Displaying items by tag: Imprint Films

We’re wrapping up the week here at The Bits with a few new disc reviews...

I’ve turned in my thoughts on Sony’s recent Heavy Metal: Limited Edition 2-Movie Collection, a 4K Ultra HD Steelbook release that include the original film remastered with Dolby Vision HDR and Dolby Atmos audio, plus the Heavy Metal 2000 sequel as a Blu-ray bonus.

Tim has taken a look at Umbrella Entertainment’s new Blu-ray release of Heavy Metal, which is available as an all-region import.

Tim has also turned in his thoughts on Christopher Landon’s Happy Death Day and Happy Death Day 2U in 4K Ultra HD from our friends at Scream Factory.

And Dennis closes out our review selections today with a look at Boomerang (1992) on Blu-ray from Paramount. [Read on here...]

We’re closing out the week with a trio of new disc reviews today, including...

Tim’s look at John McNaughton’s Wild Things (1998) in 4K Ultra HD from Arrow Video.

Tim’s review of Francesco Barilli’s Hotel Fear (1979) on Blu-ray from Mono Macabro.

And Stephen’s thoughts on Makoto Shinkai’s animated Children Who Chase Lost Voices (2011) on Blu-ray from GKids via Shout! Factory.

By the way, we’ve also updated our 4K Ultra HD Release List and our Upcoming Cover Artwork sections here at The Bits with lots of new titles and Amazon.com pre-order listings.

In 4K Ultra HD catalog release news this afternoon, Severin Films has set Jess Franco’s Faceless (1978) for release on 8/30. [Read on here...]

Morning, folks! We’re checking in early here at The Bits today with some new disc reviews.

Over the weekend, I managed to turn out reviews of three new 4K Ultra HD Steelbook releases, including Steven Spielberg’s Raiders of the Lost Ark (1981) from Paramount, and David Lean’s Bridge on the River Kwai (1957) and Lawrence of Arabia (1962) from Sony Pictures Home Entertainment.

It should be noted that the 4K Steelbook edition of Bridge on the River Kwai now includes Dolby Vision HDR and the original theatrical mono mix, both of which were missing from the 2017 4K release.

And this marks the first time Lawrence of Arabia has been available in 4K outside of Sony’s expensive (and long out-of-print) Columbia Classics 4K Ultra HD Collection: Volume 1 box set from 2020, so this will likely be the first time many of you get to experience the film in 4K UHD at home (and let me tell you, that experience is terrific). [Read on here...]

Now it’s time to run down some of the major announcement news that’s broken over the past few days, and we have some real gems to report for you. Let’s start with 4K Ultra HD catalog news...

First up, our friends at Shout! and Scream Factory have just unveiled a great batch of new 4K Ultra HD titles for August release, including John Milius’ Red Dawn (1984) as a Shout Select 4K UHD release (a Collector’s Edition box with exclusive pins and a poster will also be available directly from the Shout! website) and new 4K UHD Collector’s Editions of Child’s Play, Child’s Play 2, and Child’s Play 3 on 8/16, followed by Mamoru Hosoda’s BELLE on 4K Ultra HD on 8/30. You can see the cover artwork for these at left and below the break. Note that the release of Scream’s 4Ks of Cat People and The Funhouse have also been pushed back to 8/2 and 8/9 respectively (from 7/19 and 7/26).

Kino Lorber Studio Classics has now teased new 4K UHD releases of George P. Cosmatos’ Leviathan (1989) and Ben Stiller’s Tropic Thunder (2008). Both are listed as “coming soon.” That last one is particularly interesting, as it’s part of a new content distribution deal the company has signed with Paramount Home Entertainment. The deal apparently includes some 65 titles in all on Blu-ray (8 of which are being released on disc for the first time), including 16 on 4K Ultra HD. Among these are old Republic titles, though reportedly none released previously by Olive Films. Given KLSC’s recent focus on Sergio Leone westerns, we think it’s a good bet that Leone’s Once Upon a Time in the West (1968) will be among the 4K titles. [Read on here...]

All right, folks... you are now looking at the new and upgraded Digital Bits website! The cosmetic changes are minimal, but they include more uniform and easy to read font weights across all browsers and devices. Previously, some of you who viewed the site on Apple devices would have difficulty reading certain pages (including reviews) because the text was too light or faint. That should now be corrected. What’s more, the site should be much faster to load, which is no small upgrade. We’re also working on some additional search functionality improvements that will our make older content/reviews easier to find.

And you may notice the “25 Years” icon next to The Bits logo. 2022 is indeed The Digital Bits’ 25th anniversary. The site launched in late 1997 after many months as an email newsletter within the home video industry. We’ve obviously grown over the years to cover new formats and topics, and we’ve had a great bunch of writers and staffers contribute to The Bits during that time—we value each and every one of them. And let it not go unsaid: We also value each and every one of you, our readers! Some of you may be new to the website, while others have been reading since the very beginning. Just know that we’re glad to count you all as part of The Digital Bits family, and we appreciate each of you. Thanks for sticking with us!

