Displaying items by tag: Kino Lorber Studio Classics

We’ve got another new disc review for you this morning...

Tim has taken a look at Peter Medak’s The Changeling (1980) on 4K Ultra HD from the good people of Severin Films.

And we have update on a few titles we’ve been talking about in recent days here at The Bits as well..

First, let’s talk Rocky in 4K Ultra HD... we’ve now learned that the first four films will be available in single-film 4K UHD Steelbooks at Best Buy, while other retailers will carry the 4-film Rocky: The Knockout Collection 4K Ultra HD box set on 2/28. This set will include Rocky, Rocky II, Rocky III, and Rocky IV in both the original theatrical cut and Stallone’s new Rocky vs. Drago: The Ultimate Director’s Cut. You can see the cover artwork at left. [Read on here...]

Welcome back from the holiday, Bits readers! We hope and trust that each of you were able to enjoy a great celebration with your family and friends.

Sarah and I have my mother staying here over the holidays, so we’ve been cooking up a storm, enjoying some great food, and watching lots of movies. I also just finished watching the season finale of HBO’s His Dark Materials—more on that in a moment—and I’ve started in on the new season of Jack Ryan on Amazon Prime. I still need to check out Avatar: The Way of Water at my local IMAX theater, but I’ll get to that soon enough.

We’ve got a new contribution from each member of the Bits reviewing team for you today, including...

Dennis’ look at Robert Mandel’s School Ties (1992) on Blu-ray from Imprint Films and Via Vision.

Stephen’s take on James Whale’s By Candlelight (1933) on Blu-ray from Kino Lorber Studio Classics.

My thoughts on the new single-film 4K Ultra HD SKU of Wilson Yip’s Ip Man (2008) from Well Go USA.

And last, but certainly not least, Tim’s in-depth take on Peter Jackson’s The Frighteners: Ultimate Edition (1996) on 4K Ultra HD from our friends at Turbine Media in Germany! This is a pretty spectacular box set release, and Tim will tell you all about it in his review, so you definitely don’t want to miss it. [Read on here...]

Today’s post is going to be a quick one here at The Bits, but as always we have a few more new disc reviews, and some more good disc release news as well. First the reviews...

Dennis has posted his thoughts on Robert Benton’s Twilight (1998) on Blu-ray from Kino Lorber Studio Classics.

And Stephen has offered his take on León Klimovsky’s The Werewolf Versus the Vampire Woman (1971) in 4K Ultra HD from our friends at Vinegar Syndrome.

Now to the news... Kino Lorber Studio Classics will release Orson Welles’ The Lady from Shanghai (1947) on Blu-ray on 1/31. The company has also set Alexander Hall’s Little Miss Marker (1934) and David Greenwalt’s Secret Admirer (1985) for release on Blu-ray on 3/7. Also announced as “coming soon” to Blu-ray from the company are Rouben Mamoulian’s High, Wide and Handsome (1937) and Dave Thomas’ The Experts (1989).

Cult Epics has set Martin Koolhoven’s AmnesiA (2001) for release on Blu-ray on 4/11/23.

ClassicFlix will release Victor Saville’s The Long Wait (1954) on 4K Ultra HD on 3/21/23. [Read on here...]

We’ve got some breaking release news to cover today here at The Bits, so let’s get right to it...

Criterion has just announced their new March 2023 titles, and fans of David Lynch should be very pleased. The slate includes a 4K upgrade of Michael Curtiz’s classic noir Mildred Pierce (Spine #860 – 4K + Blu-ray Combo) on 3/7, John Woo’s Last Hurrah for Chivalry (Spine #1174 – Blu-ray only) on 3/14, David Lynch’s long awaited remaster of Inland Empire (Spine #1175 – Blu-ray only) on 3/21, and Joan Micklin Silver’s Chilly Scenes of Winter (Spine #1176 – Blu-ray only) on 3/28.

We’ve been hoping for an actual 4K UHD release of Lynch’s Inland Empire, but like so many of the other Criterion titles that have been remastered in 4K yet released on Blu-ray first (only to be upgraded later), we suspect that an Ultra HD edition will come in time.

Also coming to 4K Ultra HD from Dark Sky Films on 2/28 is Tobe Hooper’s Texas Chain Saw Massacre, with Dolby Vision HDR, Dolby Atmos audio, and a new documentary called The Legacy of the Texas Chain Saw Massacre. [Read on here...]

We start with two more new disc reviews today (and there might be one more from me later this evening, but it should certainly be up by tomorrow morning)...

Tim has reviewed Crane Wilbur’s The Bat (1959), which is available in a fine new Blu-ray edition from our friends at The Film Detective.

And Dennis has offered his thoughts on Lynne Littman’s Testament (1983), a post-apocalyptic drama from PBS’ American Playhouse and Paramount Pictures that includes William Devane, Jane Alexander, Kevin Costner, Rebecca De Mornay, and Lukas Haas. That’s new on Blu-ray from the good folks at Imprint Films.

Now then, the big announcement news today is that Disney has just officially set Don Hall and Qui Nguyen’s animated Strange World for release on Blu-ray, DVD, and 4K Ultra HD on 2/14. Look for the Digital and Disney+ streaming release to happen on 12/23. Audio will be Dolby Atmos on the 4K and DTS-HD MA on Blu-ray, as always. Extras will include 4 featurettes (Anatomy of a Scene: Creating A Strange World, Strange Science, Creature Feature, and The Hidden Secrets of Strange World), outtakes, and 4 deleted scenes (The Ballad of Jaeger Clade, Lightning Lynx, Funerals and Promises, and Ethan and Searcher). You can see the cover artwork at left and also below. [Read on here...]

Today’s My Two Cents update begins as always with more new disc reviews...

