Displaying items by tag: Well Go USA

All right, we’ve got quite a bit of ground to cover today here at The Digital Bits. But as always, we’re starting first with some more new disc reviews. And they’re good ones...

Stephen has taken a look at a pair of 4K Ultra HD releases, including Walter Hill’s The Warriors (1979) in 4K from Arrow Video—an absolutely fantastic release—as well as Ishirō Honda’s original Godzilla (1954) in 4K from Toho, a Japanese import disc that has no English subtitles. But read on, because Stephen’s thoughts on it are well worth your time.

Now then, the first big piece of news we have today is that our friends at The Criterion Collection have just announced their April Blu-ray, DVD, and 4K UHD slate, which is set to include an update of Mathieu Kassovitz’s La haine (1995) (Spine #381 – 4K Ultra HD + Blu-ray) on 4/2, an update or Peter Weir’s Picnic at Hanging Rock (1975) (Spine #29 – 4K Ultra HD + Blu-ray) on 4/9, Béla Tarr and Ágnes Hranitzky’s Werckmeister Harmonies (2000) (Spine #1215 – 4K Ultra HD + Blu-ray, Blu-ray, and DVD) on 4/16, Mikhail Kalatozov’s I Am Cuba (1964) (Spine #1214 – 4K Ultra HD + Blu-ray, Blu-ray) on 4/23, and Nancy Savoca’s Dogfight (1991) (Spine #1216 – Blu-ray) on 4/30. Of the 4K titles, La Haine will include Dolby Vision HDR. [Read on here...]

Afternoon, Bits readers and welcome to the new week and, of course, Halloween Eve!

We’ve got a little bit of ground to cover here today, but first I wanted to personally thank all those of you who have signed up to support The Digital Bits via Patreon. Since we first launched our Patreon five days ago, we’re up to 77 backers (and 104 members total), and we really appreciate your support. It means a lot, and it will make a real difference here, let me tell you.

Already, I’ve decided on a couple things: I’m making regular (almost daily) blog posts exclusively for our Patreon supporters that are a little different than the kind of thing I post here and on our social media. For example... my first-take thoughts on things I’m hearing from sources (release news, industry developments, and the like), first impressions on new review discs that I’ve had the chance to look at (before I publish the full in-depth reviews here on the site), and other odds and ends—the kinds of things that offer you a essentially a more personal and candid look behind the scenes here at The Bits. I’m also making the occasional public post for all members there, with information that’s relevant to all our readers—the kind of thing I’m going to share here in a minute today (disc replacement news, a PS5 firmware update of relevance to disc fans, the occasional piece of significant breaking news). And we’ll add more Patreon-exclusive features over time as we get used working there, learning what kinds of perks are possible, and what we can do without dramatically increasing our workload.

Anyway, just know that we really, really appreciate those of you who are willing to support our work with your hard-earned money. Thanks to all 77 paying backers (here’s to reaching 100!) and thanks to all of you who are following us there.

Now then... I’m going to be spending the rest of my day working on a review of Paramount’s Mission: Impossible – Dead Reckoning Part One in 4K UHD for posting here hopefully tomorrow. But first, there’s some important breaking news... [Read on here...]

All right... as one might expect, we’ve got a lot to talk about again today here at The Bits.

First of all, we don’t have any new information on Manta Lab’s “disc-less” WandaVision packaging, except to reiterate that while this is a licensed Disney Consumer Products item, it’s most definitely not an official Marvel Studios/Walt Disney Studios Home Entertainment physical media product. And while some you deluxe packaging collectors might think that’s splitting hairs, for the vast majority of disc consumers around the world it’s a very important distinction. Disney is not suddenly getting in the business of releasing Steelbook packaging for titles they have no intention of actually releasing on disc, and making it okay by including a Digital copy code. Just to be clear. In any case, we hope to hear more on this in the next few days.

