Displaying items by tag: Best Picture

All right, as you can see by that headline, we’ve got some big release news for you today! But first, a few more new disc reviews…

Stephen has reviewed William Friedkin’s Jade (1995) in 4K Ultra HD from Imprint Films.

Tim has offered his thoughts on Rod Amateau’s The Garbage Pail Kids Movie (1987) in 4K Ultra HD from Vinegar Syndrome.

And Dennis has shared his perspective on a Jack Benny Comedy Classics double feature of Raoul Walsh’s Artists and Models (1937) and Mark Sandrich’s Man About Town (1939) on Blu-ray from Kino Lorber Studio Classics.

I’ve also got a couple of additional reviews coming tomorrow, so be sure to watch for those.

Now then… you know how lots of people a few weeks ago were saying that if Netflix won the bidding war for Warner Bros. that might mean the end of physical media?

Yeah, maybe not so much.

Not only has Netflix recently let Guillermo del Toro’s Frankenstein and the animated K-Pop Demon Hunters be licensed to Criterion for Blu-ray and 4K release, today we have even bigger news.

Arrow Video just announced on social media that they’re bringing the most popular Netflix Original series of all time—the Duffer Brothers’ Stranger Things: The Complete Series—to Blu-ray and 4K Ultra HD in July (street date 7/28)! [Read on here...]

Published in My Two Cents

All right, welcome to a new week Bits readers!

Today is all about James Cameron here at the website, and to that end I’ve just finished knocking out in-depth reviews of the filmmaker’s The Abyss (1989), Aliens (1986), and True Lies (1994) in long-awaited physical 4K Ultra HD and remastered Blu-ray from 20th Century Studios!

The gist is that all three of these discs are worth picking up for Cameron fans and cinephiles, though one of the three titles is a bit complicated. The Abyss is the best looking of the three, nearly on par with the recent Titanic 4K release. Aliens is not far behind in terms of A/V quality and both titles include a nearly complete archive of all past special features created for the films.

True Lies is... well, it looks a lot better than the previous DVD, LaserDisc, and D-VHS releases. Sometimes, it looks fantastic. But at other times, the remastering is a little bit heavy-handed.

It’s still way better looking than StudioCanal’s Terminator 2 4K release though, so it’s a very solid upgrade over previous physical media releases, and it includes some nice features too.

Anyway, you’ll find all of the details in the linked reviews.

But while we’re on the topic of Cameron—and speaking the Terminatorproducer Gale Anne Hurd shared over the weekend that plans to celebrate the 40th anniversary of Cameron’s original The Terminator (1984) are soon to be revealed. And we have good word that a new 4K Ultra HD release will chief among them. In the meantime, you can see her post on X/Twitter here. [Read on here...]

Published in My Two Cents

The Godfather has become such an indelible part of American culture and world culture that it’s become one of those films that everyone knows even if they’ve never seen it.” – Ray Morton, author of King Kong: The History of a Movie Icon from Fay Wray to Peter Jackson

The Digital Bits and History, Legacy & Showmanship are pleased to present this retrospective commemorating the golden anniversary of the release of The Godfather, Francis Ford Coppola’s legendary film about the Corleone crime family.

Based upon Mario Puzo’s best-selling 1969 novel, the film adaptation starring Marlon Brando (A Streetcar Named Desire, On the Waterfront) won three Academy Awards (including Best Picture), was for a period of time the highest-grossing motion picture, spawned two sequels, and influenced countless filmmakers. The Godfather also starred Al Pacino (Dog Day Afternoon, Scarface), James Caan (Rollerball, Thief), Richard Castellano (A Fine Madness, Lovers and Other Strangers), Robert Duvall (The Great Santini, Tender Mercies), Sterling Hayden (The Killing, The Long Goodbye), John Marley (Faces, Love Story), Richard Conte (I’ll Cry Tomorrow, Ocean’s 11), and Diane Keaton (Annie Hall, Looking for Mr. Goodbar). [Read on here...]

“Quite simply, A Clockwork Orange is significant because it’s a Stanley Kubrick film.” – Raymond Benson, Cinema Retro

The Digital Bits and History, Legacy & Showmanship are pleased to present this retrospective commemorating the golden anniversary of the release of A Clockwork Orange, Stanley Kubrick’s (Dr. Strangelove, 2001: A Space Odyssey) critically acclaimed film based upon Anthony Burgess’s novel and starring Malcolm McDowell (Time After Time, O Lucky Man!) as gang leader Alex whose principal interests of rape, ultra-violence and Beethoven occupy his life before the government attempts a rehabilitation.

The film was nominated for four Academy Awards (including Best Picture), and in 2020 the Library of Congress selected A Clockwork Orange for preservation in the National Film Registry as being “culturally, historically or aesthetically significant.” Its most recent home media release, on 4K UHD, was in 2021 (and is reviewed here). [Read on here...]

West Side Story stands as a prime example of successfully rendering a stage musical in cinematic terms.” – Matthew Kennedy, author of Roadshow!

The Digital Bits and History, Legacy & Showmanship are pleased to present this retrospective commemorating the 60th anniversary of the release of West Side Story, Robert Wise (The Sound of Music, Star!) and Jerome Robbins’ (The King and I, Gypsy) screen adaptation of the popular musical stage production inspired by Shakespeare’s Romeo and Juliet and starring Natalie Wood (Rebel Without a Cause, Brainstorm) as Maria and Richard Beymer (The Diary of Anne Frank, Twin Peaks) as Tony.

The winner of ten Academy Awards including Best Picture, the most popular movie of 1961 and one of the most popular musicals ever also featured Russ Tamblyn (Seven Brides for Seven Brothers) as Riff, Rita Moreno (The King and I) as Anita, and George Chakiris (The Young Girls of Rochefort) as Bernardo. [Read on here...]