My Two Cents

Displaying items by tag: digital

Today’s editorial is going to be brief, because frankly some of us here at The Digital Bits have grown a bit frustrated at this point. Disheartened by the state of things, as it were. So too—we suspect—have many of you, our dear readers and fans of physical media. But lately, after nearly twenty-six years of passionate advocacy for film, TV, and special edition content on disc, it’s come to our attention that a couple of the major Hollywood studios don’t seem to have quite that same passion for the subject anymore.

One of these—let’s call ‘em Garner Brothers—just announced a long awaited 4K Ultra HD catalog release with almost no special features. Certainly no newly-created special features, because this studio doesn’t seem to do many of those anymore, and almost no special features on the actual discs, which is where disc fans tend to prefer them. Instead, most of this title’s special features are included as Digital extras only.

Nor does this title include the most obvious extra that fans have been wanting for years, which is the uncut 81-minute “Festival Version” of a certain making-of documentary about this film. Why? Honestly, we’re not sure there’s many people left at this studio who even know that it exists or why fans might care about it. (And if there is, that person should definitely be given a bigger role in making these decisions.)

Now, all of this is particularly frustrating, because if you pre-order this same title on 4K UHD in the United Kingdom, you do get those extras on disc. What’s more, you get a couple of different deluxe packaging options with swag in the UK, both of them terrific, whereas here in the States, the packaging’s artwork simply makes fans of this film weep, created—as it seems to have been—by an intern and novice Photoshop user for reasons unknown (rather than using the film’s already existing poster or production art, which… again… is the kind of thing this studio’s best customers would actually prefer.) [Read on here...]

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We’re back as promised this evening with more upcoming catalog 4K Ultra HD news and rumors from our studio, industry, and retail sources. Keep in mind, some of these titles are not yet officially announced, so the dates and details are subject to change.

First of all, this is a title we’ve known is coming for a few months now and while it’s not yet been officially announced by the studio, we do have the final cover artwork from retailers: Universal Studios Home Entertainment is expected to release their Universal Classic Monsters: Icons of Horror Collection – Volume 2 box set in 4K Ultra HD on 10/11.

The set will include The Mummy (1932), The Bride of Frankenstein (1935), Phantom of the Opera (1943), and Creature from the Black Lagoon (1954). You can see the cover artwork at left and also below.

It’s also believed that the titles in the studio’s Volume 1 set—Dracula (1931), Frankenstein (1931), The Wolf Man (1941), and The Invisible Man (1932)—will finally be released as single-film SKUs, for sure in the UK and possibly in the US as well. We’ll post more as soon as the studio makes any of this official. [Read on here...]

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Today is a day many of us in the cinephile community have been eagerly awaiting: Criterion has finally launched their streaming replacement for FilmStruck, better known as The Criterion Channel.

It officially launched this morning with apps on AppleTV, Amazon Fire, Roku, iOS and Android. You can also view it via web browser.

The good news is, the launch seems to have gone nearly flawlessly. I checked for the Roku download shortly after midnight. Finding it not yet available, I figured it was more likely to launch early AM on the East Coast, where Criterion’s offices are located. So I went to bed and checked again when I woke up here in California. [Read on here...]

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We mentioned this title a few days ago, but now we can officially confirm that Universal Pictures Home Entertainment and Neon will be releasing Todd Douglas Miller’s acclaimed large format documentary, Apollo 11, on Blu-ray, DVD, and Digital on May 14th.

From the studio’s press release:

“Crafted from a newly discovered trove of 65mm footage, and more than 11,000 hours of uncatalogued audio recordings, Apollo 11 takes us straight to the heart of NASA’s most celebrated mission—the one that first put men on the moon, and forever made Neil Armstrong and Buzz Aldrin into household names. Immersed in the perspectives of the astronauts, the team in Mission Control, and the millions of spectators on the ground, we vividly experience those momentous days and hours in 1969 when humankind took a giant leap into the future ” [Read on here...]

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First things first today...

