Displaying items by tag: Tim Salmons

We’ve got more new disc reviews for you this week, with still more on the way...

Tim has reviewed Scream Factory’s new 4K Ultra HD releases of Halloween (1978) and Halloween II (1981), along with Arrow Video’s Deep Red 4K UHD, and Synapse Films’ recent Demons I & II: Limited Edition 4K Ultra HD release.

Meanwhile, Stephen has checked out Free Guy in 4K UHD from 20th Century Studios and Walt Disney Studios Home Entertainment, along with Bluebeard (1963) on Blu-ray from Kino Lorber Studio Classics.

And Dennis has offered his thoughts on Jack Arnold’s The Incredible Shrinking Man (1957) on Blu-ray, as newly-released by the Criterion Collection.

We’ll have more reviews over the next few days, including more of the Halloween sequels in 4K,Scream in 4K, Old, the Universal Classic Monsters: Icons of Horror Collection and more, so be sure to stay tuned for them. [Read on here...]

We’re starting off the week with a trio of new Blu-ray reviews...

Stephen has taken a look at Nadia Tass’ Malcolm (1986) on Blu-ray from Umbrella Entertainment, along with Ralph Thomas’ Percy (1971) on the format from Code Red via Kino Lorber Studio Classics.

And Dennis has given Jonathan Mostow’s Breakdown (1997) a thorough going-over on Blu-ray via the new Paramount Presents release. As most of you know, the film stars Kurt Russell, J. T. Walsh, and Kathleen Quinlan.

More reviews are on the way all this week, so be sure to check back for them.

Now then, in announcement news today, our friends at Kino Lorber Studio Classics have revealed that they’re prepping a new 4K Ultra HD release of the 1963 John Sturges classic The Great Escape for release sometime in January. [Read on here...]

We’re closing out the week today here at The Bits with a bit of announcement news, word of a few 4K title delays, and more new disc reviews.

First up, Tim has turned in reviews of Stephen King’s Children of the Corn (1984), directed by Fritz Kiersch and newly released on 4K Ultra HD by Arrow Video, as well as Quentin Tarantino’s Inglourious Basterds which is new on 4K Ultra HD from Universal.

Also, Stephen has reviewed Nick Murphy’s The Awakening (2011) on Blu-ray from the Cohen Media Group, along with Nadia Tass’ Malcolm (1986) on Blu-ray from Umbrella Entertainment.

More reviews are on the way, so be sure to keep your eyes peeled for them.

Now then, the big announcement news today is that Criterion has just revealed their January 2022 release slate, which is set to include Thomas Vinterberg’s The Celebration (Spine #1108 – Blu-ray) on 1/11, Garrett Bradley’s Time (Spine #1109 – Blu-ray and DVD) and Richard Lester’s A Hard Day’s Night (Spine #711 – Blu-ray, DVD, and 4K) on 1/18, and Kirsten Johnson’s Dick Johnson Is Dead (Spine #111 – Blu-ray and DVD) and Jane Campion’s The Piano (Spine #1110 – Blu-ray and 4K) on 1/25. We’ve updated our 4K Ultra HD Release List and Criterion Spines Project pages accordingly. [Read on here...]

All right, we’ve got a few new disc reviews to start the day out…

Tim has turned in his thoughts on Eugenio Martin’s The Fourth Victim (1971), new on Blu-ray from Severin Films.

Dennis has taken a look at Jack Smight’s The Screaming Woman (1972) on Blu-ray from Kino Lorber Studio Classics.

And Stephen has reviewed Edward Dmytryk’s The Sniper (1952) on Blu-ray from Umbrella Entertainment.

More reviews are on the way in the days ahead, so be sure to stay tuned for them.

Now then, Paramount has informed us that their Paramount Presents Blu-ray release of The Sheik has been delayed from 10/19 to 11/2. Adjust your plans accordingly.

Paramount has also set a wide-release of their Indiana Jones 4-Movie Collection 4K Steelbook for 11/2.

GKids (via Shout! Factory) is releasing the Hayao Miyazaki-directed anime series Future Boy Conan: The Complete Series on Blu-ray on 11/16. [Read on here...]

We’re starting out the new week today here at The Bits with a trio of new disc reviews...

First up, Tim and I have taken a look at Arrow Video’s terrific new Limited Edition Blu-ray of Ridley Scott’s Legend. The 2-disc set is absolutely loaded with vintage and new extras, and it includes the US Theatrical Cut newly-remastered from a 4K scan, as well as the Director’s Cut. Legend is a challenging title for a lot of reasons, but Arrow’s done a really great job with this one. If you’re a fan of the film, this is as good as it’s ever looked, and this is essentially a complete archive of all the previous special features and more.

Also today, Stephen has reviewed Chloe Zhao’s first film, Songs My Brothers Taught Me, newly-released on Blu-ray from Kino Lorber. If that name is familiar, it’s because Zhao is the filmmaker who’s just made The Eternals for Marvel Studios. It sounds like this earlier work is pretty terrific.

And finally, Dennis has given Wallace Worsley’s 1923 version of The Hunchback of Notre Dame a look on Blu-ray from Kino Classics. As many of you will already be aware, this version features the great Lon Chaney in the role of Quasimodo. It’s worth a look if you haven’t seen it yet.

