Displaying items by tag: Imprint Films

All right, here are today’s new disc reviews...

Dennis has taken a look at Joel Schumacher’s 8MM (1999) on Blu-ray from Imprint Films.

Stuart has offered his take on Roberto Gavaldón’s Untouched (1954) on Blu-ray on Powerhouse Films’ Indicator label.

Tim has taken a look at Marcus Nispel’s remake of Friday the 13th (2009) in 4K Ultra HD from Arrow Video. He’s also turned in a review of Lucio Fulci’s Lizard in a Woman’s Skin (1971) on Blu-ray from Umbrella Entertainment.

And last, but certainly not least, Stephen has taken a deep dive into Toho’s Godzilla store-exclusive version of Takashi Yamazaki’s Godzilla Minus One (2023) in 4K Ultra HD!

Also here at The Bits today, we have a brand new update of our Release Dates & Artwork section, which is a convenient way to see all of the new Blu-ray, DVD, and 4K Ultra HD titles that street each week. You can see the cover art, and sort by date and format. And you can click on each of the titles to pre-order them on Amazon.

On that note, I wanted to take a moment to share a challenge we’ve been having of late, which is that our Amazon Affiliate revenue has been declining. For a long time now—for over a decade—our Affiliate revenue has been a big part of helping us to keep The Digital Bits going—to help us cover our server and operating costs. It’s how we’ve been able to keep The Bits free for everyone to read for over 27 years now. In recent months, however, that revenue has begun to decline. We understand that Amazon may not always be the cheapest option these days. So for those of you who still support The Bits by shopping with them through links (in the daily news column, in our disc reviews, in the 4K Ultra HD Release List, and in the Release Dates & Artwork section), we really appreciate it very much! [Read on here...]

All right, here’s today’s new disc reviews for all of you to enjoy...

Stephen has taken a look at Aleksandr Ptushko’s Ruslan and Ludmila (1972) on Blu-ray from Mosfilm via Deaf Crocodile and Vinegar Syndrome.

Dennis has reviewed William C. Reilly’s Men of Respect (1990) on Blu-ray from Columbia Pictures via Imprint Films.

And Tim has checked in with his thoughts on Nancy Walker’s Can’t Stop the Music (1980) in 4K Ultra HD from EMI via Kino Lorber Studio Classics!

Now then, we have a bunch of great announcement news for you today, so let’s get right into it...

For starters, Criterion has just announced their December release slate, which is set to include Wim Wenders’ Paris, Texas (1984) (Spine #501 – 4K + Blu-ray and Blu-ray) on 12/3, Joel and Ethan Coen’s No Country for Old Men (2007) (Spine #1243 – 4K + Blu-ray and Blu-ray) and Federico Fellini’s 8½ (1963) (Spine #140 – 4K + Blu-ray) on 12/10, and Sammo Hung’s Eastern Condors (1987) (Spine #1244 on Blu-ray) on 12/17! Paris, Texas and No Country for Old Men will both include Dolby Vision HDR. No Country for Old Men is a Miramax title currently controlled by Paramount, so this is a licensing situation (and a welcome one). More details are available here, and you can see the cover artwork for all of these below the break. [Read on here...]

We’ve got several new disc reviews for all of you to enjoy today, including...

Tim’s thoughts on the new Bill & Ted’s Most Triumphant Trilogy in 4K Ultra HD from Shout! Studios, which includes Stephen Herek’s Bill & Ted’s Excellent Adventure (1989), Peter Hewitt’s Bill & Ted’s Bogus Journey (1991), and Dean Parisot’s Bill & Ted Face the Music (2020). Tim has also taken a look at Enzo G. Castellari’s High Crime (1973) in 4K UHD from Blue Underground.

Dennis’ thoughts on George McCowan’s Frogs (1972) on Blu-ray from Kino Lorber Studio Classics.

Stephen’s take on Howard Hawks’ Red Line 7000 (1965) on Blu-ray from Arrow Video.

And finally, Stuart’s look at Imprint Films’ Film Focus: Kim Novak Blu-ray box set, which includes Pal Joey (1957), Jeanne Eagles (1957), and Middle of the Night (1959).

We’ve also shared our weekly update of the Release Dates & Artwork section here at The Bits with all the latest Blu-ray, DVD, and 4K Ultra HD cover artwork and pre-order links, all organized (and sortable) by date and format, and complete with our Amazon Affiliate links. As always, whenever you order literally anything from Amazon after clicking to them through one of our links, you’re helping to support our work here at The Bits and we appreciate it!

In announcement news today, we’ve confirmed that Warner’s previously-revealed 4K and 4K Steelbook editions of Alfred Hitchcock’s North by Northwest (1959), Mel Brooks’ Blazing Saddles (1974), and James Cameron’s The Terminator (1984) will all officially street on 11/5. We also have the final cover artwork for the wide-release 4K of The Terminator, which I suspect was delayed by the need for James Cameron approval (and the fact that he has finally approved it is why we now have a street date). You can see the final cover artwork for all of these titles below the break, with Amazon.com pre-order links. [Read on here...]

