Displaying items by tag: Warner Bros Discovery Home Entertainment

We have two more new disc reviews to share with you today here on The Bits, with more on the way...

Tim has reviewed Walter Colmes’ Woman Who Came Back (1945) on Blu-ray from Imprint Films.

And Stephen has offered his thoughts on Tai Katô’s Eighteen Years in Prison (1967) on Blu-ray from Toei via Radiance Films.

Now then, the big news today is that Warner Bros. Discovery Home Entertainment has apparently conducted another of its “A-List” Community surveys asking which of its many catalog titles fans would like to see the studio release in 4K Ultra HD. And of course, as happens every time, the details of that list got leaked immediately online and so it becomes something we have an obligation to report on here at The Bits. In any case, dozens of people have shared the information either privately or widely online. Because of course they’re going to—they’re enthusiasts.

Having said that, it’s probably unreasonable to assume that the studio will get around to every one of these titles any time soon, but if more of them start being released in 4K UHD, that would certainly represent a big improvement in the studio’s 4K catalog release strategy to date. So which titles were on this list? [Read on here...]

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Afternoon, folks! Let’s knock out today’s latest disc reviews here at The Bits before we get to the breaking release news...

Dennis has turned in a pair of new Blu-ray reviews, including his thoughts on Patricia Rozema’s White Room (1990) and also George Seaton’s The Country Girl (1954) from Kino Lorber and Kino Lorber Studio Classics respectively.

Now let’s get to the big breaking news...

Warner Bros Discovery Home Entertainment has just set Wes Craven’s A Nightmare on Elm Street (1984) for release on 4K Ultra HD + Digital here in the States (and also 4K UHD + Blu-ray in the UK)! The US street date is 10/1 (UK is 9/30).

As we mentioned yesterday: The 4K disc will include both the Theatrical and Uncut versions, HDR10 high dynamic range, and Dolby Atmos audio, along with legacy extras that include Ready Freddy Focus Points, 2 audio commentaries with Craven joined by members of the cast and crew, alternate endings, and a trio of featurettes.

The 4K will also be available in Amaray or Steelbook packaging. You can see the cover artwork at left and also below the break. [Read on here...]

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Welcome to a new week, folks! Boy, have we got some great new 4K and Blu-ray announcement news to share with you today! Naturally, we also have more new disc reviews here at The Bits as well. So as always, let’s start with the latter first...

Stephen has taken a look at Paul Schrader’s American Gigolo (1980) which is now available in a new 4K UHD release from Arrow Video.

Tim has offered his thoughts on Lamberto Bava’s Demons (1985) and Demons 2 (1986) in 4K Ultra HD from the good folks at Synapse Films. Both of those street next week.

Dennis has checked in with a look at Matt Bettinelli-Olpin and Tyler Gillett’s Abigail (2024) on Blu-ray from Universal.

And Stuart has weighed in with his review of Imprint’s recent Directed by John Farrow Blu-ray box set, which includes Commandos Strike at Dawn (1942), The Hitler Gang (1944), Night Has a Thousand Eyes (1948), Submarine Command (1951), and Botany Bay (1953), and the John Farrow: Hollywood’s Man in the Shadows (2021) documentary.

More reviews are forthcoming all this week, so be sure to watch for them!

Now then, we’re awaiting official press releases, but Paramount has just listed David Fincher’s Zodiac (2007) for release on 4K Ultra HD on 10/29, along with Barry Sonnenfeld’s Addams Family Values (1993) in long-awaited 4K UHD! Both titles we first revealed here at The Bits back in June (click here and here). The good news is that each will include Dolby Vision HDR. You can see the cover artwork at left and also below! [Read on here...]

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We start as always today with more new disc reviews, including…

Stephen’s look at Jonathan Demme’s Last Embrace (1979) in 4K Ultra HD from Vinegar Syndrome’s excellent Cinématographe line, as well as John Waters’ Cry-Baby (1990) in 4K Ultra HD from Kino Lorber Studio Classics.

