Displaying items by tag: The Digital Bits

History’s Greatest Hero Returns! Harrison Ford reprises his role as the legendary archaeologist when Lucasfilm’s Indiana Jones and the Dial of Destiny Arrives on Digital August 29

BURBANK, CA (August 14, 2023) – From Academy Award–nominated writer-director James Mangold (Logan, Walk the Line) comes the final chapter in the saga of one of cinema’s greatest heroes. Indiana Jones and the Dial of Destiny sees Harrison Ford reprise his iconic role as the whip-smart archaeologist one last time for a “rip-roaring adventure” (Maureen Lenker, Entertainment Weekly) full of “exciting action, wonderful banter and fantastic twists and turns” (Germain Lussier, io9).

The film will be available from all major digital retailers including Prime Video, Apple TV, and Vudu on August 29, with never-before-seen bonus content including five chapters that chart the making of Indiana Jones and the Dial of Destiny. Join the cast and crew on an epic, globe-trotting adventure showcasing new characters, stunts, music, locations, production design, and visual effects.

Film Synopsis

Harrison Ford returns to the role of the legendary hero archaeologist for this highly anticipated final installment of the iconic franchise—a big, globe-trotting, rip-roaring cinematic adventure. Starring along with Ford are Phoebe Waller-Bridge (Fleabag), Antonio Banderas (Puss in Boots: The Last Wish), John Rhys-Davies (Raiders of the Lost Ark), Shaunette Renée Wilson (Black Panther), Thomas Kretschmann (Das Boot), Toby Jones (Tinker Tailor Soldier Spy), Boyd Holbrook (Logan), Olivier Richters (Black Widow), Mads Mikkelsen (Doctor Strange) and newcomer Ethann Isidore. [Read on here...]

Today’s new disc reviews here at The Bits include the following...

Stephen’s in-depth look at Howard Hawks’ Rio Bravo (1959), which is now available in 4K Ultra HD from Warner Bros. Discovery Home Entertainment.

And Stuart’s thoughts on Lesley Selander’s The Catman of Paris (1946) and John Ford’s The Long Voyage Home (1940), both available on Blu-ray from Via Vision’s Imprint Films label, as well as the documentary double feature Filmmakers for the Prosecution (2021) and Nuremberg: Its Lesson for Today (1948) on DVD from Kino Lorber.

Now then, we have some great 4K Ultra HD news today... Lionsgate has just set Stephen King’s The Mist for release on the format on 10/3, in both wide-release (SRP $34.99) and Best Buy-exclusive Steelbook ($37.99) versions! Each is a 4-disc set. Both the original and alternate black and white versions will be included in 4K, along with audio commentary by director Frank Darabont and producer Denise Huth. The package will also include Blu-ray versions that add deleted scenes, A Conversation with Stephen King and Frank Darabont, and other legacy extras. You can see the cover art at left and also below. Note that the 4Ks will include both HDR10 and Dolby Vision high dynamic range, as well as Dolby Atmos audio (with Dolby TrueHD found on the Blu-ray). [Read on here...]

We’re starting this week out with another pair of new disc reviews, including...

Stephen’s take on Eugène Lourié’s Gorgo (1961) on 4K Ultra HD from Vinegar Syndrome, along with his thoughts on Shinji Higuchi’s Shin Ultraman (2022) on Blu-ray from Cleopatra Entertainment.

In announcement news today, Sony Pictures Home Entertainment has officially set Gene Stupnitsky’s No Hard Feelings for release on Blu-ray and DVD on 8/29, with the Digital release coming next week on 8/15. Extras will include Outtakes & Bloopers, A Motley Crew: Meet the Characters, and A Little Wrong: Making No Hard Feelings. The films stars Jennifer Lawrence.

Paramount has announced that the Paramount+ original series Rabbit Hole: Season One, featuring Kiefer Sutherland, will arrive on DVD only on 10/17.

Warner Bros. Discovery Home Entertainment is releasing Blue Collar TV: The Complete Series, Step by Step: The Complete Series, and Pinky and The Brain: The Complete Series, all on DVD only on 9/26. [Read on here...]

We’ve got a quick rundown of release news for you to close out the week today, and some new reviews as well. I suspect some of you are interested in a follow-up to the State of 4K and Physical Media editorial we posted on Wednesday. Rest assured, there will be a follow-up, and I hope to get that posted here sometime next week. So stay tuned.

In the meantime, we have several new disc reviews for you to enjoy this afternoon...

Tim has posted his thoughts on John Hughes’ Weird Science (1985) in 4K Ultra HD from our friends at Arrow Video.

