Displaying items by tag: Bluray

The big release news today, of course, is that Warner Bros. Discovery Home Entertainment has announced the Blu-ray, DVD, and 4K Ultra HD release of Greta Gerwig’s Barbie on 10/17. The Digital version is already available. Now the highest-grossing film in Warner Bros’ 100-year history (per the studio’s own press release), the 4K will include HDR10 high dynamic range, along with English Dolby Atmos audio (the Blu-ray will include Atmos as well). Both discs will also offer six behind-the-scenes featurettes (including Welcome to Barbie Land, Becoming Barbie, Playing Dress-Up, Musical Make-Believe, All-Star Barbie Party, and It’s a Weird World). You can see the cover artwork at left and also below.

Warner Bros. has also officially set The Nun II for Blu-ray, DVD, and 4K Ultra HD release on 11/14, with the Digital version set to become available for purchase today (10/3). Extras will include two featurettes (Demons in Paradise and Handcrafter Nightmares). Audio on both the Blu-ray SKUs will be Dolby Atmos.

And in international release news, our friends at Turbine Medien GmbH in Germany have just set Chris McKay’s Renfield for release on 4K Ultra HD Steelbook in December. [Read on here...]

Boy, we’ve got a lot of ground to cover here at The Bits over the next few days! It’s been very busy here around the office these past several days. For one thing, my wife and I have had family staying with us for the weekend. I’ve also finally replaced my defunct Epson 5040UB home theater projector here at The Bits with a brand new JVC DLA-RS1100/NP5, and have spent time installing and calibrating it. (I’ll definitely have more to say about that later this week, though I’ll just note for now that I’m very pleased with the choice.)

But I would like to take this opportunity to thank my good friends John Schuermann (of The Screening Room AV, the fantastic home theater design and equipment retailer well known for their annual Projector Shootouts) and Kris Deering (the outstanding ISF calibrator, formerly of Sound and Vision magazine as well as his own Deep Dive AV) for their help and advice in selecting the RS1100 and getting it up and running. (Your counsel is very much appreciated, my friends!) If you’re ever in the market for home theater hardware or calibration, there’s no better place to start.

Needless to say, while I’ve been occupied with all that, our dedicated team here at The Bits has posted a number of great new disc reviews. So let’s quickly run them all down...

First of all, Stuart has offered his thoughts on Anthony Mann’s A Dandy in Sapic (1968) and Abraham Polonsky’s Force of Evil (1948) on Blu-ray from Kino Lorber Studio Classics, as well as Suzanna Raes’ documentary Close to Vermeer (2023) on DVD from Kino Lorber.

Dennis has shared his thoughts on Peter Hall’s Three Into Two Won’t Go (1969) on Blu-ray from Kino Lorber Studio Classics, as well as Luis Valdez’s La Bamba (1987) on Blu-ray from The Criterion Collection.

Stephen has delivered his reviews of Jean Renoir’s legendary classic The Rules of the Game (1939) in 4K Ultra HD from Criterion, along with Jiří Barta’s The Pied Piper (1986) on Blu-ray from Deaf Crocodile (via Vinegar Syndrome), and Ulli Lommel’s The Boogey Man (1980) in 4K UHD from Vinegar Syndrome.

And finally, our hard-working reviews editor Tim Salmons has posted his own take on David Lynch’s Lost Highway (1997) in 4K Ultra HD, also from Criterion.

As always, more new disc reviews are forthcoming all week, so be sure to check back for them.

All right… now let’s move on to the latest release news. And there’s quite a lot of it today. In fact, it’s fair to say that it’s going to be a very expensive Q4 for fans of Blu-ray and 4K Ultra HD! [Read on here...]

Morning Bits-ers. We’ve got a quick early post today with some news relevant to James Cameron’s The Abyss.

At a special event last night in LA, Cameron screened a 2K DCP (sourced from the new 4K remaster) of The Abyss: Special Edition as part of the annual Beyond Fest film festival. Word from people who attended was that it looked fantastic.

At the end of the screening, Cameron participated in a Q&A with the audience.

Knowing that this would be happening—and that someone would almost certainly ask about the 4K Ultra HD and Blu-ray release—I put out a call on social media yesterday for any readers who might be attending to record the relevant portion of the Q&A for all to see.

And I’m pleased to say that Bits reader Chuck Pennington did just that and has posted it on YouTube. (Thank you, Chuck!) You’ll find it below the break… [Read on here...]

All right, today’s update is going to be brief, because of a couple factors. First, I’m talking with a number of sources about some forthcoming and exciting 4K Ultra HD catalog titles, which I’ll talk about here when I can. Second, I’m dealing with replacing my recently defunct Epson 5040ub projector. And more on that soon as well.

