Displaying items by tag: Kino Lorber Studio Classics

All right, we’re starting things off this week with more new disc reviews. Four of them, in fact...

Tim has posted his thoughts on Billy Wilder’s The Lost Weekend (1945) on Blu-ray from Kino Lorber Studio Classics, as well as Michel Lemoine’s Seven Women for Satan (1975) on Blu-ray from Mondo Macabro, and John Guillermin’s 1976 remake of King Kong, a Paramount title on Region B-locked Blu-ray from our friends down at Umbrella Entertainment.

And Dennis has turned in his thoughts on The Buster Keaton Collection: Volume 4 on Blu-ray from the Cohen Film Collection, an excellent release that includes Go West (1925) and College (1923).

All of the above are worth a look if you’re interested. And we’ve got more reviews on the way all week, so be sure to watch for them. [Read on here...]

We’re starting things off today with two more new Blu-ray reviews...

Tim has checked out Luigi Cozzi’s The Black Cat (1989) on BD from Severin Films.

And Dennis has shared his thoughts on Frank Darabont’s Buried Alive (1990) on BD from Kino Lorber Studio Classics. Enjoy!

The big announcement news today is that Paramount Home Entertainment has officially revealed the 4K Ultra HD release of Cecil B. DeMille’s The Ten Commandments (1956), staring Charlton Heston, on 3/30 just as we expected. Per the studio’s press release, the original VistaVision negative was scanned in 6K as part of the 2010 restoration effort and those files were the basis for this new Dolby Vision presentation. “In addition, Paramount spent well over 150 hours doing new color work and clean-up on the scan. The move to Dolby Vision created the opportunity to further improve the look of the film: blacks are enhanced and improvements were made to smooth out special effects mattes to create the most vibrant and pristine image possible. The 4K film presentation contains an introduction by DeMille, an intermission, an overture/exit music card, and an entr’acte card, along with a DTS-HD 5.1 lossless soundtrack.” [Read on here...]

We’ve got three more reviews for you today, plus some industry news. And we’re going to give you a preview of the final home media sales numbers for 2020. But first those reviews...

Tim has posted his thoughts on William Nigh’s The Ape (1940), staring Boris Karloff, and the joint-effort comedy Amazon Women on the Moon (1987) both now available on Blu-ray from Kino Lorber Studio Classics.

Meanwhile, Dennis has offered up his thoughts on Cornel Wilde’s Beach Red (1967), also new on Blu-ray from Kino Lorber Studio Classics.

More reviews are on the way, so be sure to watch for them. [Read on here...]

Evening, folks. We’ve got a quick news update for you here today at the site.

But first, a new disc review: Tim has just posted his thoughts on William Lustig’s Vigilante (1982) on 4K Ultra HD from the good folks at Blue Underground. And it sounds like it’s a pretty terrific release if you like the film, which stars Robert Forster and Fred Williamson. Do check it out.

Also a reminder today: We posted a new History, Legacy & Showmanship column from our own Michael Coate on Friday—a piece that was delayed from the very end of 2020 due to all of the site maintenance we’ve been doing over the past several weeks. This one is a look back at the early 70mm cut of The Empire Strikes Back, featuring a new roundtable discussion with historian and soundtrack producer Mike Matessino along with director Saul Pincus. We think you’ll really enjoy it, so do give that a look here if you missed it.

Now then... there’s not a lot of release news to report today, but we do have a few things worth mentioning. [Read on here...]

Afternoon, folks. We’ve got another new disc review for you today, and some more interesting release news as well.

First up, that review: Tim has taken a look at Henry Levin and Mario Bava’s The Wonders of Aladdin (1961), now available on Blu-ray from Kino Lorber Studio Classics.

In terms of announcement news, Visual Entertainment is releasing Stargate Universe: The Complete Series on Blu-ray Disc on 1/15. This includes all 40 episodes, plus over 2 hours of extras. This, by the way, follows in the wake of the company’s recent release of Stargate SG-1: The Complete Series on Blu-ray. The latter features the early seasons upscaled, while the later seasons were native HD. We believe Stargate Universe was produced in HD, so it should be of fairly good quality. [Read on here...]

Afternoon, folks. And welcome to 2021!

The news in the home video industry is pretty slow this week, as we’d expect given the recent holiday and the still unfolding (and industry-slowing) pandemic.

But we do have a couple new 4K Ultra HD reviews for you all to enjoy this afternoon.

First, Tim has taken a look at Don Coscarelli’s The Beastmaster (1982), as newly-remastered in 4K by our friends over at Vinegar Syndrome. The limited release appears now to be back in stock at the Vinegar Syndrome website, and we expect it to eventually be released in more traditional Amaray packaging on Amazon at some point in the coming months. [Read on here...]

Hey, looks like we do have a little bit of new announcement news for you today...

