) on Blu-ray from Raro Video via Kino Lorber.

More reviews are on the way, so be sure to keep checking back!

Now then… in announcement news today, our friends at Lionsgate Limited have just set Oliver Stone’s The Doors (1991) for 4K Ultra HD Steelbook release on 2/24. They’ve also got Eli Roth’s Cabin Fever (2002) available in 4K Ultra HD and VHS format—no kidding! Those are now available, as is the latest Vestron Video Collector’s Series Blu-ray, which is none other than Derrick Comedy and director Dan Eckman’s Mystery Team (2009). [Read on here...]

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Good afternoon, Bits readers! We’ve got the usual mix of news and announcements for you today, but first as always we have more new disc reviews to share with you, including…

Stephen’s look at Peter Berg’s The Rundown (2003) in 4K Ultra HD from Kino Lorber Studio Classics.

And Dennis’ thoughts on Ole Bornedal’s The Nightwatch Collection on Blu-ray from Arrow Video, which includes Nightwatch (1994) and Nightwatch: Demons Are Forever (2023).

More reviews are coming later this week. Tim’s already hard at work on Warner’s The Nightmare on Elm Street 4K box set, Stephen is looking at Sony’s The Quick and the Dead 4K, and I’m going to knock out my thoughts on 20th Century’s The Sound of Music in 4K Ultra HD soon as well.

Also, I wanted to let all of you know that we’ve finally begun updating our 4K Ultra HD Release List here at The Bits once again. I know the page is popular with our readers, but back when we were having server and software issues over the summer, updating the list was one of the things that took a back seat in our mad scramble to get the site back to normal and fully functional once again. All of our 4K reviews have now been linked, and we’ll be working all week long to update all of the studio listings as well. So thanks for your patience! [Read on here...]

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All right, we’ve got more new disc reviews for you to enjoy today, including…

Tim’s review of Charles Walters’ Technicolor classic High Society (1956) in 4K Ultra HD from the Warner Archive Collection.

Stephen’s look at Mark Robson’s Earthquake (1974) in 4K Ultra HD Steelbook from Universal Pictures Home Entertainment.

And Stuart’s take on the Audie Murphy Collection V box set from Kino Lorber Studio Classics, which includes Jesse Hibbs’ Walk the Proud Land (1956), Harry Keller’s Seven Ways to Sundown (1960), and Robert G. Springsteen’s Bullet for a Badman (1964) on Blu-ray.

In terms of catching up with more recent title announcements today, let’s start with the big news first: Director Kevin Smith revealed in his Hall H panel on Saturday night down at San Diego Comic-Con that Lionsgate is going to be releasing his newly-remastered Dogma (1999) on Blu-ray and 4K Ultra HD later this year! (You can watch video of Smith confirming this here on X.) The street date is TBA, but our sources say there will lots of great new extras and there should be both an exclusive 4K Steelbook version from Lionsgate Limited as well as a wide-release 4K SKU. [Read on here...]

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We’ve done a bunch of updating here at The Bits today, including our 4K Ultra HD Release List, which should now be up to date with all the latest announcements, details, and pre-order links.

We’ve also just done our weekly update of the Release Dates & Artwork section here at the site (thanks to our own Russell Hammond for that) which includes all the latest Blu-ray, DVD, and 4K UHD cover artwork and Amazon.com pre-order links.

As always, whenever you order literally anything from Amazon after clicking to them through one of our links, you’re helping to support our work here at the site and we really do appreciate it!

Now then, the big news today is that Warner Bros. Discovery Home Entertainment has finally officially announced the 4K Ultra HD release of Richard Donner’s Lethal Weapon (1987) on 6/24. [Read on here...]

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We’re rounding out the week today here at The Bits with three more new disc reviews, including...

Stephen’s look at David Fincher’s The Social Network (2010), as newly upgraded to stand-alone 4K UHD Steelbook with Dolby Vision HDR by Sony Pictures Home Entertainment.

And Stuart’s thoughts on Brunello Rondi’s Riot in a Woman’s Prison (1974) on Blu-ray from Raro Video via Kino Lorber, as well as Maurice Cloche’s Monsieur Vincent (1947) on Blu-ray from StudioCanal and Kino Classics.