In the meantime, we have some very exciting 4K Ultra HD news today that I know a lot of you will be pleased about. And of course, we have more new disc reviews for you as well. So let’s start with those first...

Stephen has posted his thoughts on Warner’s long-awaited 4K Ultra HD release of Eric Radomski and Bruce W. Timm’s animated Batman: Mask of the Phantasm (1993)! And it appears the title has been worth the wait.

Stuart has also weighed in with a look at Robert Mulligan’s The Spiral Road (1962) on Blu-ray from Imprint Films and Via Vision Entertainment.

Dennis has offered his two cents on Jacques Tourneur’s Wichita (1955) on Blu-ray from the Warner Archive Collection, as well as Charlotte Le Bon’s Falcon Lake (2022) on Blu-ray from Vinegar Syndrome.

And last but not least, Tim has shared a review of Luca Bercovici’s Ghoulies (1985) in 4K Ultra HD from the MVD Rewind Collection, as well as Ray Kellogg’s The Giant Gila Monster (1959) and The Killer Shrews (1959) in a new double-feature Blu-ray release from Film Masters.

More disc reviews are forthcoming, so be sure to stay tuned for them. Now then, let’s get to the big release news... [Read on here...]

We’re starting the new week with a trio of disc reviews...

First up, I’ve posted my look at Dan Trachtenberg’s Prey (2022), which streets in long-awaited 4K Ultra HD on 10/3 from 20th Century Studios and Buena Vista Home Entertainment. And I’m pleased to say that the disc does not disappoint in terms of A/V quality.

Also today, Stuart has offered his thoughts on Compton Bennett and Andrew Marton’s King Solomon’s Mines (1950), as recently released on Blu-ray by The Warner Archive Collection.

And Tim has turned in his take on Ryan Meade’s Tom Sullivan documentary Invaluable: The True Story of an Epic Artist (2014) on Blu-ray from Synapse Films.

In terms of announcement news today, Sony Pictures Home Entertainment has just announced a new Resident Evil: 6-Movie Collection 4K Ultra HD in Steelbook packaging. That’s due on 11/21. The set includes all 6 films in both Blu-ray and 4K, and all of the 4Ks will feature Dolby Vision HDR and Dolby Atmos audio, plus the previous 5.1 mixes. You can see the cover artwork at left. [Read on here...]

Greeting, Bits-ers! Sorry I’ve been a little MIA here this week. I’ve had a couple unexpected things happening here over the last few days, not the least of which is that my longtime workhorse home theater projector—an Epson 5040UB—decided to die unexpectedly. It appears to be a problem with the mainboard, so I find myself in the position of either having to repair it (which I’m currently investigating) or replacing it (which I’m also researching). If I go with the latter option, it will almost certainly be one of the new JVC models, which I’ve been hearing raves about for a while now. But of course, given the challenges and expenses of running a website in the 21st century—especially at a time when everyone else seems to be publishing everything they do on the wildly passive-aggressive, unvetted information vortex that is social media—suffice it to say that equipment failure was not on my 2022 budgetary Bingo card.

In any case, while I deal with that, I’ve just gotten not only Prey 4K and Loki: The Complete First Season 4K for review, and I’ve already launched into work on a review of the former using my flat panel. So look for that to be posted very soon.

Also today, our very own Stuart Galbraith IV has just chimed in with a review of Imprint’s excellent new Film Focus: Gene Hackman box set, which includes I Never Sang for My Father (1970), Bite the Bullet (1975), March or Die (1977), and The Domino Principle (1977) all on Blu-ray. Enjoy! [Read on here...]

We’ve got a bunch of great title announcement news and “revels” to report today, so let’s get right to it...

First up, our friends at Kino Lorber Studio Classics have just revealed on their social media that they’re working on a new 4K Ultra HD release of Fred Dekker’s The Monster Squad (1987)! And we have street date: Look for it to arrive on 11/28, complete with a new 4K scan of the original camera negative with Dolby Vision HDR on a UHD-100 disc. The 3-disc set will also include the film remastered in 1080p HD on Blu-ray (which will also be available separately) and you’ll get a bonus disc with the Wolfman’s Got Nards (2018) documentary. Plus the set will include a ton of legacy special features. You can see the 4K cover artwork at left.