Stephen has shared his take on Chad Stahelski’s John Wick: Chapter 4 in 4K UHD from Lionsgate, Brian De Palma’s Blow Out (1981) in 4K UHD from Criterion, and also John Henry Johnson’s Curse of the Blue Lights (1990) on Blu-ray from Vinegar Syndrome.

Dennis has delivered a look at Charles Walters’ Dangerous When Wet (1953) on Blu-ray from the Warner Archive Collection.

And Stuart has weighed in with a look at René Clément’s Joy House (1964) on Blu-ray from Kino Lorber Studio Classics.

Now then, the big news today is that Universal Pictures Home Entertainment has set Wes Anderson’s Asteroid City for Blu-ray and DVD release on 8/15, with the Digital release due next week on 8/11. Extras will include the 4-part The Making of Asteroid City documentary (which includes Desert Town, Doomsday Carnival, Montana and Ranch Hands, and The Players), as well as 2 additional Digital-exclusive features (The Alien and The Roadrunner). You can see the cover artwork at left and also below the break. [Read on here...]

Today’s editorial is going to be brief, because frankly some of us here at The Digital Bits have grown a bit frustrated at this point. Disheartened by the state of things, as it were. So too—we suspect—have many of you, our dear readers and fans of physical media. But lately, after nearly twenty-six years of passionate advocacy for film, TV, and special edition content on disc, it’s come to our attention that a couple of the major Hollywood studios don’t seem to have quite that same passion for the subject anymore.

One of these—let’s call ‘em Garner Brothers—just announced a long awaited 4K Ultra HD catalog release with almost no special features. Certainly no newly-created special features, because this studio doesn’t seem to do many of those anymore, and almost no special features on the actual discs, which is where disc fans tend to prefer them. Instead, most of this title’s special features are included as Digital extras only.

Nor does this title include the most obvious extra that fans have been wanting for years, which is the uncut 81-minute “Festival Version” of a certain making-of documentary about this film. Why? Honestly, we’re not sure there’s many people left at this studio who even know that it exists or why fans might care about it. (And if there is, that person should definitely be given a bigger role in making these decisions.)

Now, all of this is particularly frustrating, because if you pre-order this same title on 4K UHD in the United Kingdom, you do get those extras on disc. What’s more, you get a couple of different deluxe packaging options with swag in the UK, both of them terrific, whereas here in the States, the packaging’s artwork simply makes fans of this film weep, created—as it seems to have been—by an intern and novice Photoshop user for reasons unknown (rather than using the film’s already existing poster or production art, which… again… is the kind of thing this studio’s best customers would actually prefer.) [Read on here...]

I’m happy to say that we have a little bit of late-breaking announcement news today, and it’s one we’ve all been waiting for. Here’s the full text of Warner’s press release...

THE EXORCIST COMES TO 4K ULTRA HD BLU-RAY AND DIGITAL

TO CELEBRATE THE ICONIC SUPERNATURAL FILM’S 50TH ANNIVERSARY, THE EXORCIST WILL BE AVAILABLE FOR THE FIRST TIME IN 4K RESOLUTION WITH HIGH DYNAMIC RANGE (HDR)

Purchase the film on 4K Ultra HD Disc and Digital on September 19

Burbank, Calif., August 1, 2023 – As part of the year-long centennial celebration for the 100th anniversary of Warner Bros. Studio, the iconic supernatural film The Exorcist from Academy Award-winning director William Friedkin (The French Connection) will be available for purchase on 4K Ultra HD Disc and Digital for the first time this September.

Celebrating the 50th anniversary of its 1973 release, on September 19 The Exorcist will be available to purchase on Ultra HD Blu-ray Disc from online and in-store at major retailers and available for purchase Digitally from Amazon Prime Video, AppleTV, Google Play, Vudu and more.

The Ultra HD Blu-ray Discs include both the 1973 theatrical version of the film and the 2000 Extended Director’s Cut of the film which features eleven additional minutes of footage not seen in theaters. [Read on here...]

In reviews today, Stephen has taken a great in-depth look at Terry Gilliam’s acclaimed Time Bandits (1981) in 4K Ultra HD from the Criterion Collection.

And Tim has weighed in with his thoughts on Chris McKay’s horror comedy Renfield (2023) on Blu-ray from Universal. The film stars Nicolas Cage, Nicholas Hoult, and Awkwafina.

