We’ve got a pair of new 4K Ultra HD Blu-ray reviews for all of you to enjoy here at The Bits today. I’ve given Warner’s The Accountant and Sony’s Inferno a spin on the format, both of which are recent releases, and have a few things to say about each. Do give them a look.
Also today, it’s become fairly clear that Amazon and Disney are having another one of their strange business tiffs that involves Amazon pulling all of Disney’s forthcoming Blu-ray titles off of pre-order. Case in point, Moana, Doctor Strange, etc. This may also be why Disney and Lucasfilm have not yet announced the Blu-ray release of Rogue One: A Star Wars Story, even though it’s already available for pre-order on other retail sites. While they no doubt have their reasons, these actions are a major inconvenience to both Amazon’s customers and Disney’s Blu-ray consumers, so these two companies should get their act together. [Read on here…]
So, here’s something very interesting. File this in the Rumor Mill category, but Disney may finally be about to take the leap into 4K Ultra HD.
According to the German BD site Bluray-Disc.de, Disney and Marvel have licensed Iron Man, Iron Man 2, and Iron Man 3 to Concorde Home Entertainment for release in Germany on the 4K Ultra HD format on 4/6, both individually and as a Steelbook trilogy. You can see more here and also here.
If this is true, it would seem likely that a U.S. release is also soon to be announced. After all, the 4K Ultra HD format is all-region. It’s very hard to imagine Marvel and Disney sacrificing potential sales here in the States due to enthusiasts importing copies. [Read on here…]
All right, Blu-ray, DVD, and 4K announcements have been few and far between in the last few days, but we’ve got a couple of interesting things to report today to close out the week.
First though, we have four new horror Blu-ray reviews from Tim Salmons for those of you who are fans of the genre. Tim has taken a look at Synapse’s Phenomena: Limited Edition, David Cronenberg’s The Brood from Criterion, Arrow Video’s The Initiation, and Grindhouse Releasing’s I Drink Your Blood. Do give them a look. [Read on here…]
Here at the site today, Tim has turned in a new Blu-ray review, this time featuring Criterion’s recent release of Carnival of Souls (1962). It’s a terrific package, with an amazing transfer and fine extras too.
We’ve also got Russell’s weekly update of the Release Dates & Artwork section with all the latest Blu-ray, DVD, and 4K cover artwork as well as Amazon.com pre-order links. As always, whenever you order anything at all after clicking to Amazon through any of our links, you’re helping to support our work here at The Bits and we really do appreciate it very much. [Read on here…]
Okay, just got a quickie post to close out the week here at The Bits, as I’m hard at work on more new disc reviews. Among the titles I’m working are Kubo and the Two Strings and UFO: The Complete Series on Blu-ray (the latter being a Region B title), and also Suicide Squad, Morgan, and The Magnificent Seven in 4K Ultra HD Blu-ray format. So watch this space over the next week or so for my thoughts on those.
Meanwhile, Tim has turned in a new Blu-ray review himself, in this case a look at Lucio Fulci’s Manhattan Baby: 3-disc Limited Edition, which is now available from our friends over at Blue Underground. [Read on here…]
I’ve about decided that a full book could be written regarding just about every produced movie – Lord knows there’s always enough behind the scenes drama to fill a daytime soap. But I love it. Who was supposed to be in what? Who wrote the script? That stuff. The success of X movie produced Y.
And here’s a story about a Robert Redford motorcycle picture called Little Fauss and Big Halsey, recently released for the first time on home video by Olive Films.
Al Ruddy came to Hollywood in the early 60s and as a young pup sold what has become a classic sitcom called Hogan’s Heroes. Ruddy and Charles Eastman wrote the script for Little Fauss and sold it to Paramount with a then hot director named Sidney Furie (who was bankable because of The Ipcress File and The Naked Runner). Redford was brought on board in the process as was my friend and lifelong Ruddy partner Gray Frederickson. [Read on here...]
After Friday’s web issues (which continued yesterday), we’re back with a normal daily news post here at The Bits and also some new disc reviews. But we’re going to be doing some additional work all this week to try and make some improvements to the server. So updates over the next few days may be a little spotty. However, we’re working on lots of new disc reviews, including Independence Day: Resurgence and Crouching Tiger, Hidden Dragon on 4K Ultra HD which we hope to post later this week. [Read on here…]
We’ve got another new Blu-ray review for you today: Tim has taken a look Scream Factory’s new Carrie: Collector’s Edition Blu-ray as part of his Pick-Ups round-up of titles this week, and he’s found it to be yet another worth release from the company. Do give it a look.
In announcement news today, the Warner Archive has revealed that it’s bringing Doc Savage: The Man of Bronze (1975) to Blu-ray. The release date is TBA, but the disc will include a new HD remaster of the film, with DTS-HD Master Audio 2.0, and the theatrical trailer. [Read on here…]
All right, let’s talk Monday turkey (as in Blu-ray, DVD, and 4K news)...
First up though, Tim Salmons has turned in a new Pick-Ups column with his thoughts on Frank Kenenlotter’s Basket Case 2, newly released on Blu-ray Disc by our friends at Synapse Films. Do give it a look.
In announcement news today, Uncork’d Entertainment has set Marty Langford’s Doomed! The Untold Story of Roger Corman’s Fantastic Four documentary for DVD release on 12/20, with a digital release expected on 10/11. [Read on here…]
I think it’s time we caught up. Walking outside during this Oklahoma summer is like tasting something after it’s been in the microwave about eight minutes. The heat and stupidity started even before Memorial Day and has not abated. It’s like we’re living on Mars – I’ve been pricing those spacesuits which protected Matt Damon.
But thank goodness for the movies. Especially the kind one watches in the comfort of one’s own home. Let’s discuss.
Here’s a serious complaint – as I learned over the years, watching a great film is a multi-sensory experience – you see, you listen, you emote. And for me, always a major component of that experience is the music score. For those who pay attention, music is usually the heart of the movie – name a classic up through about 1990 or so for which you can’t hum a main theme. Or name a dud or two with a score that is better than the picture. [Read on here...]