While we’re on the subject of Universal Monsters, I’m currently working on a review of the Universal Classic Monsters: Icons of Horror Collection in 4K and should have that up by the end of the week. I’m giving myself the week to work on it, however, because I’m attending a studio screening of Denis Villeneuve’s Dune tomorrow afternoon. And I have a sneaking suspicion that’s going to occupy my mind for the next few days afterwards. I’ll definitely post a few non-spoiler thoughts about that film as well this week, rest assured. [Read on here...]

We’ve got a quick release news update here at The Bits for you today. But first, more new disc reviews...

I’ve just given a pair of titles from Sony’s new Columbia Classics: Volume 2 box set a look in 4K Ultra HD, including Carol Reed’s Oliver! (1968) and Otto Preminger’s Anatomy of a Murder (1959). That last review includes film comments by our dear friend Barrie Maxwell, the late great Digital Bits classic film columnist.

Also, Tim has taken a look at Random Space Media’s recent Resident Evil: Six Movie Collection, which includes the first six films in that series in 4K Ultra HD. It’s very similar in content to Sony’s 2020 release and it’s an all-region Australian import.

And Stephen has reviewed Ari Aster’s Misdommar: Director’s Cut in 4K Ultra HD, which is only available directly from A24 via their online web shop.

All of these releases are well worth a look for cinema fans, so do check out the reviews.

Just to give you a sneak peek at what’s coming next review-wise, I’m going to continue working my way through Sony’s Columbia Classics: Volume 2 4K titles as well as the Universal Classic Monsters: Icons of Horror Collection in 4K. All of those reviews should be posted here at The Bits by mid next week. Tim’s also working on Legend on Blu-ray from Arrow, and Stephen and Dennis are working through a stack of new titles too. So stay tuned for lots more reviews in the week ahead and beyond. [Read on here...]

All right, we’re rounding out the week with another trio of new disc reviews...

First, Tim has turned in this thoughts on Simon McQuoid’s Mortal Kombat (2021) in 4K Ultra HD from Warner Bros. Home Entertainment.

Stephen has offered a review of Robert Aldrich’s Vera Cruz (1954), an influential UA/MGM titles new on Blu-ray from Kino Lorber Studio Classics.

And I’ve taken a look at The Little Rascals: The ClassicFlix Restorations – Volume 2 on Blu-ray, which includes the next set of 11 vintage shorts from 1930 to 1931.

More reviews are on the way for next week, so be sure to check back for them. [Read on here...]

We’ve got three more Blu-ray reviews for you to enjoy today, including...

Stephen’s take on Alan Parker’s Bugsy Malone, as newly released by Paramount as part of their Paramount Presents line-up.

Dennis’ look at Gordon Hessler’s Scream, Pretty Peggy (1973), a Bette Davis title from Kino Lorber Studio Classics.

And Tim’s thoughts on Rob Galluzzo’s new documentary Analog Love: The Art of the Mixtape from Passion River Films.

As always, more new disc reviews are on the way for tomorrow, so be sure to check back then.

In announcement news today, Paramount has just set Warren Beatty’s Reds for release on Blu-ray on 11/30 in honor of the film’s 40th anniversary, newly-remastered from the original camera negative in 4K in a process supervised and approved by Beatty and cinematographer Vittorio Storaro. [Read on here...]

Today’s update is just a quick one, but we have more reviews for you and some great announcement news too...

First up, I’ve just taken an in-depth look at Imprint’s new Space: 1999 – The Complete Series Ultimate Edition Blu-ray box set, which is far and away the most comprehensive version of the series released yet on this format. It contains all 48 episodes of the series in 1080p (the Network remasters) with the correct mono & 5.1 audio mixes (not the flawed 5.1 from the Shout! Factory set), PLUS nearly all of the special features from the Network Blu-ray sets, AND nearly all of the recent Shout! Factory exclusive extras, AND all four compilation films too! It even comes with a new 48-page liner notes book, The Making of Space: 1999, by Ian Fryer of Fanderson. Best of all? It’s an ALL REGION release, so there’s not need to have an all-region Blu-ray player to watch the contents. As an Australian import, it’s a little pricey. But if you’re a fan of this series, trust me when I say that this is definitely the Blu-ray set you want.

Also today, our own Tim Salmons has taken a look at Imprint’s new Blu-ray edition of Mike Newell’s The Awakening (1980). And he’s reviewed the recent Scream Factory version of The Awakening as well, for the sake of comparison. [Read on here...]

We start today with three more new disc reviews.

First up is my look at Random Space Media’s recent Breaking Bad: The Complete Series Blu-ray box set, an all region release that includes the Netflix streaming sequel El Camino. Note that this set is currently selling for the same price on Amazon as Sony’s wide-release Blu-ray set that does not include the sequel film.

Also today, Tim has posted his thoughts on Roland Klick’s Deadlock (1970), a fascinating film newly released in 4K by Subkultur Entertainment via Vinegar Syndrome.

And Stephen has turned in a new 4K review as well, this one of Stephanie Rothman’s Terminal Island (1972) on Ultra HD, also from Vinegar Syndrome.

Now then, in announcement news today, Warner Bros. Home Entertainment has made their Mad Max Anthology official for release on 4K Ultra HD and Digital on 11/2, just as we’ve been expecting for weeks now. [Read on here...]