As far as title announcements, the big one today is that Sony Pictures Home Entertainment has officially set the animated sequel Spider-Man: Across the Spider-Verse for release on Blu-ray, DVD, and 4K Ultra HD on 9/5. The Digital version becomes available on 8/8. The 4K will include Dolby Atmos audio, while the Blu-ray will feature 5.1 DTS-HD Master Audio. Extras will include audio commentary with the filmmakers, a deleted scene (Miguel Calling), lyric videos, and 10 behind-the-scenes featurettes (Obscure Spiders and Easter Eggs, I’mma Do My Own Thing, Across the Worlds: Designing New Dimensions, Designing Spiders and Spots, Scratches, Score and The Music of the Multiverse, Escape from Spider-Society, Across the Comics-Verse, Creating the Ultimate Spider-Man Movie, Raising a Hero, and Your Friendly Neighborhood Spider-Cast). You can see the final cover artwork for the 4K UHD at left and also below, along with the wide release Blu-ray cover. Note that there will also be retail-exclusive packaging SKUs, including a Steelbook at Best Buy.

Sony Pictures Home Entertainment has also set Cobra Kai: Season 5 for DVD only release on 9/12. [Read on here...]

We’re starting the week off here at The Digital Bits this afternoon with a great new disc review, this one featuring Tim and Stephen’s tag-team take on Arrow Video’s fantastic Enter the Video Store: Empire of Screams Blu-ray box set, which includes The Dungeonmaster (1984), Dolls (1986), Cellar Dweller (1987), Arena (1989), and Robot Jox (1990). It’s a boxed release that’s well worth checking out if you can get your hands on a copy—the title is sold out and basically only available on the secondary market. One hopes that the films will be released individually on Blu-ray from Arrow in the future.

In announcement news today, Paramount has revealed a new School of Rock: 20th Anniversary Edition Blu-ray Steelbook for release on 9/26. The disc will include audio commentary with Jack Black and director Richard Linklater and nearly an hour of legacy special features.

Paramount will also release a new Halloween H20: 20 Years Later 4K Ultra HD Steelbook Edition on 9/26, celebrating the film’s 25th anniversary. You can see the packaging below the break.

Kino Lorber Studio Classics has officially set Lewis Teague’s Cujo (1983) for 4K Ultra HD release on 10/24, complete with a new 4K scan of the original camera negative, Dolby Vision HDR, and a great new special feature, Cujo Revisited, which is a never-before-seen 2014 roundtable discussion with Dee Wallace, Danny Pintauro, Daniel Hugh Kelly, and the director.

The company has also revealed that Harold Becker’s Sea of Love (1989) is coming to 4K Ultra HD in the months ahead.

And coming to regular Blu-ray from KLSC are Mario Bava’s Black Sabbath (1963) on 10/24 and Jules Dassin’s Topkapi (1964), the street date for which is still TBA. [Read on here...]

We have two new disc reviews of you to enjoy today...

Stephen has taken a look at Dusty Nelson’s Effects (1979) in 4K Ultra HD, a film that originated from the minds of several Pittsburgh-area collaborators of George A. Romero. It’s now available from Image Works via the American Genre Film Archive and our friends at Vinegar Syndrome.

If you’re interested in this film, you might also enjoy reading a 2005 archived interview we did on the original Bits website about the project with our old friend John Harrison (Takes from the Darkside, Frank Herbert’s Dune). You’ll find that here (and pardon the messy HTML).

Also today, Dennis has taken a look at Cheryl Dunye’s The Watermelon Woman (1996) on Blu-ray from The Criterion Collection.

We don’t have a lot in the way of new announcement news today, but a number of long-awaited 4K Ultra HD catalog titles are finally available for pre-order on Amazon. [Read on here...]

I have the good fortune of having one of the thirty theaters on Earth that’s showing Christopher Nolan’s Oppenheimer in 15 perf/70 mm IMAX located within three miles of my house. So I needed all the coffees on Tuesday morning, after seeing the film at an 11 PM showing on Monday night, which is the only decent single ticket I could get my hands on. (My theatre of choice is virtually sold out well into the second week of August.)

I must say, the experience of this film in IMAX 70 was impressive, with the urgency of its editing and immediacy of its cinematography creating a uniquely engrossing narrative momentum. J. Robert Oppenheimer’s life and career, from his college years to his post-war exile, are covered in extensive detail, and while all of this adds context, I’m not sure that much detail was strictly necessary. (In Nolan’s shoes, I might have shortened the film by a good twenty minutes.)

The ensemble cast is fantastic, each of them disappearing into their roles to a degree I didn’t think some of these actors were capable of. There are many familiar faces that I knew would appear in this film, but many more here were unexpected (including Jack Quaid as Richard Feynman of all people, James Urbaniak as Kurt Gödel, and Gary Oldman as Harry S. Truman), yet all of them raised their game. What’s more, this is certainly the finest performance of Cillian Murphy’s career, and one of the most compelling. Hands down, the guy deserves an Oscar for this role. [Read on here...]