As to the matter of today’s other Disney hot topic, I’m afraid, the news is not good. Despite the fact that Sanity has now pulled down their original Facebook post announcing it, we at The Digital Bits have confirmed today with multiple industry, distributor, and retailer sources in the region that Walt Disney Studios Home Entertainment is indeed pulling out of the Australian market in terms of physical media. This follows similar moves in Asia (save for Japan) and Latin America, and the reason is apparently down to the gradual collapse of physical disc sales in the region, the growth of Disney+ Starz streaming, and also the rise of global retailers (think Amazon, Zavvi, etc). None of that will be of any comfort to disc fans in Australia, who will now have to pay a hefty shipping premium to import titles from outside the country. But it is true that Guardians of the Galaxy, Vol 3 will be the last new-release Disney title to get a physical release in the region. Previously-released titles may continue to be available for purchase until the end of the year, but that will be up to individual retailers.

Sorry to be the bearer of bad news, folks, but there it is.

Now then, before we shift to a bit of announcement news, we have several new disc reviews here at The Bits that are worth mentioning today...

Here’s the big one: Stephen has just turned in his in-depth thoughts on William Friedkin’s To Live and Die in L.A. (1985) in 4K Ultra HD, as newly-released by our friends at Kino Lorber Studio Classics. It’s a great disc, with the best A/V presentation of the film to date, and it includes nearly all of the previously-created special features. [Read on here...]

We have a few more new disc reviews for you all to enjoy here at The Bits today...

Stephen has reviewed the animated All-Star Superman in 4K Ultra HD from Warner and DC, as well as Elizabeth Banks’ Cocaine Bear on Blu-ray from Universal. The less said about that last one the better, but tip of the hat to Stephen for taking one for the team on this title.

Also, Stuart has turned in his thoughts on George Sherman’s Tomahawk (1951) and the anthology title If I Had a Million (1932), both on Blu-ray from Kino Lorber Studio Classics.

There’s not a lot of major release news today, but we do have a couple items to report...

Undercrank Productions is releasing Raymond Griffith: The Silk Hat Comedian on Blu-ray + DVD on 6/13. The set presents two of the star’s surviving silent comedies, Paths to Paradise (1925) and You’d Be Surprised (1926), in new 2K restoration scanned from 35 mm elements in the possession of the Library of Congress. Each will feature new musical scores by Ben Model. [Read on here...]

Before we get to today’s brief bit of release news, we have two more new disc reviews for you...

Dennis has turned in his thoughts on Ol Parker’s Ticket to Paradise (2022), which is new on Blu-ray from Universal. The film stars Julia Roberts and George Clooney.

And Stephen has delivered a look at Ted Kotcheff’s North Dallas Forty (1979) on Blu-ray from our friends down under at Imprint and Via Vision.

Also here at The Bits today, we’ve just posted a major update of our Upcoming Cover Artwork section, featuring all the latest Blu-ray, DVD, and 4K Ultra HD cover art and Amazon.com pre-order links. As always, whenever you order literally anything from Amazon after clicking to them through one of our links (like this one) you’re helping to support our work here at The Bits and we appreciate it! [Read on here...]

We have four new disc reviews for you to enjoy today, along with some release news...

First, I’ve taken a look at the long-awaited physical 4K Ultra HD release of Joseph Kosinski’s Top Gun: Maverick from Paramount. You’ll be glad to know that the disc’s A/V quality is demo worthy, though the extras are somewhat wanting and you have to buy the Blu-ray version separately.

Stephen has offered up a review of Tobe Hooper’s Poltergeist, also in 4K Ultra HD from Warner Bros. And he’s got a review of Rob Zombie’s The Munsters on regular Blu-ray as well from Universal.

Finally, Tim has reviewed a film that was thought to be lost but has now been re-discovered and restored for Blu-ray release: George A. Romero’s The Amusement Park (1975) from Shudder and RLJ Entertainment.

More reviews are definitely on the way, so be sure to watch for them.

