January 2020

The World Is Not Enough is the first and only Bond film to feature a woman as the arch-villain. For this reason, it is worthy of recognition” — Lisa Funnell, co-author of The Geographies, Genders, and Geopolitics of James Bond

The Digital Bits and History, Legacy & Showmanship are pleased to present this retrospective commemorating the 20th anniversary of the release of The World is Not Enough, the 19th (official) cinematic James Bond adventure and third of four to feature Pierce Brosnan as Agent 007.

Our previous celebratory 007 articles include Licence to Kill, Moonraker, Quantum of Solace, From Russia with Love, Never Say Never Again, Live and Let Die, Octopussy, Casino Royale (1967), Tomorrow Never Dies, Die Another Day, Dr. No, The Living Daylights, The Spy Who Loved Me, You Only Live Twice, Diamonds Are Forever, Casino Royale, For Your Eyes Only, Thunderball, GoldenEye, A View to a Kill, On Her Majesty’s Secret Service, Goldfinger, and 007… Fifty Years Strong.

The Bits continues the series with this retrospective featuring a Q&A with an esteemed group of film historians and James Bond authorities who discuss the virtues, shortcomings and legacy of 1999’s The World is Not Enough. [Read more here...]

Patton is the best epic bio pic ever produced.” — Steven Jay Rubin, author of Combat Films: American Realism, 1945-2010

The Digital Bits and History, Legacy & Showmanship are pleased to present this retrospective commemorating the golden anniversary of the release of Patton, the Best Picture-winning biopic of General George S. Patton starring George C. Scott (Dr. Strangelove, The Exorcist III) in the title role.

Patton — directed by Franklin J. Schaffner (Planet of the Apes, Papillon) and which also starred Karl Malden (A Streetcar Named Desire, The Streets of San Francisco TV series) as General Omar N. Bradley — opened 50 years ago this month. For the occasion, The Bits features an historical reference listing of the film’s major-market roadshow engagements and a Q&A with film historian Steven Jay Rubin, who reflects on the film five decades after its debut. [Read on here...]

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