Displaying items by tag: Mondo Macabro

As promised, we have more new disc reviews for you to enjoy today, including…

My take on Guy Hamilton’s epic Battle of Britain (1969) in 4K Ultra HD from Imprint Films, as well as Sony’s long-awaited US/Region A Blu-ray edition of Apple TV’s excellent For All Mankind: Season Two (2021).

Stephen’s review of Osgood Perkins’s Keeper (2025) in 4K Ultra HD from Neon and Decal, as well as David Schmoeller’s Tourist Trap (1979) on Blu-ray from Umbrella Entertainment.

Dennis and Tim’s tag team look at Blake Edwards’ A Shot in the Dark (1964) in 4K Ultra HD from Kino Lorber Studio Classics, as well as Dennis’ look at Rudolph Maté’s For the First Time (1959) on Blu-ray from MGM via the Warner Archive Collection.

And Stuart’s thoughts on Gordon Parks’ Leadbelly (1978) on Blu-ray from Paramount via Imprint Films, as well as Géza von Radványi’s Maedchen in Uniform (1958) on Blu-ray from Kino Classics.

Watch more for new disc reviews tomorrow!

Also today, we’ve just posted the latest update of our Release Dates & Artwork section featuring all the latest Blu-ray, DVD, and 4K UHD cover art and Amazon pre-order links. As always, whenever you order literally anything from them after clicking through one of our links first, you’re helping to support our work here at The Bits and we really appreciate it!

Now then… there’s not a lot on the way of announcement news today, but we do have a couple of things for you. [Read on here...]

We’ve got three more new disc reviews for all of you to enjoy today, including…

Tim’s thoughts on Jess Franco’s The Castle of Fu Manchu (1969) in 4K Ultra HD from Blue Underground as well as David Schmoeller’s Crawlspace (1986) on Blu-ray from Kino Lorber Studio Classics.

And Stephen’s take on Stephen Sayadian’s Café Flesh (1982) on Blu-ray from Mondo Macabro.

Before we get going today, it looks like we finally know what the next two Steven Spielberg films are that are going to be released in 4K Ultra HD: Multiple retail sources are reporting that both Minority Report (2002) and Catch Me If you Can (2002) are coming to the format before the end of the year from Paramount. Street date for each is TBA, but this isn’t entirely surprising—both films have been recently available Digitally in 4K. As more information comes in, we’ll be sure to let you know.

Speaking of Paramount, their long-delayed 4K Ultra HD Steelbook release of Karyn Kusama’s Æon Flux (2005) is finally set for 10/7.

Also, we have a street date for Christopher McQuarrie’s Mission: Impossible – The Final Reckoning (2025) on Blu-ray, DVD, 4K Ultra HD, and 4K Steelbook. Look for it to arrive on 10/14. [Read on here...]

We’ve got four new disc reviews for you guys to start the new week, including...

Stephen’s look at both the regular 4K Ultra HD and 4K UHD Steelbook versions of Don Siegel’s Dirty Harry (1971) from Malpaso via Warner Bros. Discovery Home Entertainment.

Dennis’ take on Vernon Sewell’s Burke and Hare (1972) on Blu-ray from Kino Lorber Studio Classics.

And Stuart’s thoughts on John Boulting’s I’m All Right Jack (1959), also on Blu-ray from Kino Lorber Studio Classics.

More reviews are forthcoming this week, including the other two Clint Eastwood 4K titles, so be sure to watch for them.

In announcement news today, the big news is that Shout! Factory has just announced the first title in their new Hong Kong Cinema Classics label: The Jet Li Collection, a 10-disc 4K Ultra HD + Blu-ray box set that will include Gordon Chan’s Fist of Legend (1994), Yuen Woo-ping’s Tai Chi Master (1993), Corey Yuen’s Fong Sai Yuk (1993), Fong Sai Yuk II (1993), and The Bodyguard from Beijing (1994)! Look for the box to street on 7/29. [Read on here...]

We’ve got a couple quick updates for you over the long Labor Day weekend here at The Bits...

The big one is that Sony Pictures Home Entertainment has just set David Anspaugh’s Rudy (1993) for release on 4K Ultra HD on 11/11, complete with both the 114-minute Theatrical Cut and a new 127-minute Director’s Cut in 4K, with Dolby Vision HDR and Dolby Atmos audio. Both are fully restored from original camera negative and the process was approved by the director. The 4K disc also includes English 5.1 DTS-HD MA for both versions, plus 2.0 audio for the Theatrical Cut. You also get a new commentary with Anspaugh and screenwriter Angelo Pizzo on the Director’s Cut, 5 additional deleted scenes, and the film’s trailer.

The package will also include the previous Blu-ray that offers 5.1 audio and 3 legacy featurettes (Rudy: The Real Story, Production, and First Down with Sean Astin). It comes in Steelbook packaging. You can see the cover artwork at left and also below the break.

Also today, Mondo Macabro and CAV have set Stephen Sayadian’s Dr. Caligari (1989) for release on 4K Ultra HD on 11/14, featuring both full frame and 1.85 theatrical versions, an isolated music and effects track, audio commentary with the director, and several interview featurettes. Audio will be 2.0 DTS-HD MA. [Read on here...]