Tim and I have taken a look at Kino Lorber Studio Classics’ new 4K Ultra HD upgrade of the classic Joseph Sargent heist thriller The Taking of Pelham One Two Three (1974), which stars Robert Shaw and Walter Matthau. Among other things, it’s a great New York City movie and if you’ve ever wondered where director Quentin Tarantino got the idea for his character names in Reservoir Dogs, look no further.

Also today, we’ve gone in-depth on Via Vision’s new Dirty Dancing: Limited Edition Steelbook 4K Ultra HD release, which takes Lionsgate’s already fine remastering work on the title and adds a few more extras via their own exclusive bonus Blu-ray Disc.

And Tim has also reviewed Bob Clark’s Children Shouldn’t Play with Dead Things: 50th Anniversary Edition in 4K Ultra HD from VCI Entertainment, which includes a new 4K scan and remaster but only Standard Dynamic Range, as well as Nico Mastorakis’s Nightmare at Noon (1988) on Blu-ray from our friends at Arrow Video.

More reviews are on the way tomorrow and beyond, so be sure to watch for them. [Read on here...]

All right, we’ve got a bunch of ground to cover today, and the subject for today’s My Two Cents post is what we’re hearing from our industry and retail sources about forthcoming 4K Ultra HD catalog titles expected in the new year. But first, we have a pair of new reviews for you this afternoon...

Dennis has turned in his thoughts on Daniel Man’s 1952 drama Come Back, Little Sheba, which is now available on region-free Blu-ray from the Aussie label Imprint Films. The film stars Burt Lancaster and Shirley Booth.

And Stephen has delivered his in-depth take on AGFA and Something Weird Video’s nine-film, three-disc The Films of Doris Wishman: The Moonlight Years Blu-ray box set, distributed by Vinegar Syndrome.

As always, more new disc reviews are on the way over the coming days, so be sure to keep your eyes peeled for them.

Now then, we’ve been circling back with our many industry and retail sources here at The Bits, and we’ve got an update on some interesting titles that are coming to 4K Ultra HD in the months ahead. [Read on here...]

Welcome to the first full week of December, Bits readers!

We’ve got a couple interesting items to report here today, but first a pair of new disc reviews:

I’ve turned in my thoughts on Quentin Tarantino’s Pulp Fiction (1994) in 4K Ultra HD from Miramax, via Paramount. The good news is, whether you buy the Steelbook or the regular Amaray version, the 4K remastering is fantastic. Fans should be very pleased.

I’ve also reviewed Andrew Stanton’s CG-animated classic WALL•E (2008) in 4K UHD from Pixar via the Criterion Collection. The highlight here is that it’s a terrific package and the film looks and sounds great, but the new 4K presentation isn’t really dramatically different than the previous Disney 4K edition—it simply now adds HDR10+ and Dolby Vision metadata. But some of the new special features are wonderful.

More new Blu-ray and 4K UHD reviews are coming soon, as always, so please keep checking back for them! [Read on here...]

We’ve got no less than five more new disc reviews for you all to enjoy today...

I’ve just posted my thoughts on Quentin Tarantino’s Reservoir Dogs (1992) in 4K Ultra HD from Lionsgate.

Stephen has checked in with a look at Tobe Hooper’s The Texas Chainsaw Massacre 2 (1986) in 4K Ultra HD from Vinegar Syndrome.

Dennis has reviewed Julien Temple’s Earth Girls Are Easy (1988), the new Vestron Video Collector’s Series title on Blu-ray from Lionsgate.

And Tim has taken a look at Lewis Gilbert’s Damn the Defiant! (1962) on Blu-ray from Imprint Films, as well as Montgomery Tully and Dennis O’Keefe’s The Diamond Wizard (1954) on Blu-ray 3D from Kino Lorber Studio Classics, via a great new restoration by the 3-D Film Archive.

In announcement news today, Lionsgate has set Hype Williams’ Belly for release on 4K Ultra HD on 1/24/23. There will be a wide release that includes a Blu-ray and Digital copy, along with a Best Buy-exclusive Steelbook package. Look for the package to have a new Dolby Atmos mix, along with the following special features: audio commentary with Williams, Spoken Word, a deleted scene, and the Grand Finale music video. [Read on here...]

Well, today is Cyber Monday, which means there are still a number of good deals to be had on things around the Internet. So rather than repeating my comments from last week about Black Friday, I’ll just remind you that if you go looking for deals on Amazon today, please be sure to use one of our affiliate links (if you’d care to support our work here at The Bits in the process).

Now then, our own holiday was lovely here in SoCal. My wife’s cousin joined us for Thanksgiving, which involved eating some great food (both the usual turkey and stuffing, as well as mighty fine barbecue the day after), watching a lot of football as well as some terrific movies (including revisiting David Mackenzie’s Hell or High Water and James Mangold’s Ford v Ferrari) and a few TV series too (the season finale of Andor is fantastic—I haven’t enjoyed Star Wars this much since 1983). I also did a little bit of actual shopping, which amounted to picking up a hooded vest to wear in the office when it gets chilly and upgrading my old Pixel 3a phone to a new 6a thanks to an offer from Google that was too good to refuse. Finally, we got our Christmas tree up and decorated. So all in all, it was an enjoyable long weekend. And I certainly hope you all had a good one as well!

We’re starting today with a pair of new disc reviews for you to enjoy this afternoon...

Tim has posted his thoughts on the Terry Jones comedy Monty Python’s The Meaning of Life (1983) in 4K Ultra HD from Universal, as well as John Badham’s Saturday Night Fever (1977) in 4K Ultra HD from Paramount. Sadly, that latter is something of a disappointment. But I’ll let Tim explain that to you.

Again, watch for more new disc reviews all this week here on The Digital Bits. [Read on here...]