In terms of announcement news, the big item today is that our friends at The Criterion Collection have just revealed their May slate of Blu-ray and 4K titles, which is set to include Norman Jewison’s In the Heat of the Night (1967) (Spine #959 – 4K UHD + Blu-ray) and Jacques Demy’s The Umbrellas of Cherbourg (1964) (Spine #716 – 4K UHD + Blu-ray) on 5/6, Abbas Kiarostami’s The Wind Will Carry Us (1999) (Spine #1261 – Blu-ray) on 5/13, Bruce Robinson’s Withnail and I (1987) (Spine #119 – 4K UHD + Blu-ray) and How to Get Ahead in Advertising (1989) (Spine #120 – Blu-ray) on 5/20, and a double feature of Richard Lester’s The Three Musketeers (1973) and The Four Musketeers (1974) (Spine #1263 – 4K UHD + Blu-ray and Blu-ray), as well as Charles Burnett’s Killer of Sheep (1978) (Spine #1262 – 4K UHD + Blu-ray and Blu-ray) on 5/27. [Read on here...]

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We’re starting as always today with new disc reviews! And we’ve got some good ones, including…

My look at Akira Kurosawa’s Seven Samurai (1954) in 4K Ultra HD from the Criterion Collection.

Stephen’s take on Ti West’s MaXXXine (2024) in 4K Ultra HD and Blu-ray from A24 and Lionsgate.

Tim’s review of Monk: Season Two (2003-2004) on Blu-ray from Kino Lorber Studio Classics.

Dennis’ thoughts on James Watkins’ Speak No Evil (2024) on Blu-ray from Universal, as well as Zach Clark’s The Becomers (2023) on Blu-ray from Vinegar Syndrome, and Peter Markle’s Youngblood (1986) on Blu-ray from Kino Lorber Studio Classics.

Sam Cohen’s look at Marco Bellocchio’s Kidnapped: The Abduction of Edgardo Mortara (2023) on Blu-ray from the Coen Media Group and Kino Lorber.

And finally, Stuart’s take on Claude Berri’s Tchao Pantin (1983) on Blu-ray from Radiance Films.

More reviews are forthcoming, including my own look on Dean Parisot’s Galaxy Quest (1999) in 4K Ultra HD from Paramount—that disc is expected to arrive here at the office today, so I’ll definitely be spinning it immediately upon its arrival! [Read on here...]

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All right, our news update for this afternoon begins with a few more new disc reviews, including...

Dennis’ take on Steven Shainberg’s Secretary (2002) on Blu-ray from Via Vision’s Imprint Films, along with Richard Crine’s Synanon (1965) on Blu-ray also from Imprint Films.

And Stuart’s review of Roger Donaldson’s Marie: A True Story (1985) on Blu-ray from the Warner Archive Collection.

We’ve also posted our weekly update of the Release Dates and Artwork section here at The Bits (last night—thanks to our own Russell Hammond for his hard work on it), which features all the latest Blu-ray, DVD, and 4K Ultra HD cover artwork and Amazon.com pre-order links. As always, whenever you order literally anything from Amazon after clicking to them through one of our links (like this one), you’re helping to support our work here at The Bits and we really appreciate it!

In more announcement news today, Sony Pictures Home Entertainment has just revealed the Blu-ray and DVD release of Jim Henson’s Fraggle Rock: Back to the Rock – Season 1 on 11/19! This will include all 14 episodes with English Dolby Digital 5.1 audio, audio commentary on 3 episodes with puppeteers John Tartaglia and Karen Prell, a Blooper Reel, and 4 sing-a-longs. You can see the Blu-ray cover art at left. [Read on here...]

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We start as always today with several new disc reviews, including…

Sam Cohen’s take on Poul Bang and Sidney W. Pink’s Reptilicus (1961) in 4K Ultra HD from Vinegar Syndrome.

Stuart’s look at Something Weird Video and Kino Classic’s double-feature Blu-ray of The Pace that Kills (1928) and its “talkie” remake The Cocaine Fiends (1935).

Dennis’ reviews of Clarence Brown’s Idiot’s Delight (1939) on Blu-ray from the Warner Archive Collection and Chad Ferrin’s Night Caller (2021) on Blu-ray from Vinegar Syndrome.

Stephen’s thoughts on Guy Ritchie’s The Man from U.N.C.L.E. (2015) in 4K Ultra HD from Arrow Video.

And last but definitely not least, Tim’s review of Arrow Video’s new UK-only release of Jonathan Demme’s The Silence of the Lambs (1991) in 4K Ultra HD, which corrects the color space issues that plagued the Kino Lorber Studio Classics 4K disc from 2021.

More reviews are forthcoming tomorrow, so be sure to watch for them!

Now then, the big news today is that Franklin J. Schaffner’s Planet of the Apes (1968) has just been upgraded to 4K on all your favorite Digital services, including Apple TV, Fandango at Home, Movies Anywhere, Kaleidescape and more! It actually has Dolby Vision HDR on Apple TV (and it may elsewhere as well). Naturally, we’ve asked about the possibility of a physical 4K release of this film. I suspect there are no current plans, but I also suspect that if the title does well on Digital, that could change. [Read on here...]

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