My Two Cents
All right, I’m still working on that Criterion WALL-E 4K review and hope to have it up this weekend. Real life got in the way a little bit here over the last couple of days, not to mention some necessary behind-the-scenes work here at the site. But I will say this: Both the 4K presentation and the accompanying Blu-ray presentation, are absolutely fantastic. As in best-ever image quality for this film.
In the meantime, Tim has posted his thoughts on Rod Serling’s Night Gallery: Season Three on Blu-ray from our friends over at Kino Lorber Studio Classics. Sounds like it’s another fabulous set with more great extras.
And we do have several good pieces of release news to report here at the site today...
First, Turbine Media in Germany has finally announced their planned 6-Disc 4K Ultra HD Ultimate Edition of Peter Jackson’s The Frighteners (1996) for release on 12/2 (Yes, that is a Friday—keep in mind, this is a German release). The film has been fully remastered from the original camera negative and graded for high dynamic range (including Dolby Vision) in a process supervised by the director. [Read on here...]
Morning, folks! We’ve got an early update here on The Bits today with a few more new disc reviews, and some interesting release news as well. First, those reviews...
I’ve just completed a look at Universal’s new E.T.: The Extra-Terrestrial: 40th Anniversary Edition 4K Ultra HD release, which came out a few weeks ago. It’s interesting in that both the 4K and accompanying Blu-ray are completely new discs, each of which carries over all the extras from the previous 35th Anniversary release while adding a couple of new features too. A/V quality is essentially the same as before, though the 4K disc is now a BD-100, presumably to allow for the addition of the special features. You can learn more here.
Tim has also just completed a review of Harry Essex’s I, the Jury (1953) which is now available in 4K from ClassicFlix. The package includes a Blu-ray as well, featuring the film in HD and also 3D. And he’s posted a review of Brian De Palma’s Dressed to Kill (1980) in 4K from Kino Lorber Studio Classics for your reading enjoyment too.
More reviews are forthcoming soon, including my take on Criterion’s new 4K Ultra HD release of WALL-E from Pixar.
Also here at the site this morning, we’d like to call your attention to Michael Coate’s retrospective look at Steven Spielberg’s sci-if classic Close Encounters of the Third Kind, which celebrated its 45th anniversary yesterday. Michael shared a great Q&A with film historians on the occasion of its 40th anniversary in 2017, and that discussion is well worth checking out if you missed it then. You’ll also find interesting details on the film’s original theatrical release. Enjoy! [Read on here...]
As promised, we’re checking back in today with another trio of new disc reviews…
First, I’ve just posted my thoughts on Clint Eastwood’s rough yet riveting western High Plains Drifter (1973) in 4K Ultra HD from Kino Lorber Studio Classics.
Tim has taken a look at Ardman Animations’ A Shaun the Sheep Movie: Farmageddon (2019), new on Blu-ray from Shout! Factory.
And Dennis has delivered his take on George Marshall’s Fancy Pants (1950) on Blu-ray, also from Kino Lorber Studio Classics.
More reviews are on the way tomorrow, so be sure to watch for them. [Read on here...]
All right, it’s been a week since we’ve had a news update here at the site, and the reason is two-fold: First, there just hasn’t been a lot of news to report. And second, given that fact, we’ve all been working hard on a TON of new disc reviews here at The Bits. In fact, I’ve personally pledged to post a new 4K Ultra HD review each day all this week here at The Bits. So we’ll start today with the ones I’ve completed so far...
Now available for your reading enjoyment are my reviews of Paramount’s Halo: Season One – Limited Edition Steelbook, Kino Lorber Studio Classics’ Mystery Men, and Warner Bros. Home Entertainment’s Elf and A Christmas Story, all in 4K Ultra HD. But the guys have been busy too...
To this, Tim has added his thoughts on Douglas Trumbull’s Silent Running (4K UHD) and The Count Yorga Collection (Blu-ray) from Arrow Video, the Species: Collector’s Edition (4K UHD) from Scream Factory, and Quiet Days in Clichy (4K UHD) from Blue Underground.
Stephen has contributed his takes on Married to the Mob (Blu-ray), Vortex (Blu-ray), and The Iceman Cometh (Blu-ray) from Vinegar Syndrome, Batman and Superman: Battle of the Super Sons (4K UHD) from Warner, Golden Boy (Blu-ray) from Imprint, X (4K UHD) from Capelight Pictures, and The Sporting Club (Blu-ray) from Kino Lorber.
And Dennis has offered his take on the Barfly: Limited Collector’s Edition (Blu-ray) and Storm Center (Blu-ray) both from Imprint.
As I said a moment ago, still more reviews are on the way all this week, so be sure to keep checking back for them. [Read on here...]
We’ve got three more new disc reviews for you today...
Stephen has taken a look at Ben Stiller’s uneven Vietnam war comedy Tropic Thunder (2008) in 4K Ultra HD from Kino Lorber Studio Classics.
Dennis has offered his thoughts on Alexander Hall’s I Am the Law (1938) on Blu-ray from Imprint films.
And I’ve taken a look at Universal’s new 4K Ultra HD release of Robert Mulligan’s To Kill a Mockingbird (1962), with an assist by our old friend Dr. Adam Jahnke via his thoughts on the film itself.
We’ve got more new disc reviews coming all week, so be sure to watch for them. And tomorrow, we expect to have a brand new History, Legacy & Showmanship column from our own Michael Coate for you to enjoy—a nice longform read for cinephiles to distract from all the Election Day lunacy here in the States. So be sure to watch for that.
In announcement news today, 20th Century Studios and New Regency have set David O. Russell’s Amsterdam for release on Blu-ray, DVD, and 4K Ultra HD on 12/6, with the Digital release expected on 11/11. Look for the 4K to include HDR10 high dynamic range, Dolby Atmos audio, and one extra: Welcome to Amsterdam. [Read on here...]