Stuart’s reviews of Andrzej Żuławski’s L’important c’est d’Aimer... (1975) on Blu-ray from Film Movement via Vinegar Syndrome, along with John Guillermin’s The Whole Truth (1958) on Blu-ray from Powerhouse Films’ Indicator label.

And Dennis’ take on Boaz Yakin’s Fresh (1994) on Blu-ray from Via Vision’s Imprint Films.

Now then, there’s some exciting release news for us to share with you today, but first we want to take a moment to clear up some confusion: The Warner Archive Collection is still the Warner Archive Collection!

Many of you have probably seen that their Facebook page was suddenly rebranded as Warner Classics (click here for the link). But rest assured, the Warner Archive Collection remains! Warner is simply trying to unite all of its “classic film” marketing activity in one social media space. So while the Warner Archive Collection remains the core of this page, you’ll also learn here about forthcoming classic film releases on Blu-ray and 4K UHD from the studio proper, as well as theatrical screening activity, and the like. So everyone can relax—Warner Archive has not disappeared!

In fact, Warner Archive has just shared some excellent release news: The Looney Tunes Collector’s Choice: Volume 4 Blu-ray is officially coming on 11/26! You can see their official Facebook post here. Details of the actual shorts the set will include are yet to be announced, but the release is definitely now in production. Great news indeed! [Read on here...]

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We’re starting the new week as always with more new disc reviews…

First, our own Tim Salmons has turned in his thoughts on Imprint Films’ new double feature of The Uninvited (1944) and The Unseen (1945) on region-free Blu-ray, a pair of film noir titles both directed by Lewis Allen.

And Stephen has weighed in with a look at a hefty title of his own: Full Moon Features’ new The Primevals: Ultimate Collector’s Edition Blu-ray box set, featuring the restored 2023 David Allen film, which was originally greenlit in 1978 but wasn’t filmed until 1994. Sadly, Allen passed away in 1999 before the film was completed. But thanks to an Indiegogo campaign, it’s finally completed as much as is possible and available on disc. And what a nice package it is too.

More reviews are on the way of course, but today we’ve got a TON of Blu-ray and 4K Ultra HD release news to catch up all up on. It starts with Arrow’s Friday morning announcement of their October slate, which includes John Boorman’s Exorcist II: The Heretic (1977) on Blu-ray (in the UK only) on 10/7, William Peter Blatty’s The Exorcist III (1990) on 4K (in the UK only) on 10/7, the Hellraiser: Quartet of Torment box set—which includes Clive Barker’s Hellraiser (1987), Tony Randel’s Hellbound: Hellraiser II (1988), Anthony Hickox’s Hellraiser III: Hell on Earth (1992), and Kevin Yagher’s Hellraiser: Bloodline (1996)—on Blu-ray and 4K (in the US and Canada only, it was already released in the UK) on 10/22, Michael Dougherty’s Trick ‘r Treat (2007) on 4K (in the UK, US, and Canada) on 10/28, and the J-Horror Rising: Limited Edition Blu-ray box set—which includes Shunichi Nagasaki’s Shikoku (1999), Toshiyuki Mizutani’s Isola: Multiple Personality Girl (2000), Masato Harada’s Inugami (2001), Ten Shimoyama’s St. John’s Wort (2001), Kōji Shiraishi’s Carved: The Slit-Mouthed Woman (2007), Takashi Komatsu’s Persona (2000), and Koji Shiraishi’s Noroi: The Curse (2005)—on Blu-ray (in the UK, US, and Canada) also on 10/28. [Read on here...]

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We’ve got two more new disc reviews for you to check out today, just as Comic-Con officially gets underway down in San Diego...

Stephen has taken a look at Michael Tuchner’s Fear Is the Key (1972) on Blu-ray from Arrow Video.

And Dennis has offered his thoughts on Étienne Périer’s When Eight Bells Toll (1971) on Blu-ray from Kino Lorber Studio Classics.

We’ve also got several good new title announcements to report this afternoon here at The Bits...

