My Two Cents
I’m happy to say that we have a little bit of late-breaking announcement news today, and it’s one we’ve all been waiting for. Here’s the full text of Warner’s press release...
THE EXORCIST COMES TO 4K ULTRA HD BLU-RAY AND DIGITAL
TO CELEBRATE THE ICONIC SUPERNATURAL FILM’S 50TH ANNIVERSARY, THE EXORCIST WILL BE AVAILABLE FOR THE FIRST TIME IN 4K RESOLUTION WITH HIGH DYNAMIC RANGE (HDR)
Purchase the film on 4K Ultra HD Disc and Digital on September 19
Burbank, Calif., August 1, 2023 – As part of the year-long centennial celebration for the 100th anniversary of Warner Bros. Studio, the iconic supernatural film The Exorcist from Academy Award-winning director William Friedkin (The French Connection) will be available for purchase on 4K Ultra HD Disc and Digital for the first time this September.
Celebrating the 50th anniversary of its 1973 release, on September 19 The Exorcist will be available to purchase on Ultra HD Blu-ray Disc from online and in-store at major retailers and available for purchase Digitally from Amazon Prime Video, AppleTV, Google Play, Vudu and more.
The Ultra HD Blu-ray Discs include both the 1973 theatrical version of the film and the 2000 Extended Director’s Cut of the film which features eleven additional minutes of footage not seen in theaters. [Read on here...]
In reviews today, Stephen has taken a great in-depth look at Terry Gilliam’s acclaimed Time Bandits (1981) in 4K Ultra HD from the Criterion Collection.
And Tim has weighed in with his thoughts on Chris McKay’s horror comedy Renfield (2023) on Blu-ray from Universal. The film stars Nicolas Cage, Nicholas Hoult, and Awkwafina.
As far as title announcements, the big one today is that Sony Pictures Home Entertainment has officially set the animated sequel Spider-Man: Across the Spider-Verse for release on Blu-ray, DVD, and 4K Ultra HD on 9/5. The Digital version becomes available on 8/8. The 4K will include Dolby Atmos audio, while the Blu-ray will feature 5.1 DTS-HD Master Audio. Extras will include audio commentary with the filmmakers, a deleted scene (Miguel Calling), lyric videos, and 10 behind-the-scenes featurettes (Obscure Spiders and Easter Eggs, I’mma Do My Own Thing, Across the Worlds: Designing New Dimensions, Designing Spiders and Spots, Scratches, Score and The Music of the Multiverse, Escape from Spider-Society, Across the Comics-Verse, Creating the Ultimate Spider-Man Movie, Raising a Hero, and Your Friendly Neighborhood Spider-Cast). You can see the final cover artwork for the 4K UHD at left and also below, along with the wide release Blu-ray cover. Note that there will also be retail-exclusive packaging SKUs, including a Steelbook at Best Buy.
Sony Pictures Home Entertainment has also set Cobra Kai: Season 5 for DVD only release on 9/12. [Read on here...]
We’re starting the week off here at The Digital Bits this afternoon with a great new disc review, this one featuring Tim and Stephen’s tag-team take on Arrow Video’s fantastic Enter the Video Store: Empire of Screams Blu-ray box set, which includes The Dungeonmaster (1984), Dolls (1986), Cellar Dweller (1987), Arena (1989), and Robot Jox (1990). It’s a boxed release that’s well worth checking out if you can get your hands on a copy—the title is sold out and basically only available on the secondary market. One hopes that the films will be released individually on Blu-ray from Arrow in the future.
In announcement news today, Paramount has revealed a new School of Rock: 20th Anniversary Edition Blu-ray Steelbook for release on 9/26. The disc will include audio commentary with Jack Black and director Richard Linklater and nearly an hour of legacy special features.
Paramount will also release a new Halloween H20: 20 Years Later 4K Ultra HD Steelbook Edition on 9/26, celebrating the film’s 25th anniversary. You can see the packaging below the break.
Kino Lorber Studio Classics has officially set Lewis Teague’s Cujo (1983) for 4K Ultra HD release on 10/24, complete with a new 4K scan of the original camera negative, Dolby Vision HDR, and a great new special feature, Cujo Revisited, which is a never-before-seen 2014 roundtable discussion with Dee Wallace, Danny Pintauro, Daniel Hugh Kelly, and the director.
The company has also revealed that Harold Becker’s Sea of Love (1989) is coming to 4K Ultra HD in the months ahead.
And coming to regular Blu-ray from KLSC are Mario Bava’s Black Sabbath (1963) on 10/24 and Jules Dassin’s Topkapi (1964), the street date for which is still TBA. [Read on here...]
We have two new disc reviews of you to enjoy today...
Stephen has taken a look at Dusty Nelson’s Effects (1979) in 4K Ultra HD, a film that originated from the minds of several Pittsburgh-area collaborators of George A. Romero. It’s now available from Image Works via the American Genre Film Archive and our friends at Vinegar Syndrome.
If you’re interested in this film, you might also enjoy reading a 2005 archived interview we did on the original Bits website about the project with our old friend John Harrison (Takes from the Darkside, Frank Herbert’s Dune). You’ll find that here (and pardon the messy HTML).
Also today, Dennis has taken a look at Cheryl Dunye’s The Watermelon Woman (1996) on Blu-ray from The Criterion Collection.
We don’t have a lot in the way of new announcement news today, but a number of long-awaited 4K Ultra HD catalog titles are finally available for pre-order on Amazon. [Read on here...]
I have the good fortune of having one of the thirty theaters on Earth that’s showing Christopher Nolan’s Oppenheimer in 15 perf/70 mm IMAX located within three miles of my house. So I needed all the coffees on Tuesday morning, after seeing the film at an 11 PM showing on Monday night, which is the only decent single ticket I could get my hands on. (My theatre of choice is virtually sold out well into the second week of August.)
I must say, the experience of this film in IMAX 70 was impressive, with the urgency of its editing and immediacy of its cinematography creating a uniquely engrossing narrative momentum. J. Robert Oppenheimer’s life and career, from his college years to his post-war exile, are covered in extensive detail, and while all of this adds context, I’m not sure that much detail was strictly necessary. (In Nolan’s shoes, I might have shortened the film by a good twenty minutes.)
The ensemble cast is fantastic, each of them disappearing into their roles to a degree I didn’t think some of these actors were capable of. There are many familiar faces that I knew would appear in this film, but many more here were unexpected (including Jack Quaid as Richard Feynman of all people, James Urbaniak as Kurt Gödel, and Gary Oldman as Harry S. Truman), yet all of them raised their game. What’s more, this is certainly the finest performance of Cillian Murphy’s career, and one of the most compelling. Hands down, the guy deserves an Oscar for this role. [Read on here...]