Displaying items by tag: Beyond Fest

We’ve got a few more new disc reviews for you all to enjoy today, including...

Tim’s look at Stephen Surjik’s Wayne’s World (1993) in 4K UHD from Kino Lorber Studio Classics, his look at Russ Meyer’s Up! (1976) in 4K Ultra HD from Severin Films, and his review of Chang Cheh’s The Kid with the Holden Arm (1979) on Blu-ray from Arrow Video’s Shawscope: Volume Two box set.

Stephen’s review of Hideki Takayama’s animated Urotsukidoji: Legend of the Overfiend (1989) on Blu-ray from Discotek Media.

Dennis’ review (with an A/V assist by Tim) of Bruce Robinson’s Withnail and I (1987) in 4K Ultra HD from the Criterion Collection.

And Stuart’s review of Mitchell Leisen’s Bride of Vengeance (1949) on Blu-ray from Imprint Films.

In release news today, we have an update for you on Universal’s newly-announced 4K Ultra HD release of Knight Rider: The Complete Series (1982-86), which streets on 7/22. We’ve haven’t got confirmation yet on whether all the original broadcast music will be properly sorted (though Turbine’s 2023 Blu-ray review did have it sorted, so it’s reasonable to assume that it will be—you can review our review of that set here). But we have confirmed that the set will include HDR10 high dynamic range, and that in addition to the legacy special features, the set will include two newly-produced extras as well. [Read on here...]

Afternoon, Bits readers! We’re starting the week with more new disc reviews, as always, including...

Stuart’s thoughts on Daniel Petrie’s The Betsy (1978) on Blu-ray from Imprint Films.

Dennis’ look at Todd Field’s In the Bedroom (2001) on Blu-ray also from Imprint Films.

And Tim’s take on Imprint’s new Blaxploitation (1972-1973) Blu-ray box set, which includes Martin Goldman’s The Legend of Black Charley (1972), Larry G. Spangler’s The Soul of Black Charley (1973), Ron O’Neal’s Superfly T.N.T. (1973), and Arthur Marks’ Detroit 9000 (1973). (Note that two of those films are using their less controversial titles, one of which was apparently changed for use in newspaper theatrical listings and for its original 1970s TV broadcast.)

Also… on Friday, Stephen turned in a detailed look at Mel Brooks’ trail-blazing comedy Blazing Saddles (1974) in 4K Ultra HD from Warner Bros. Discovery Home Entertainment.

And finally, Tim also reviewed Arrow Video’s excellent Inside the Mind of Coffin Joe Blu-ray box set, which was released in March.

More reviews are forthcoming this week, so be sure to stay tuned for them.

In announcement news today, Sony Pictures Home Entertainment has just revealed a new 4K Steelbook edition of David Ayer’s Fury (2014) for release on 7/15. The title will now include Dolby Vision HDR, whereas the previous 4K release (from May of 2018) had HDR10 only. (You can read our review of that disc here.) All the extras will be the same, with the sole exception that the 4K disc no longer includes the 46-minute Smithsonian Channel documentary The Tanks of Fury. (Nor is it on the Blu-ray in the package, which seems to be identical to the previous Blu-ray.) Presumably, this omission allows for the inclusion of Dolby Vision and perhaps a higher overall 4K data rate. In any case, you can see the Steelbook cover artwork at left. [Read on here...]

Morning Bits-ers. We’ve got a quick early post today with some news relevant to James Cameron’s The Abyss.

At a special event last night in LA, Cameron screened a 2K DCP (sourced from the new 4K remaster) of The Abyss: Special Edition as part of the annual Beyond Fest film festival. Word from people who attended was that it looked fantastic.

At the end of the screening, Cameron participated in a Q&A with the audience.

Knowing that this would be happening—and that someone would almost certainly ask about the 4K Ultra HD and Blu-ray release—I put out a call on social media yesterday for any readers who might be attending to record the relevant portion of the Q&A for all to see.

And I’m pleased to say that Bits reader Chuck Pennington did just that and has posted it on YouTube. (Thank you, Chuck!) You’ll find it below the break… [Read on here...]