First, Warner Bros. Discovery Home Entertainment has revealed that a Furiosa: A Mad Max Saga – Black & Chrome Edition will be available Digitally on 8/13. The color version is already set to debut on 4K Ultra HD, Blu-ray, and DVD on 9/24. And you will be able to get the Black & Chrome Editions of both Furiosa and Mad Max: Fury Road in the forthcoming Mad Max 5-Film 4K Collector’s Edition, which is also due on 9/24 (pre-order here). This new Black & Chrome Edition was created by George Miller, who feels that it distills the essence of the film into something more pure and classical (per comments on social media).

Universal will release Jeff Nichols’ The Bikeriders (2024) on 4K Ultra HD and Blu-ray on 8/13, with the Digital release set for 8/9. The film stars Jodie Comer, Austin Butler, Tom Hardy, Michael Shannon, Michael Faist, and Norman Reedus. The Blu-ray editions will feature Dolby Atmos audio, and the 4K will boast HDR10 high dynamic range. Extras will include feature commentary with Nichols and 3 featurettes (Johnny, Benny & Kathy, The Era of The Bikeriders, and The Filmmaker’s Eye: Jeff Nichols). You can see the cover artwork below the break. [Read on here...]

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We have several more new disc reviews for all of you to enjoy today, including...

Stuart’s look at Ting Shan-hsi’s A Queen’s Ransom (1976) on Blu-ray from Eureka Entertainment, Alain Cavalier’s Fill ‘er Up with Super (1976) on Blu-ray from Radiance Films, Peter Bogdanovich’s Daily Miller (1974) on Blu-ray from Kino Lorber Studio Classics, and William Wyler’s Friendly Persuasion (1956) on Blu-ray from the Warner Archive Collection.

Dennis’ take on Raoul Walsh’s Pursued (1947) on Blu-ray from Kino Lorber Studio Classics and Fred Zinnemann’s Act of Violence (1949) on Blu-ray from the Warner Archive Collection.

And Stephen’s thoughts on Paul Schrader’s Touch (1997) on Blu-ray from Vinegar Syndrome’s Cinématographe line.

We have a bunch more new Blu-ray and 4K Ultra HD reviews cooking as well—the whole team is working on reviews over the weekend—so be sure to watch for more here at The Bits next week.

In announcement news today, our friends at Imprint Films have just unveiled their October Blu-ray and 4K slate, which will include Luca Guadagnino’s Suspiria (2018) in 4K Ultra HD and Blu-ray, The Blair Witch Project Collection on Blu-ray—which includes The Blair Witch Project (1999) and Book of Shadows: Blair Witch (2000)—Alberto De Martino’s The Antichrist (1974) on Blu-ray, James W. Roberson’s Superstition (1982) on Blu-ray, Dick Richards’s Death Valley (1982) on Blu-ray, and the Directed By… Roman Polanski Blu-ray box set—which includes Bitter Moon (1992), Death and the Maiden (1994), and The Ninth Gate (1999). The street date for all is 10/30, and each is limited to 1500 copies. You can see what the titles look like below the break. [Read on here...]

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Good afternoon, Bits readers! We’re starting the new week today with a pair of new disc reviews from a new staff reviewer... Sam Cohen!

We’ll let Sam introduce himself to all of you...

“Hello, Digital Bits readers! I’m Sam Cohen and I cannot be more excited to join the incredible team here, as well as engage with our readers about everything going on in the physical media world. My journey with film started when I was a wee tot growing up on Cape Cod and not caring much about the beach, then it developed into a full-blown addiction when my Dad exposed me to so many classics at such a young age. Naturally, that love for film didn’t let up and only blossomed as I got older, and my studies as a communication professional helped me prepare for the wild world of film criticism. My writing has been featured at Sumo Skinny, Under the Gun Review, EDGE Media Network, High-Def Digest and now, here!