And we’ve also posted a major update of our Release Dates & Artwork section here at The Bits (listed as Cover Art in the navigation bar above), featuring a ton of new Blu-ray, DVD, and 4K Ultra HD cover images and Amazon.com pre-order links. As always, anytime you order literally anything from Amazon after clicking through to them from one of our links, you’re helping to support our work here at The Bits and we really appreciate it! (Thanks to our own Russell Hammond for his work on that section.) [Read on here...]

All right Bits readers, we’ve got a pretty significant news update for you today...

We’ve been tracking many of these titles, but a few of the 4K catalog titles we’re going to talk about today are breaking news, thanks to our old friends over at Media Play News.

They’ve just issued the September 2020 Digital edition of their magazine, which features an extensive look at the recent surge of 4K Ultra HD catalog releases. The publication’s editor, Stephanie Prange (who, full disclosure, I’ve known for many years), wrote a great longform piece for the issue called 4K Ultra HD: Into the Vaults about the process of preparing classic catalog films for release on the format.

Not only is it informative (and I should note that I was among the people interviewed therein), it includes some great news about forthcoming titles. [Read on here...]

All right, we’re closing out another week in pandemic isolation with some new reviews and a bit more announcement news...

First up those reviews... Tim has checked in with a look at FIVE recent Blu-ray titles from our friends at Severin Films—running the gamut from Eurosleaze to erotic to the rarely-seen and undervalued—so here are his thoughts on Just Jaeckin’s Gwendoline (1984 – aka The Perils of Gwendoline in the Land of the Yik Yak), the Russian genre film Viy (1967), Jess Franco’s Cries of Pleasure (1983) and Night of Open Sex (1983), and Leopoldo Savona’s Byleth: The Demon of Incest (1972).

And yes, we recognize that some of these aren’t for the faint of heart or for mainstream audiences (particularly those titles we had to blank out the cover art on or Google advertising will flag it), but the range of cinema on disc is wide and far-reaching. There’s something for everyone. And they can’t all be Star Wars or Marvel films. So there you go. [Read on here...]

We’ve got several more new announcements to report today, so let’s get right to it...

First of all, Lionsgate has officially set Roland Emmerich’s Midway for release on Blu-ray, DVD, and 4K Ultra HD on 2/18, with the Digital release expected on 2/4. The 4K version will include Dolby Vision HDR and Dolby Atmos audio. Extras on the Blu-ray and 4K versions will include audio commentary by Roland Emmerich, 6 featurettes (Getting It Right: The Making of Midway, The Men of Midway, Roland Emmerich: Man on a Mission, Turning Point: The Legacy of Midway, Joe Rochefort: Breaking the Japanese Code, and We Met at Midway: Two Survivors Remember), plus the film’s theatrical trailer. You can see the cover artwork below.

Lionsgate has also announced the Blu-ray, DVD, and 4K Ultra HD release of Rian Johnson’s Knives Out on 2/25, with the Digital release due on 2/7. Again, the 4K version will include Dolby Vision HDR and Dolby Atmos audio. [Read on here...]

All right, we’ve got a few items for you guys today here at The Bits...

First up, I know some of you guys are big fans of the Fast and Furious franchise, so you might be interested in this: Amazon is now taking pre-orders on Universal’s Fast & Furious and Fast Five on 4K Ultra HD. Each will feature DTS-X object based audio. Street date is 6/11. I’ve included cover artwork at below (and you’ll find the Amazon pre-order links down there too.

I’ve also posted the artwork for Universal’s The Scorpion King, which streets on 4K on 6/18 and is also available for pre-order.

Now then, the big news today is that Sony Pictures Home Entertainment has announced a new Ghostbusters & Ghostbusters II Steelbook 4K Ultra HD release on 6/11 that will include a new special features disc with more than two hours of “long-requested and rare archival elements—including never-before-seen deleted scenes from the first film—along with returning interviews, effects breakdowns, multi-angle explorations and much more! Both films also feature brand new commentaries, featuring the filmmakers on Ghostbusters II and passionate fans with deep-cut insights on Ghostbusters.” You can see the cover artwork to the left. [Read on here...]