First up though, we’ve got a quick Amazon Deal of the Day to report: Network’s Monty Python’s Flying Circus: The Complete Series Blu-ray is just $75 for today only on Amazon (42% off). It’s the same 7 discs found the Deluxe Edition (reviewed here on The Bits), just without the books and deluxe packaging. So strike fast if you’re interested. Here’s the Amazon link.

Also today, we have word that FUNimation’s Akira 4K Ultra HD release doesn’t have HDR. The version released in Japan does, but apparently the discs released in the US and the UK do not. FUNimation has now established an exchange program to get a proper 4K with HDR disc sometime in February via the mail. You can find those details here and here (below):

“For those of you who would like to request the 4K HDR version of AKIRA, please send an email to This email address is being protected from spambots. You need JavaScript enabled to view it. (US/CA) or This email address is being protected from spambots. You need JavaScript enabled to view it. (UK/IRE) with “AKIRA 4K” as the subject, and provide your name, mailing address, email address and proof of purchase (receipt or confirmation email and photo of the disc).”

Okay, now for that announcement news: Kino Lorber Studio Classics has just officially set Sergio Leone’s The Good, The Bad and The Ugly for release on 4K Ultra HD and Blu-ray combo on 4/27. You can see the cover artwork above left. [Read on here...]

All right, we’ve got an announcement news update for you here at The Bits this afternoon...

First up today, Kino Lorber Studio Classics has officially set their long-awaited Spaceballs (1987) 4K Ultra HD for release on 4/12. The 4K disc will include Dolby Vision HDR and audio commentary by Mel Brooks. Audio will be includes in 5.1 and 2.0 (format TBA) with optional English subs. You’ll also get the film on Blu-ray, which will include lots of additional legacy extras. You can see the 4K art at left. We’ve updated our 4K Ultra HD Release List here at The Bits accordingly.

The company also has a nice March slate of catalog Blu-ray titles, which is expected to include Sidney Lanfield’s My Favorite Blonde (1942), David Butler’s Caught in the Draft (1941), and Elliott Nugent’s Nothing But the Truth (1941) on 3/2 (all Bob Hope films), followed by Don Jones’ The Forest (1982, for Code Red), Sam Peckinpah’s Bring Me the Head of Alfredo Garcia (1974), Robert Aldrich’s The Choirboys (1977), and Richard Fleischer’s The Don is Dead (1973) on 3/9, Jim O’Connoly’s Tower of Evil (1972, for Scorpion Releasing), Andy Anderson’s Positive I.D. (1986), Francis Megahy’s Taffin (1988), Andrei Konchalovsky’s Runaway Train (1985), and Marty Feldman’s The Last Remake of Beau Geste (1977) and In God We Trust (1980) on 3/16, Don Jones’ Schoolgirls in Chains (1973, for Code Red), Frank Perry’s Doc (1971), George Seaton’s Showdown (1973), Henry Hathaway’s Shoot Out (1971), and Richard Fleischer’s Crossed Swords (1977, aka The Prince and the Pauper) on 3/23, and Otto Preminger’s Rosebud (1975), Andrew Bergman’s Isn’t She Great (2000), Édouard Molinaro’s A Pain in the Ass (1973), and Ang Lee’s Lust, Caution (2007) on 3/30. [Read on here...]

Afternoon, folks!

All right, there was no post yesterday because we’ve spent the entire weekend focused on getting more new disc reviews done for you. And on that note...

Tim and I have posted our in-depth look at George A. Romero’s Dawn of the Dead, as newly released in a fabulous 4K Ultra HD Limited Edition by Second Sight Films in the UK. It’s hands down one of the best home video releases of the year on any format. You can find that here.

Also, I’ve now posted my thoughts on Paramount’s Beverly Hills Cop and Coming to America, both starring Eddie Murphy and both coming to 4K Ultra HD on 12/1.

I’ve also just reviewed Kino Lorber Studio Classics’ new standard Blu-ray release of George Miller’s Mad Max, which streets today. I’ll be reviewing their new 4K release too as soon as it arrives. [Read on here...]

All right, review work is continuing here at The Bits and we should have a few new ones up soon. And in the interest of getting back to that, today’s post will be brief.

But Tim has posted his thoughts on Clint Eastwood’s High Plains Drifter (1973) on Blu-ray from Kino Lorber Studio Classics, not to mention Michele Massimo Tarantini’s Massacre in Dinosaur Valley (1985) also on Blu-ray from Severin Films.

And Dennis has turned in his thoughts on Phil Joanou’s The Veil (2016) on Blu-ray from Kino Lorber Studio Classics as well.

Now then... in announcement news today, Paramount has announced that Melvin Frank and Norman Panama’s 1955 musical-comedy The Court Jester will arrive on Blu-ray on 1/26/2021 as part of the studio’s Paramount Presents line of releases. [Read on here...]