Displaying items by tag: Ridley Scott

We’ve got more new disc reviews today to start the short Thanksgiving week out right here at The Bits. Among them are...

Stephen’s take on Fred Zinnemann’s A Man for All Seasons (1966) in 4K Ultra HD from Sony’s new Columbia Classics 4K Ultra HD Collection: Volume 5 box set.

Tim’s review of Don Siegel’s Two Mules for Sister Sara (1970) in 4K Ultra HD from Kino Lorber Studio Classics, as well as his on-going film-by-film review of Arrow’s excellent Shawscope: Volume Two Blu-ray boxed set—today featuring his thoughts on Lau Kar-leung’s The 36th Chamber of Shaolin (1978).

And my review of Dean Parisot’s Galaxy Quest (1999) in 4K Ultra HD Steelbook from our friends at Paramount Home Entertainment.

We’ve all got a lot more reviews in the works here at the site as well, so be sure to check back. In fact, in the next 24 hours or so, I’ll have my reviews of Akira Kurosawa’s Seven Samurai (1954) in 4K from the BFI (as compared to the recent Criterion 4K release, which I reviewed here last week), as well as my thoughts on Fede Álvarez’s Alien: Romulus (2024) in 4K UHD from 20th Century Studios.

Also today, I wanted to let you that I just dropped my second My Two Cents: A Video Blog episode exclusively for our supporters on The Digital Bits’ Patreon page. It runs about 26 minutes and includes comments on new and recent 4K titles, a sneak peek of 2025 4K catalog titles, and more. [Read on here...]

All right, today is Election Day here in the States, which means that partisans on both sides (and everyone in between) are feeling grumpy, nervous, or just over the whole damn thing. Some folks this evening or tomorrow—or at some point in the next two months—will be happy-ish. But while none of this feels normal, it may actually be the new normal, and that too is unsettling for lots of people.

Given all of that, I wanted to share a post today here at The Digital Bits that might actually serve as a balm or a ray of sunshine for movie and 4K fans—or at least a bit of welcome news—no matter what the outcome of today’s voting might be. So stay tuned for that in a moment.

First though, we’ve got a trio of new disc reviews to share with you here today, including...

Stephen’s take on Robert Rossen’s All the King’s Men (1949) in 4K Ultra HD from Sony Pictures Home Entertainment’s new Columbia Classics 4K Ultra HD Collection: Volume 5 box set.

Dennis’ review of Robert Rossen’s Body and Soul (1947) on Blu-ray from Kino Lorber Studio Classics.

And Stuart’s thoughts on Alberto Cavalcanti’s Nicholas Nickleby (1947) on Blu-ray from Kino Classics.

More reviews are definitely on the way soon, including my own look at Arcane: League of Legends in 4K UHD from GKids and Shout! Studios. So be sure to watch for them. [Read on here...]

Greetings, Bits-ers! We’ve got some great announcement news for you this afternoon, but first...

Tim has taken a look at a couple of new releases on disc for you all, including Sergio Martino’s Torso (1973), an Italian giallo title from Arrow Video in 4K Ultra HD, and also Antonio Margheriti’s Cannibal Apocalypse (1980) in 4K Ultra HD from Kino Cult. So that should take care of your schlock horror cravings for today.

Morning reviews are on the way, so be sure to keep your eyes peeled.

Now then, the big announcement news today is that 20th Century Studios has just officially set Fede Alvarez’s Alien: Romulus (2024) for 4K Ultra HD, Blu-ray, and DVD release on 12/3, with the Digital release expected in a couple of weeks on 10/15. The title will come in Steelbook packaging only. Look for HDR10 high dynamic range and Dolby Atmos audio on a 66GB disc. The aspect ratio (per the press release) is 2.39:1.

[Editor’s Note: The studio press release indicates HDR10 only, but the open packaging shot—when zoomed in—reveals that the disc has the Dolby Vision logo on it. We’ve asked the studio to confirm and will post an update here when we hear back.]

[Editor’s Update – 10/1/24: Just a quick heads up to clarify... I’ve confirmed with studio sources that the Alien: Romulus 4K will indeed have Dolby Vision HDR, despite the fact that their press release suggested otherwise. However: No, Disney and 20th Century aren’t necessarily adding DV to all future Ultra HD titles. Instead, they’re making the decision to include it on a case by case basis going forward.]