No sooner did we post word from retail sources yesterday that Jurassic Park: Fallen Kingdom is expected to street on Blu-ray, DVD, Blu-ray 3D, and 4K Ultra HD on 9/18 (pending Universal’s official announcement), we learned this...

20th Century Fox Home Entetainment is now expected to release John McTiernan’s original Predator (1987) on 4K Ultra HD on 8/7. And we know this because the title is now available for pre-order on Amazon.com for that date (SRP $39.99, but Amazon has it for $34.19). You can see the official cover artwork at left and also below the break.

We’re awaiting Fox’s official announcement, which we expect at any time now, but this should be a full new native 4K film scan and restoration from the original camera negative and it should finally rid the film of the godawful DNR scrubbing it’s been given on past Blu-ray editions.

The disc will also include a Blu-ray copy in the package, and we suspect that this will be mastered from the same 4K scan too (but we’ll have to wait for the press release to confirm that officially, along with other details). [Read on here...]

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First things first today... some of you may have seen my reviews of Mel Gibson’s Braveheart and Ridley Scott’s Gladiator on 4K Ultra HD when I posted them late on Friday night, but if not... there you go. Both are coming out on 5/15 from Paramount in reference quality (or very close to it) and they’re certainly the best way to see these films yet bar none.

Also today, Tim has just posted reviews of Kino Lorber Studio Classics’ outstanding new The Outer Limits: Season One box set, along with Adult Swim’s Rick and Morty: Season 1 and Season 2, all on Blu-ray. Each of these titles are well worth a look.

In 4K Ultra HD catalog news, Sony Pictures Home Entertainment has just set The Quick and the Dead for release on the format on 7/17. The 4K disc will feature Dolby Atmos audio and HDR10. It will also include the previous Blu-ray extras and will add 7 never-before-seen deleted scenes for this release. We’ve updated the 4K Ultra HD Release List here at The Bits accordingly. [Read on here...]

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All right, this is just a quick post today, but it’s an important one...

First up, I’ve just completed my in-depth review of Ryan Coogler’s Black Panther in 4K Ultra HD from Marvel and Disney. As you probably already know, it’s a great installment in the Marvel Cinematic Universe and an interesting 4K release for a couple of reasons. Do check it out.

I’m currently working on a review of Universal’s The Incredible Hulk in 4K Ultra HD too (speaking of the MCU). What’s more, I expect to have my hands on Paramount’s Braveheart and Gladiator in 4K Ultra HD sometime today. So those reviews will be posted as soon as possible too. Be sure to check back for them. [Read on here...]

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Okay… the first of our big 4K Ultra HD catalog reviews this week is in the works and we hope to have it for you bright and early tomorrow morning. First though, we need to take care of an important bit of site business. Please read on (and bear with us a moment)...

For over twenty years now, from the dawn of DVD to the rise of 4K Ultra HD, The Digital Bits has been a powerful advocate for home media enthusiasts online. From our unique position within the industry, we’ve shared our love and knowledge of film, advised our readers honestly and well through two format wars, helped to make the adoption of the latest home theater technology easier, and served as a bridge between enthusiasts and the Hollywood professionals that produce our favorite content.

But in recent years, our costs to operate The Bits have unfortunately increased, from contributors and equipment, to servers, bandwidth, even cybersecurity, even as advertising revenue has dropped all across the Internet (outside of social media), leading to the disappearance of all too many popular websites. When even an enthusiast-favorite company like Oppo can’t keep going in this climate, you know things are tough. Yet we think it’s incredibly important for us to keep fighting for the continued survival of physical media on behalf of all of you out there who love it. [Read on here...]

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[Editor’s Note: Be sure to like TheDigitalBits.com page on Facebook for breaking news, site updates on the go, discussion with our staff and other readers, giveaways and more!]

Okay… back to CES 2015. Let’s talk 2014 home entertainment numbers today. The Digital Entertainment Group (DEG) released its preliminary year-end report and the findings are interesting, if almost certainly what you would expect.  [Read on here…]

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