“While my day job is dedicated to Search Engine Optimization (SEO), I’m deeply passionate about all the boutique and studio releases that keep flying our way at a breakneck pace, and even have a nice movie theater that I built into my basement with an LG OLED display plus a 7.1.2 Dolby Atmos surround sound system from Klipsch. My favorite directors include Claire Denis, George Miller, Michael Mann, Frank Tashlin and Jacques Rivette, among many, many others.

“I’m elated to be here amongst other physical media experts and look forward to covering, discussing and living with all of these wonderful films on disc that continue to keep our passion for film fresh and unrelenting. Oh, and if you’re asking who is my favorite boutique label? It’s Mondo Macabro, with those sickos at Vinegar Syndrome and film lovers at Arrow Video tied for second. Check out Mondo Macabro for some of the weirdest and grotesque genre oddities from across the world.” [Read on here...]

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We’ve got more interesting release news here today to close out the week, and a few more new disc reviews as well. First the reviews...

Stephen has turned in his thoughts on Abel Ferrara’s Dangerous Game (1993) on Blu-ray from Vinegar Syndrome via their fine new Cinématographe line.

And Dennis has reviewed Bryce McGuire’s Night Swim (2024) on Blu-ray from Blumhouse via Universal, as well as Raoul Walsh’s The Man I Love (1947) on Blu-ray from the Warner Archive Collection.

More reviews are on the way for next week, including my take on Hayao Miyazaki’s animated The Boy and the Huron (2023) in 4K Ultra HD from GKids. So be sure to stay tuned for them.

Also, my apologies for the lack of news updates this week, but I was struck a bout of vertigo last Saturday, and I’ve been having to take it a bit easy to reset everything back to normal. It’s nothing serious—mine is caused by tension in my shoulders aggravating the nerves in my neck, in this case triggered by sleeping with my neck in an awkward position. So the key is to fix my pillow situation and try to relax a little bit more. I’m sure some of you out there can relate!

Anyway, the big news lately is that Second Sight in the UK has finally set their long-awaited 4K remaster of Robert Harmon’s The Hitcher (1986) for release on both 4K Ultra HD and Blu-ray on 9/30. It’s currently exclusive to their website in a 4K + Blu-ray Limited Edition, as well as separate (and standard) 4K UHD and Blu-ray editions. [Read on here...]

Published in My Two Cents

Morning everyone, and welcome to the first week of July!

I’ve been very busy over the weekend working on new disc reviews, frankly probably a little too hard—I should probably have taken more of a break to recharge. Nevertheless, I’ve completed a trio of new reviews for you all to enjoy, so today we present...

My take on Luc Besson’s La Femme Nikita (1990) new on 4K Ultra HD Steelbook from Sony Pictures Home Entertainment—a great 4K remaster of one of my favorite films.

My look at Ron Frank’s funny and poignant documentary Remembering Gene Wilder (2023) on Blu-ray from Kino Lorber—which covers the actor’s life and career in detail, and features interviews with Mel Brooks and other friends.

And finally, my review of a surprise title that just arrived on Sunday morning: Jan de Bont’s Twister (1996) in 4K Ultra HD from Warner Bros. Discovery Home Entertainment—a terrific remaster that leaves this film looking and sounding better than it ever has before.

I’m also working to finish another review today, which is Alex Garland’s Civil War. I expect to have that up here by tomorrow. And of course, the rest of the Bits team is working on new reviews as well, so be sure to check back for those over the coming days.

Now then, in announcement news this afternoon, Universal has officially set David Leitch’s The Fall Guy (2024) for release on Blu-ray, DVD, and 4K Ultra HD on 7/23. The package will include both the Theatrical Cut and an Extended Cut of the film with 20 minutes of additional footage. Extras will feature audio commentary on both of those with director Leitch and producer Kelly McCormick, a gag reel, alternate takes, the 5-part Stunts on Stunts: Breaking Down the Action documentary, and 6 featurettes (Making a Meta Masterpiece, How to Break a World Record, Nightclub Mayhem, The Art of Doubling, Making Metalstorm, and Falling for The Fall Guy with Rob Reese). You can see the cover artwork at left and also below. [Read on here...]

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