Extras will include the Return to Horror: Crafting Alien: Romulus documentary, which includes 4 parts (The Director’s Vision, Creating the Story, Casting the Faces, and Constructing the World). You’ll also get 2 additional featurettes (Inside the Xenomorph Showdown and Alien: A Conversation which features Alvarez talking with original Alien director Ridley Scott). And a selection of Alternate/Extended Scenes will also be included. You can see the packaging at left and also below. [Read on here...]

We start as always today with several new disc reviews, including…

Sam Cohen’s take on Poul Bang and Sidney W. Pink’s Reptilicus (1961) in 4K Ultra HD from Vinegar Syndrome.

Stuart’s look at Something Weird Video and Kino Classic’s double-feature Blu-ray of The Pace that Kills (1928) and its “talkie” remake The Cocaine Fiends (1935).

Dennis’ reviews of Clarence Brown’s Idiot’s Delight (1939) on Blu-ray from the Warner Archive Collection and Chad Ferrin’s Night Caller (2021) on Blu-ray from Vinegar Syndrome.

Stephen’s thoughts on Guy Ritchie’s The Man from U.N.C.L.E. (2015) in 4K Ultra HD from Arrow Video.

And last but definitely not least, Tim’s review of Arrow Video’s new UK-only release of Jonathan Demme’s The Silence of the Lambs (1991) in 4K Ultra HD, which corrects the color space issues that plagued the Kino Lorber Studio Classics 4K disc from 2021.

More reviews are forthcoming tomorrow, so be sure to watch for them!

Now then, the big news today is that Franklin J. Schaffner’s Planet of the Apes (1968) has just been upgraded to 4K on all your favorite Digital services, including Apple TV, Fandango at Home, Movies Anywhere, Kaleidescape and more! It actually has Dolby Vision HDR on Apple TV (and it may elsewhere as well). Naturally, we’ve asked about the possibility of a physical 4K release of this film. I suspect there are no current plans, but I also suspect that if the title does well on Digital, that could change. [Read on here...]

We’ve got more interesting release news here today to close out the week, and a few more new disc reviews as well. First the reviews...

Stephen has turned in his thoughts on Abel Ferrara’s Dangerous Game (1993) on Blu-ray from Vinegar Syndrome via their fine new Cinématographe line.

And Dennis has reviewed Bryce McGuire’s Night Swim (2024) on Blu-ray from Blumhouse via Universal, as well as Raoul Walsh’s The Man I Love (1947) on Blu-ray from the Warner Archive Collection.

More reviews are on the way for next week, including my take on Hayao Miyazaki’s animated The Boy and the Huron (2023) in 4K Ultra HD from GKids. So be sure to stay tuned for them.

Also, my apologies for the lack of news updates this week, but I was struck a bout of vertigo last Saturday, and I’ve been having to take it a bit easy to reset everything back to normal. It’s nothing serious—mine is caused by tension in my shoulders aggravating the nerves in my neck, in this case triggered by sleeping with my neck in an awkward position. So the key is to fix my pillow situation and try to relax a little bit more. I’m sure some of you out there can relate!

Anyway, the big news lately is that Second Sight in the UK has finally set their long-awaited 4K remaster of Robert Harmon’s The Hitcher (1986) for release on both 4K Ultra HD and Blu-ray on 9/30. It’s currently exclusive to their website in a 4K + Blu-ray Limited Edition, as well as separate (and standard) 4K UHD and Blu-ray editions. [Read on here...]

We’ve got more new disc reviews for you to enjoy today, including a couple that we posted over the weekend...

First up, Tim and Dennis have taken a look at Billy Wilder’s Some Like It Hot (1959) in 4K Ultra HD from Kino Lorber Studio Classics.

I’ve also posted my thoughts on Steven Spielberg’s new West Side Story on 4K Ultra HD from 20th Century Studios.

And Tim has offered his thoughts on Philip Marshak’s Dracula Sucks (1978) in 4K Ultra HD as well, an infamous adult genre title available from Vinegar Syndrome.

Finally, Dennis has posted his take on Ridley Scott’s House of Gucci on regular Blu-ray too.

More new disc reviews are on the way soon, so be sure to check back for them in the coming days, including my in-depth look at Paramount’s The Godfather Trilogy in 4K. I had the chance to watch the films over the weekend, and let me tell you: They’ve simply never looked better. The new 2020 restoration is a night and day improvement upon the already fine 2007 restoration that was released previously on Blu-ray, so you’re definitely not going to want to miss this new set. [Read on here...]

Today’s update is a quick one, with two more new disc reviews, two rather significant pieces of release news, and some additional release news as well. First, the reviews...