We’ve got a lot of catching up to do today, now that this first batch of site upgrades is complete, including reporting on lots of new release news and rumors. But first, we have more new disc reviews to share with you—reviews that have been posted here at The Bits in the last few days while I’ve been focused on the site upgrades. So let’s run down those now, and I’ll check back in an hour or two with that news update.

First up, Tim and I have taken an in-depth look at Matt Reeves’ The Batman (2022) in 4K Ultra HD from Warner Bros. Home Entertainment. [Read on here...]

We’ve got some ground to cover this afternoon to start the week off right, including some major release news. First though, as always, some new disc reviews…

Stephen has given Ena Sendijarevic’s Take Me Somewhere Nice (2019) a look on Blu-ray from Vinegar Syndrome.

And Dennis has turned in his thoughts on George Seaton’s The Counterfeit Traitor (1962) on Blu-ray from Imprint Films.

Now then, the big news today is that Warner Bros. Home Entertainment has officially announced the Blu-ray, DVD, and 4K Ultra HD release of Fantastic Beasts: The Secrets of Dumbledore for release on 6/28 (SRP $39.98, $34.98, and $49.98 respectively), with the Digital release and HBO Max streaming debut expected on 5/30. [Read on here...]

We’ve got some significant title news for you today, along with what could be a surprise for 3D fans. But first, a couple of quick new disc reviews...

Tim has turned in his thoughts on Cheh Chang’s Disciples of Shaolin (1975), a Shaw Brothers title on Blu-ray from 88 Films.

And Stephen has taken a look at Buzz Kulik’s The Hunter (1980) on Blu-ray from Imprint Films, which also happens to be the final film of actor Steve McQueen.

Both are worth a look, and as always there are more new disc reviews on the way all this week so be sure to watch for them.

In terms of announcement news today, Warner Bros. Home Entertainment has just made George Stevens, Sr.’s Giant (1956) official for 4K Ultra HD release on 6/21. The epic western stars Elizabeth Taylor, Rock Hudson, and of course James Dean in his final role. [Read on here...]

All right, this is just another quick news update here at The Bits as we continue to work on our back-end software upgrade. We’ll start as usual with new disc reviews...

Tim has posted his thoughts on Walter Hill’s 48 Hours (1982) from Paramount and Paul Donovan and Maura O’Connell’s Siege (1983) from Severin Films, both on Blu-ray, as well as Genndy Tartakovsky’s Hotel Transylvania 3 (2018) on Blu-ray 3D from Random Space Media.

Also, Dennis has checked out Danton Trumbo’s Johnny’s Got His Gun (1971) on Blu-ray from Imprint Films.

And Stephen has reviewed Erie C. Kenton’s You’re Telling Me! (1934) from Kino Lorber Studio Classics and Miklos Jancso’s Round-Up (1966) and The Red and the White (1967) from Kino Lorber, both on Blu-ray.

More disc reviews are on the way soon, so be sure to check back for them. [Read on here...]

We’re starting the new week off today with no less than SEVEN new disc reviews that have been posted since Friday, including...

My takes on Al Reinert’s For All Mankind in 4K Ultra HD from the Criterion Collection, Byron Haskin’s Conquest of Space (1955) on Blu-ray from Imprint Films, and Tomas Alfredson’s Tinker Tailor Soldier Spy (2011) in 4K Ultra HD from Kino Lorber Studio Classics, as well as The Little Rascals: The ClassicFlix Restorations – Volume 5 on Blu-ray from ClassicFlix, and Spider-Man: No Way Home in 4K Ultra HD from Sony Pictures Home Entertainment and Marvel Studios.

Also, Dennis has turned in his thoughts on Craig Singer’s 6:45 on Blu-ray from Well Go USA and Stuart Heisler’s Blue Skies (1946) on Blu-ray from Kino Lorber Studio Classics.

Lots more reviews are on the way this week, so be sure to stay tuned for them.

Now then... in announcement news today, the big revelation is that Warner Bros. Home Entertainment has officially set Matt Reeves’s The Batman for release on Blu-ray, DVD, and 4K Ultra HD on 5/24, with the Digital and HBO Max release slated for 4/18. [Read on here...]

First things first this afternoon: I posted a review here at The Bits yesterday of John Sturges’ 1969 spaceflight drama Marooned on all-region import Blu-ray from the good folks at Imprint Films. It’s definitely worth tracking down for fans.

And I’ll have more new reviews this week as well, including my take on Criterion’s For All Mankind in 4K, which will be posted here on The Bits tomorrow.

Now then, let’s get to the main event for today’s My Two Cents update...

Last night I had the privilege of attending the debut screening of Robert Wise’s 4K-remastered Star Trek: The Motion Picture – Director’s Edition at Paramount, some 21 years after attending the premiere of the 2001 DVD version in the same theater. And I’m thrilled to report that it’s absolutely spectacular. [Read on here...]