We’ve got a bunch of good stuff for you today here at The Bits so let’s get right to it...
First up, Tim has just posted his review of Tibor Takacs’ The Gate from Lionsgate, part of their new Vestron Video Collector’s Series. The disc is now available in stores.
Meanwhile, Michael Coate has chimed in with a new History, Legacy & Showmanship column, celebrating today’s 40th anniversary of the hit ABC sitcom Three’s Company. It features an interview with author and series authority Chris Mann. Do give it a look. [Read on here…]
[Editor’s Note: Be sure to follow us on Twitter @thedigitalbits @BillHuntBits and on Facebook here and here. And you can help support The Bits by pre-ordering Blu-rays and other items from Amazon through this link.]
The big news today here at The Bits is that Criterion has just announced their June Blu-ray and DVD release slate and it’s got some real gems. Look for Michelangelo Antonioni’s Le amiche (1955 – Cat# 817 – Blu-ray and DVD) on 6/7, Jean Renoir’s La Chienne (1931 – Cat# 818 – Blu-ray and DVD) and Alexander Hall’s Here Comes Mr. Jordan (1941 – Cat# 819 – Blu-ray and DVD) on 6/14, René Laloux’s animated Fantastic Planet (1973 – Cat# 820 – Blu-ray and DVD) on 6/21, and Olivier Assayas’ Clouds of Sils Maria (2014 – Cat# 822 – Blu-ray and DVD) and Stanley Kubrick’s Dr. Strangelove, or: How I Learned to Stop Worrying and Love the Bomb (1964 – Cat# 821 – Blu-ray and DVD) on 6/28. [Read on here…]
[Editor’s Note: Be sure to like TheDigitalBits.com page on Facebook for breaking news, site updates on the go, discussion with our staff and other readers, giveaways and more!]
All right, sorry for the lack of a news post yesterday, but I’ve been wrapped up in Blu-ray review work. Some big titles are coming out over the next few weeks and a number of them are well worth diving into.
Speaking of which, though it took all day yesterday to go through everything, I’ve posted my in-depth review of Christopher Nolan’s Interstellar on Blu-ray from Paramount. The disc streets on 3/31. For those of you who experienced problems (in theaters) with the sound mix making lots of the dialogue unintelligible amid the sound effects and music, I can report that’s much less of a problem here. The mix is still pushed toward the low end, and there are still one or two lines where you have to listen more closely than normal, but this does seem to be a deliberate artistic choice. Still, I can attest that this is a much better audio experience than the one I had at the Cinerama Dome in Hollywood. And the extras are pretty terrific. Do check it out. [Read on here…]