Sony Pictures Home Entertainment has also just revealed the Region A/US Blu-ray release of Ron Moore and Apple TV+’s fantastic alternate/near future science fiction series For All Mankind: Season One. Look for that to street on 11/14. Unfortunately, no 4K Ultra HD release is currently planned. Also, the cover artwork leaves a lot to be desired; it’s identical to the key art used on Dazzler’s UK release (which we reviewed here) but it shares nothing in common with the show’s actual logo or promotional artwork, causing a number of fans we’ve heard from to say it looks like a bootleg. In any case, it’s a great series—one of my favorites actually, along with Apple TV’s Foundation—and it’s great to finally have a legit US Blu-ray option. You can see the cover (with the Amazon pre-order link) below the break.

Sony has also just set FX’s Justified: City Primeval – Season One for release on Blu-ray and DVD on 11/14. And we’ve got that cover artwork for you below as well. [Read on here...]

Welcome to the new week, Bits-ers! We’re starting as always today with a trio of new disc reviews for you to check out...

Stuart has offered his thoughts on Andrei Konchalovsky’s Duet for One (1986) on Blu-ray from Kino Lorber Studio Classics.

Dennis has delivered a look at Renato Polselli’s Delirium (1972) on Blu-ray from Vinegar Syndrome.

And Tim rounds things out with his review of George A. Romero’s Creepshow (1982) in 4K Ultra HD from Scream Factory.

We also have several more reviews currently in the works for the next few days, so be sure to keep checking back for them.

The big news this morning is that the Criterion Collection has just unveiled its December slate of titles, including one new 4K Ultra HD release. The slate includes an upgraded version of Allen Baron’s Blast of Silence (1961) (Spine #428 – Blu-ray and DVD) on 12/5, followed by The Red Balloon and Other Stories: Five Films by Albert Lamorisse (1951-1965) (Spine #1200 – Blu-ray and DVD – includes Bim, the Little Donkey, White Mane, The Red Balloon, Stowaway in the Sky, and Circus Angel) and Guillermo del Toro’s Pinocchio (2022) (Spine #1201 – 4K UHD + Blu-ray, Blu-ray, and DVD) on 12/12.

You can see the cover art for Guillermo del Toro’s Pinocchio at left and all three of them below the break. [Read on here...]

All right, we’ve got just a quick batch of announcements to catch up on this morning...

First of all, just as we first reported here at The Bits many weeks ago, Paramount has officially set Christopher McQuarrie’s Mission: Impossible – Dead Reckoning Part One for Blu-ray, DVD, and 4K Ultra HD release on 10/31, with the Digital version due on 10/10. Expect Dolby Vision HDR and Dolby Atmos audio on the 4K.

Extras on the disc will include audio commentary by McQuarrie and editor Eddie Hamilton, plus a Deleted Scenes Montage, and 7 featurettes (Rome, Venice, Freefall, Speed Flying, Train, and Editorial Featurette: The Sevastopol). Look for 2 4K SKUs... a regular Amaray version and a Steelbook version. You can see the cover artwork at left and also below.

Also today, Lionsgate has set Talk to Me for physical media release on 10/3. It appears that there will be multiple versions: 4K + Blu-ray + Digital, Blu-ray + DVD + Digital, Amazon-exclusive 4K + Blu-ray + Digital, and Walmart Blu-ray + DVD + Digital. [Read on here...]

All right, as mentioned earlier, we’ve got more release news to cover today here at The Bits. But first some new disc reviews...

Stephen has checked out Paul Verhoeven’s cult classic Showgirls (1995) on 4K Ultra HD from Vinegar Syndrome, which features the film in 4K UHD and Blu-ray, along with an additional Blu-ray full of special features. Stephen has also reviewed Peter Greenaway’s The Draughtsman’s Contract (1982) on Blu-ray from Zeitgeist Films and Kino Lorber.

Also today, Dennis has offered his thoughts on George Cukor’s Little Women (1955) and Abe Levitow’s animated Gay Purr-ee (1962), both new on Blu-ray from the Warner Archive Collection.

And Stuart has taken a look at the Norwegian legal drama Aber Bergen: Complete Series from MHz Networks and Kino Lorber, as well as Inés Toharia Terán’s Film: The Living Record of Our Memory (2021) documentary from Kino Lorber, both of them on DVD, along with the Warner Archive Collection’s Tintin and the Mystery of the Golden Fleece (1961) and Tintin and the Blue Oranges (1964) double feature Blu-ray.

Now then, speaking of Warner, Warner Bros. Discovery Home Entertainment and DC Studios have announced the Blu-ray, DVD, and 4K Ultra HD release of the Netflix original series The Sandman: The Complete First Season on 11/18, with a Digital release expected on 9/18. Note that a second season of the series is already on the way from Netflix. The set will include all 11 episodes, along with a pair of featurettes (The Sandman: Behind the Scenes Sneak Peek and The World of The Endless). You can see the cover artwork at left and also below. [Read on here...]