We’re finishing up the week with a pair of additional disc reviews here, including...

Stephen’s look at John Krasinski’s If (2024) in 4K Ultra HD from Paramount.

And Stuart’s thoughts on Vittorio De Seta’s Bandits of Orgosolo (1960) on Blu-ray from Radiance Films.

As always, more reviews are on the way, so be sure to watch for them.

We’ve also just finished a massive update of our 4K Ultra HD Release List here at The Bits as promised to include everything announced for the format in the last few weeks, with A/V details (if known) and Amazon.com pre-order links (if available). We’ve also included some rumored titles from our industry sources and there are a few surprises in there, so you’ll definitely want to give it a look!

And we’ve got a few more new disc announcements for you here today, starting with Imprint’s revelation that they’re releasing Wolfgang Petersen’s The NeverEnding Story (1984) on 4K Ultra HD on 11/27, the final of four catalog 4Ks the company is releasing that month! The release is timed to celebrate the film’s 40th anniversary. This will be a 5-disc set that includes the original US Theatrical Cut and the German Extended Cut on separate 4K Ultra HD discs, the former with Dolby Vision HDR and the latter with HDR10. Both cuts will also be included on separate Blu-rays, and you’ll get an additional Blu-ray that features Lisa Downs’ all-new Life After NeverEnding Story feature-length documentary. [Read on here...]

We start as always today with several new disc reviews, including…

Sam Cohen’s take on Poul Bang and Sidney W. Pink’s Reptilicus (1961) in 4K Ultra HD from Vinegar Syndrome.

Stuart’s look at Something Weird Video and Kino Classic’s double-feature Blu-ray of The Pace that Kills (1928) and its “talkie” remake The Cocaine Fiends (1935).

Dennis’ reviews of Clarence Brown’s Idiot’s Delight (1939) on Blu-ray from the Warner Archive Collection and Chad Ferrin’s Night Caller (2021) on Blu-ray from Vinegar Syndrome.

Stephen’s thoughts on Guy Ritchie’s The Man from U.N.C.L.E. (2015) in 4K Ultra HD from Arrow Video.

And last but definitely not least, Tim’s review of Arrow Video’s new UK-only release of Jonathan Demme’s The Silence of the Lambs (1991) in 4K Ultra HD, which corrects the color space issues that plagued the Kino Lorber Studio Classics 4K disc from 2021.

More reviews are forthcoming tomorrow, so be sure to watch for them!

Now then, the big news today is that Franklin J. Schaffner’s Planet of the Apes (1968) has just been upgraded to 4K on all your favorite Digital services, including Apple TV, Fandango at Home, Movies Anywhere, Kaleidescape and more! It actually has Dolby Vision HDR on Apple TV (and it may elsewhere as well). Naturally, we’ve asked about the possibility of a physical 4K release of this film. I suspect there are no current plans, but I also suspect that if the title does well on Digital, that could change. [Read on here...]

We’re starting Tuesday off here at The Bits with three new disc reviews for all of you to enjoy, including...

Dennis’ look at Arkasha Stevenson’s The First Omen (2024) on Blu-ray from 20th Century Studios.

Stuart’s thoughts on Teruo Ishii’s Prison Walls: Abashiri Prison I-III (1965) on Blu-ray from Eureka Entertainment.

And Stephen’s take on Don Seigel’s original sci-fi classic Invasion of the Body Snatchers (1956) in 4K Ultra HD from Kino Lorber Studio Classics.

In announcement news today, Kino Lorber Studio Classics has revealed a few more great new catalog releases, including Sidney Lumet’s Garbo Talks (1984) and Claude Autant-Lara’s Enough Rope (1963) on Blu-ray on 10/15, followed by William Friedkin’s Rules of Engagement (2000) and Peter Collinson’s Fright (1971) on 4K Ultra HD, as well as Carlo Carlei’s Fluke (1995) and Andre Gower’s Wolfman’s Got Nards (2018) on Blu-ray on 10/22. And coming soon to 4K Ultra HD from the company is Roy Ward Baker’s Scars of Dracula (1970), while coming soon to Blu-ray is the Film Noir: The Dark Side of Cinema XXV box set which features John H. Auer’s The Flame (1947), City That Never Sleeps (1953), and Hell’s Half Acre (1954). [Read on here...]

We’re starting today with a bunch of new and recent disc reviews here at The Bits, including...

Stephen’s look at Michael Mann’s Collateral (2004) in a new 4K Steelbook from Paramount, The Flash: The Original Series (1990) on Blu-ray from the Warner Archive Collection, and Bosco Lam and Kin-Nam Cho’s A Chinese Torture Chamber Story 1 & 2 (1994 & 1998) on Blu-ray from Vinegar Syndrome.

Tim’s thoughts on Park Chan-wook’s JSA: Joint Security Area (2000) in 4K Ultra HD from Umbrella Entertainment.

Dennis’ take on Philip Kaufman’s Twisted (2004) on Blu-ray from Paramount via Kino Lorber Studio Classics.

And finally, Stuart’s reviews of George King’s Tomorrow We Live (1943) and Barbet Schroeder’s Single White Female (1992) on Blu-ray from Powerhouse Films’ Indicator label.

