Displaying items by tag: The Final Countdown 4K

All right, sorry for the lack of an update over the last couple of days. We’ve been very busy here at the site, working on reviews, preparing for some big upcoming reviews, and finishing a few more site upgrades. But the major reason is that there’s a ton of breaking and evolving release news to cover, and getting to the bottom of it all—collating all the details, checking in with sources, confirming key pieces of release information—takes a huge amount of time. But I’m always up for a challenge.

Before we get to that, however, let’s share those disc reviews we’ve been working on over the past few days...

First up, I’ve posted my thoughts on John Milius’ Red Dawn (1984) from Shout! Factory and also Colin Trevorrow’s Jurassic World: Dominion (2022) from Universal, both in 4K Ultra HD.

Tim has delivered a look at Joel Schumacher’s Flatliners (1990) in 4K UHD from Arrow Video, as well as John Carpenter’s Escape from New York (1981) in 4K from Scream Factory.

Dennis has reviewed a number of regular Blu-ray titles in the last few days, including Lon Chaney: Before the Thousand Faces – Volume 2 from Undercrank Productions, Josh and Benny Safdie’s Daddy Longlegs (2009) from Criterion, and Jack Gold’s The Tenth Man (1988) and Ken Hughes’s The Trials of Oscar Wilde (1960) from Kino Lorber Studio Classics.

And finally, Stephen has delivered in-depth looks at Paul W.S. Anderson’s Event Horizon (1997)—a Steelbook release that’s getting hard to find here in the States—and Jeff Fowler’s Sonic the Hedgehog 2 (2022) both in 4K Ultra HD from Paramount, along with Michael Findlay’s Shriek of the Mutilated (1974) on Blu-ray from American Films via Vinegar Syndrome.

As always more disc reviews are on the way in the coming days. [Read on here...]

We have some good breaking release news to cover today here at The Bits. First though, we’ve got more new disc reviews for you...

Tim has given Clint Eastwood’s Play Misty for Me (1971) a look, as recently released on Blu-ray by Kino Lorber Studio Classics.

And I’ve just posted my thoughts on Andrew Niccol’s neo-noir, science fiction classic GATTACA (1997), which is coming next week on 4K Ultra HD from Sony Pictures Home Entertainment. The film looks and sounds every bit as good as you’d hope, so don’t miss it.

Now then, the big news today is that Disney has officially confirmed the much-anticipated 4K Ultra HD release of director Jan de Bont’s Speed (1994) on 5/4. Mastered from a recent 4K scan, the disc will include a new Dolby Atmos sound mix along with high dynamic range in HDR10 format. [Editor’s Note: Disney’s press materials now suggest that only the Digital 4K will have Atmos. We’ve asked the studio for official confirmation and will post an update here when we hear back.]

Perhaps most interestingly, it appears that at least some of the extras from Fox’s 2002 Five Star Collection DVD are being carried over—many of these were omitted from the previous Fox Blu-ray release. [Read on here...]

We’re starting today with a pair of new Blu-ray Disc reviews here at The Bits, including...

My own look at Ric Roman Waugh’s Greenland on Blu-ray, a great new disaster epic starring Gerard Butler from Universal and STX Films which should really be released on physical 4K Ultra HD.

And Dennis’ look at The Court Jester (1955), new on Paramount Presents Blu-ray from our friends at Paramount Pictures Home Entertainment.

Now then... the big news today is that Shout! Factory and Scream have announced a great slate of catalog Blu-ray titles for release in May, including a King Kong (1976): Collector’s Edition, The Final Stand (2020), The Legend of Hei (with GKids), and All About the Benjamins: Shout Select on 5/11, Wildcats: Shout Select, The Nest, He Knows You’re Alone, and Eyes of a Stranger on 5/18, and The Hand, Explorers: Collector’s Edition – Shout Select, and City Slickers II: The Legend of Curley’s Gold: Shout Select on 5/25. [Read on here...]

All right, sorry for the late post today. It’s been a little nuts here at The Bits home office this afternoon.

In any case, Dennis has a new review for you. He’s checked out Alan J. Pakula’s The Parallax View (1974) on Blu-ray from our friends at the Criterion Collection. You’ll find that here.

In announcement news today, Warner Bros. Home Entertainment and DC have set the animated Justice Society: World War II for release on Blu-ray and 4K Ultra HD on 5/11, with the Digital release expected on 4/27 (SRP $29.98 and $39.99). Extras will include the DC Showcase – Kamandi: The Last Boy on Earth! animated short, the Adventures in Storytelling – Justice Society: World War II featurette, a sneak peek of the next DCU film (Batman: The Long Halloween, Part One), two Look Back featurettes (Justice League vs. Teen Titans and Wonder Woman: Bloodlines), and two episodes From the DC Vault (Justice League: Legends, Part One and Justice League: Legends, Part Two). [Read on here...]

All right, we’re starting things off this week with more new disc reviews. Four of them, in fact...

Tim has posted his thoughts on Billy Wilder’s The Lost Weekend (1945) on Blu-ray from Kino Lorber Studio Classics, as well as Michel Lemoine’s Seven Women for Satan (1975) on Blu-ray from Mondo Macabro, and John Guillermin’s 1976 remake of King Kong, a Paramount title on Region B-locked Blu-ray from our friends down at Umbrella Entertainment.

And Dennis has turned in his thoughts on The Buster Keaton Collection: Volume 4 on Blu-ray from the Cohen Film Collection, an excellent release that includes Go West (1925) and College (1923).

All of the above are worth a look if you’re interested. And we’ve got more reviews on the way all week, so be sure to watch for them. [Read on here...]

All right Bits readers, we’ve got a pretty significant news update for you today...

We’ve been tracking many of these titles, but a few of the 4K catalog titles we’re going to talk about today are breaking news, thanks to our old friends over at Media Play News.

They’ve just issued the September 2020 Digital edition of their magazine, which features an extensive look at the recent surge of 4K Ultra HD catalog releases. The publication’s editor, Stephanie Prange (who, full disclosure, I’ve known for many years), wrote a great longform piece for the issue called 4K Ultra HD: Into the Vaults about the process of preparing classic catalog films for release on the format.

Not only is it informative (and I should note that I was among the people interviewed therein), it includes some great news about forthcoming titles. [Read on here...]