Dennis has turned in a look at Ronald Neame’s Gambit (1966) on Blu-ray from Kino Lorber Studio Classics, which stars Michael Caine and Shriley MacLaine.

And Stephen has reviewed Nadia Tass’ The Big Steal (1990) on Blu-ray from Columbia Pictures via Umbrella Entertainment’s Sunburnt Screens line.

A quick note: I’ve taken a bit of a break from reviewing discs myself as I’ve been focused on planning The Bits site upgrade that we’re going to be doing in the coming months. But I expect to get back to reviewing more in the next couple of weeks, and I’ll definitely catch up on specific titles then. So thanks for your patience in the meantime.

Now then... Disney has informed us today that their 2/8 Blu-ray and DVD release of the Peter Jackson documentary The Beatles: Get Back is being delayed. Apparently, the studio caught an audio glitch in the release at the last minute and needs to correct it. So just be aware of the delay, and we’ll post updates here direct from the studio when they reschedule the title with a new street date. [Read on here...]

All right, I’m finally feeling better after my recent brush with an allergic reaction, so I’ve got a good My Two Cents update for you all today with some exciting 4K UHD release news and more new disc reviews as well.

First up is Stephen’s look at Joe Dante’s The Howling, now available in a new 40th anniversary release in 4K Ultra HD from Studio Canal in the UK. The 4K disc in the package will work on any UHD player, but the Blu-ray is Region B only and the DVD is Region 2 only.

Also today, Stephen has taken a look at Anthony Mann’s The Naked Spur (1953) on Blu-ray from MGM via the Warner Archive Collection.

And Tim has reviewed Camillo Mastrocinque’s An Angel for Satan (1966) on Blu-ray from Severin Films, as well as Don Siegel’s Coogan’s Bluff (1968) on Blu-ray from Kino Lorber Studio Classics. [Read on here...]

We’re starting out the new week today here at The Bits with a trio of new disc reviews...

First up, Tim and I have taken a look at Arrow Video’s terrific new Limited Edition Blu-ray of Ridley Scott’s Legend. The 2-disc set is absolutely loaded with vintage and new extras, and it includes the US Theatrical Cut newly-remastered from a 4K scan, as well as the Director’s Cut. Legend is a challenging title for a lot of reasons, but Arrow’s done a really great job with this one. If you’re a fan of the film, this is as good as it’s ever looked, and this is essentially a complete archive of all the previous special features and more.

Also today, Stephen has reviewed Chloe Zhao’s first film, Songs My Brothers Taught Me, newly-released on Blu-ray from Kino Lorber. If that name is familiar, it’s because Zhao is the filmmaker who’s just made The Eternals for Marvel Studios. It sounds like this earlier work is pretty terrific.

And finally, Dennis has given Wallace Worsley’s 1923 version of The Hunchback of Notre Dame a look on Blu-ray from Kino Classics. As many of you will already be aware, this version features the great Lon Chaney in the role of Quasimodo. It’s worth a look if you haven’t seen it yet.

While we’re on the subject of Universal Monsters, I’m currently working on a review of the Universal Classic Monsters: Icons of Horror Collection in 4K and should have that up by the end of the week. I’m giving myself the week to work on it, however, because I’m attending a studio screening of Denis Villeneuve’s Dune tomorrow afternoon. And I have a sneaking suspicion that’s going to occupy my mind for the next few days afterwards. I’ll definitely post a few non-spoiler thoughts about that film as well this week, rest assured. [Read on here...]

All right, we’ll have a bit of additional announcement news for the week tomorrow here at The Bits, and I’ll be spending the afternoon working on a review of Akira Kurosawa’s Ran in 4K UHD, which will be posted then as well.

But today, I want to talk about Denis Villeneuve’s DUNE.

I had the opportunity last night to attend one of Warner and Legendary’s IMAX sneak peek events for the film as a member of the press.

A little background first... I would definitely go so far as to call myself an expert on the subject of science fiction cinema. I’ve been reading literary science fiction my entire life (including DUNE many times), I’m known in some circles to be well-versed on the topic human spaceflight, and I’m a life-long student of science in general. I read physics and astronomy research papers like some people read comic books.

So as I noted in my recent review of Voyagers in 4K, I have certain critical expectations of science fiction films and TV series. Is the story and its science setup plausible, or does it require too many contrivances or conveniences? Is the story logically consistent? Is the world-building credible and convincing? And most importantly, is the story entertaining, engaging, or thought-provoking? The vast majority of genre programming fails on one or more of those criteria. In other words, on both the big and small screen, truly great science fiction is rare. [Read on here...]