Speaking of Indicator, they’ve just unveiled their November slate, which includes a UK-only box set called Pryor & Wilder that features Sidney Poitier’s Stir Crazy (1980), Arthur Hiller’s See No Evil, Hear No Evil (1989), and Maurice Phillips’ Another You (1991) on Blu-ray. Look for that on 18 November. In the US, Indicator will release Frank Launder and Sidney Gilliat’s Left Right and Centre (1959), Ken Loach’s Family Life (1971), and John Krish’s The Man Who Had Power Over Women (1970) all on Blu-ray on 11/19. [Read on here...]

All right, Bits readers, today is a tough one news-wise, and it has little to do with specific title release news or announcements.

We’ve learned from multiple sources now that the 15% US workforce cuts at Paramount Global—a restructuring that’s happening in advance of the company’s merger with Skydance Media to reduce annual costs by some $500 million—have landed very heavily on the Melrose lot. As reported widely last week, the layoffs amount to about 2,000 people, with most expected to be gone by the end of next month and the rest by year’s end.

Current co-CEOs George Cheeks, Brian Robbins, and Chris McCarthy have described the layoffs thusly in a memo to the workforce: “As we continue to advance our plan, we announced on our earnings call last week that we will be reducing our US-based workforce by approximately 15%, focusing on redundant functions and streamlining corporate teams.”

The expectation was that every division would be impacted. As reported last week, Paramount Television Studios has been shuttered completely. What’s not been reported widely yet is the impact on overall studio operations.

The Digital Bits sources indicate that nearly every department has been affected—in a few cases severely—from marketing, legal, and accounting, to production, post-production, finance, mastering, vault and library services, and unfortunately also Paramount Home Entertainment. The cuts are reportedly not so deep as to result in a complete loss of institutional knowledge, but they’re more than deep enough to result in major workflow disruptions. [Read on here...]

We’ve got a good bit of ground to cover here at The Bits today, so let’s start as always with new disc reviews...

Now available here are Stephen’s take on Francis Ford Coppola’s The Conversation (1974) in 4K Ultra HD from StudioCanal, David Allen’s The Primevals (2023) as released on Blu-ray by Umbrella Entertainment, and the Blu-ray Audio version of Jonathan Demme and Talking Heads’ Stop Making Sense (1984) live album, which includes Dolby Atmos.

Stuart’s look at the Philo Vance Collection on Blu-ray from Kino Lorber Studio Classics—which includes The Canary Murder Case (1929), The Greene Murder Case (1929), and The Benson Murder Case (1930)—as well as George King’s The Shop at Sly Corner (1947) and the Columbia Film Noir #6: The Whistler box set—which includes The Whistler (1944), The Mark of the Whistler (1944), The Power of the Whistler (1945), Voice of the Whistler (1945), Mysterious Intruder (1946), The Secret of the Whistler (1946), The Thirteenth Hour (1947), and The Return of the Whistler (1948)—both on Blu-ray from Indicator.

Dennis’ thoughts on Basil Dearden’s The Man Who Haunted Himself (1970) on Blu-ray from Imprint and Welcome Back, Kotter: The Complete Series (1975-1979) on DVD from Warner Bros. Discovery Home Entertainment.

And finally, Tim has taken a look at Arch Oboler’s Bwana Devil (1952) on Blu-ray 3D from Kino Lorber Studio Classics with the help of the 3-D Film Archive.

More reviews are forthcoming, so stay tuned!

Now then, before we get to the big release news today, I wanted to alert you all to the fact that we’ve just posted a big update to our Cover Art section here at The Bits, aka the Release Dates & Artwork section (thanks to our own Russell Hammond)! It now features TONS of new Blu-ray, DVD, and 4K Ultra HD cover art, all with Amazon.com pre-order links. You can browse and sort the titles by street date and format, and of course The Bits is an Amazon Affiliate, so anytime you click through one of our Amazon links and order literally anything from them, you’re helping to support our work and we really do appreciate it. It makes a real difference for us. [Read on here...]

We have two more new disc reviews to share with you today here on The Bits, with more on the way...

Tim has reviewed Walter Colmes’ Woman Who Came Back (1945) on Blu-ray from Imprint Films.

And Stephen has offered his thoughts on Tai Katô’s Eighteen Years in Prison (1967) on Blu-ray from Toei via Radiance Films.

Now then, the big news today is that Warner Bros. Discovery Home Entertainment has apparently conducted another of its “A-List” Community surveys asking which of its many catalog titles fans would like to see the studio release in 4K Ultra HD. And of course, as happens every time, the details of that list got leaked immediately online and so it becomes something we have an obligation to report on here at The Bits. In any case, dozens of people have shared the information either privately or widely online. Because of course they’re going to—they’re enthusiasts.

Having said that, it’s probably unreasonable to assume that the studio will get around to every one of these titles any time soon, but if more of them start being released in 4K UHD, that would certainly represent a big improvement in the studio’s 4K catalog release strategy to date. So which titles were on this list? [Read on here...]